Ileana Marin teaches at the University of Washington, Seattle, and at the Center of Excellence in Image Studies of the University of Bucharest. She has published three books dedicated to Pre-Raphaelite artists and a volume on tragic myths. The study „Rossetti’s Saturated Readings: Art’s De-Humanizing Power” from Arts and Life in Aestheticism: De-Humanizing and Re-Humanizing Art, the Artist, and the Artistic Receptor (New York: Palgrave, 2008) has drawn praise from specialists as have her articles and conference presentations on the materiality of literary, pictorial, and graphic texts. With a Ph.D. in comparative literature from the University of Bucharest and another doctorate in textual studies from the University of Washington, Ileana Marin has received several grants, including a Fulbright Grant (2004), a fellowship from the European Society for the Study of English (1997, 2005), as well as Chester Fritz Research Grant (2009), which allowed her to explore interdisciplinary dialogues between text and image and the transformation of artworks into cultural icons.
Supervisors: Raimonda Modiano, Professor of English and Comparative LIterature, CO-Director of the Textual Studies Program at the UW, Seattle
Supervisors: Raimonda Modiano, Professor of English and Comparative LIterature, CO-Director of the Textual Studies Program at the UW, Seattle
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same time by the two women painters: 1. Hill’s White Bull (1905) with Beaux’ Mrs. Richard Low Divine (1907); 2. Hill’s Flathead Indian Reservation Looking East from Ronan (1905) with Beaux’
Dorothea in the Woods (1897).
same time by the two women painters: 1. Hill’s White Bull (1905) with Beaux’ Mrs. Richard Low Divine (1907); 2. Hill’s Flathead Indian Reservation Looking East from Ronan (1905) with Beaux’
Dorothea in the Woods (1897).