Haydon, Benjamin Robert, 1786-1846
![Sudoc [ABES], France](/https/viaf.org/viaf/images/flags/SUDOC.png "Sudoc [ABES], France")
Benjamin Haydon
Haydon, Benjamin Robert
Haydon, Benjamin Robert (English painter, teacher, and author, 1786-1846)
![Union List of Artist Names [Getty Research Institute]](/https/viaf.org/viaf/images/flags/JPG.png "Union List of Artist Names [Getty Research Institute]")
היידון, בנג'מין רוברט, 1786-1846
VIAF ID: 29662326 (Personal)
Permalink: http://viaf.org/viaf/29662326
Preferred Forms
-
100 0 _
‡a
Benjamin Haydon
-
200 _ |
‡a
Haydon
‡b
Benjamin Robert
‡f
1786-1846
-
100 1 _ ‡a Haydon, Benjamin Robert
-
100 1 _
‡a
Haydon, Benjamin Robert
-
100 1 _
‡a
Haydon, Benjamin Robert
-
100 1 _ ‡a Haydon, Benjamin Robert
-
100 1 _ ‡a Haydon, Benjamin Robert ‡d (1786-1846)
-
100 1 _ ‡a Haydon, Benjamin Robert ‡d (1786-1846).
-
100 1 _
‡a
Haydon, Benjamin Robert
‡d
1786-1846
-
100 1 _
‡a
Haydon, Benjamin Robert
‡d
1786-1846
-
100 1 _
‡a
Haydon, Benjamin Robert
‡g
English painter, teacher, and author, 1786-1846
-
100 1 _
‡a
Haydon, Benjamin Robert,
‡d
1786-1846
-
100 1 _ ‡a Haydon, Benjamin Robert, ‡d 1786-1846
-
100 1 _ ‡a Haydon, Benjamin Robert, ‡d 1786-1846
-
100 1 _
‡a
Haydon, Benjamin Robert,
‡d
1786-1846
-
100 1 _ ‡a Haydon, Benjamin Robert, ‡d 1786-1846
-
100 1 _ ‡a Haydon, Benjamin Robert, ‡d 1786-1846
-
100 1 _ ‡a Haydon, Benjamin Robert, ‡d 1786-1846
-
100 1 _ ‡a Haydon, Benjamin Robert, ‡d 1786-1846
-
200 _ 1 ‡a Haydon, ‡b Benjamin Robert, ‡f 1786-1846
-
100 1 _ ‡a היידון, בנג'מין רוברט, ‡d 1786-1846
4xx's: Alternate Name Forms (24)
5xx's: Related Names (1)
Works
| Title | Sources |
|---|---|
| 1816-1824 |
|
| The art of ellipsis : the early Keats and B. R. Haydon |
|
| The Autobiography and journals of- : (1786-1846). |
|
| bataille de Waterloo, poème, par Napoléon Ier |
|
| centenaire d'Iéna (1806-1906) |
|
| Chaptal. Les Français en Dalmatie. La condamnation du maréchal Ney |
|
| conversation avec Napoléon à l'île d'Elbe |
|
| Correspondance inédite de Napoléon Ier avec le général de Caulaincourt, duc de Vicence (1808-1809) |
|
| Correspondence et Table-Talk |
|
| Daniel O'Connell M.P. for the City of Dublin [.] 9th February 1841. |
|
| Une défaite de Napoléon, la rétractation de Pie VII |
|
| derniers jours de Napoléon en France (22 juin-15 juillet 1815) |
|
| Description of a painting of Jerusalem and the surrounding country, as it appears at this time, from the Mount of Olives |
|
| diary of Benjamin Robert Haydon |
|
| expédition maritime en 1793 |
|
| Explanation of the picture of Chairing the Members, a scene in the mock election, which took place at the King's Bench Prison, July, 1827 : now exhibiting at the Bazaar, Old Bond Street. |
|
| Giudizio dei conoscitori delle Belle Arti : comparato con quello dei professori di esse : e massime relativamente ai Marmi di Lord Elgin |
|
| instruments de Napoléon |
|
| The judgement of connoisseurs upon works of art compared with that of professional men : in reference more particularly to the Elgin Marbles |
|
| Lectures on painting and design. |
|
| Letters from Elizabeth Barrett to B. R. Haydon |
|
| Lettres à Joseph Bonaparte |
|
| mariage de Napoléon avec Marie-Louise |
|
| mort du duc d'Enghien |
|
| Napoléon Bonaparte d'après quelques publications récentes |
|
| Napoléon et la presse |
|
| Napoléon et les pamphlétaires allemands en 1806 |
|
| Napoléon était-il épileptique |
|
| Napoléon Musing At Saint Helena [estampe] |
|
| New churches considered with respect to the opportunities they offer for the encouragement of painting, by B. R. Haydon |
|
| Painting, and the fine arts : being the articles under those heads contributed to the seventh ed. of the Encyclopaedia Britannica |
|
| Paul Ier et Bonaparte |
|
| The poetical works and other writings of John Keats, now first brought together, including poems and numerous letters not before published; |
|
| Une querelle célèbre |
|
| Sentiment des connoisseurs sur les ouvrages de l'art comparé avec celui des artistes; et plus particulièrement sur les marbres de Lord Elgin. |
|
| Some enquiry into the causes which have obstructed the advance of historical painting, for the last seventy years in England |
|
| Souvenirs inédits sur Napoléon Ier |
|
| Study of a Male Nude, in a Laid out Position on the Floor |
|
| Study of a Man in a Long Robe |
|
| Study of a Man, Looking Through a Telescope, Accompanied by Two Women |
|
| Study of a Reclining, Nude Figure |
|
| Study of a Religious Ceremony Scene |
|
| Study of a Right Hand [recto] |
|
| Study of a Sleeping Man, with a Hat and Clasped Hands |
|
| Study of a Soldier |
|
| Study of a Woman, Carrying a Child |
|
| Study of Christ Raising Lazarus |
|
| Study of Figures Sitting Under a Tree |
|
| Study of Male Heads |
|
| Study of the Resurrection of Lazarus |
|
| Study of the Statue of Diana in the Vatican [verso] |
|
| Study of Two Figures and Two Legs |
|
| Study sketch for the painting, Christ's Entry Into Jerusalem |
|
| Thoughts on the relative value of fresco and oil painting, as applied to the architectural decorations of the Houses of Parliament : read at the Friday evening meeting at the Royal Institution, Albemarle Street, March 4, 1842 |
|
| To the British Nation this Engraving of The Hero and his Horse on the Field of Waterloo, Twenty Years after the Battle, is most humbly dedicated by The Publisher |
|
| Unexpected Visitor |
|
| Venus and Anchise |
|
| William Wordsworth |
|
| Works |
|
| Xenophon and the Greeks Sighting the Sea [recto] |
|
| শিরোনামহীন |
|
