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Decorative Sunday

This week we present some dados from volume 9 of the Jeypore Portfolio of Architectural Details, published in twelve volumes by Bernard Quaritch between 1890 and 1913. A dado is the lower part of a wall, below the dado rail and above the skirting board, that is often given over to decorative treatment.

Issued under the patronage of Maharaja Sawai Madhu Singh, the Jeypore Portfolio was prepared under the supervision of Colonel Samuel Swinton Jacob, Indian Staff Corps, Engineer to the Jeypore State, and Lala Ram Bakhsh, head draftsman and teacher in the Jeypore School of Art, and was photo-lithographed by William Griggs of London, the inventor of photo-chromo-lithography. The Portfolio was intended to serve as a record of the architectural heritage of the Jeypore State and the north-west region of Rajasthan. As a record, it would “rescue (such) designs from oblivion and give them new life.”

Of the 12-volume set we only hold volumes 7 (String and band patterns), 9 (Dados), and 10 (Parapets). These have been digitized and may be found in our digital collections.

View other posts from the Jeypore Portfolio.

View more Decorative Sunday posts.

Decorative Sunday

This week we present some parapet designs from Jeypore Portfolio of Architectural Details, published in twelve volumes by Bernard Quaritch between 1890 and 1913. The plates displayed here are from volume 10 on parapets, the decorative extension of the wall at the edge of a roof, balcony, or other structure..

Issued under the patronage of Maharaja Sawai Madhu Singh, the set was prepared under the supervision of Colonel Samuel Swinton Jacob, Indian Staff Corps, Engineer to the Jeypore State, and Lala Ram Bakhsh, head draftsman and teacher in the Jeypore School of Art, and was photo-lithographed by William Griggs of London, the inventor of photo-chromo-lithography. The Portfolio was intended to serve as a record of the architectural heritage of the Jeypore State and the north-west region of Rajasthan. As a record, it would “rescue (such) designs from oblivion and give them new life.”

Of the 12-volume set we only hold volumes 7 (String and band patterns), 9 (Dados), and 10 (Parapets). These have been digitized and may be found in our digital collections.

View other posts from the Jeypore Portfolio.

View more Decorative Sunday posts.

Dado Designs from the Jeypore Portfolio

This week we revisit the decorative plates from Jeypore Portfolio of Architectural Details, published in twelve volumes by Bernard Quaritch between 1890 and 1913. The plates displayed here are from volume 9 on dados, the decorative treatment to the lower part of a wall.

Issued under the patronage of Maharaja Sawai Madhu Singh, the set was prepared under the supervision of Colonel Samuel Swinton Jacob, Indian Staff Corps, Engineer to the Jeypore State, and Lala Ram Bakhsh, head draftsman and teacher in the Jeypore School of Art, and was photo-lithographed by William Griggs of London, the inventor of photo-chromo-lithography. The Portfolio was intended to serve as a record of the architectural heritage of the Jeypore State and the north-west region of Rajasthan. As a record, it would “rescue (such) designs from oblivion and give them new life.” 

Of the 12-volume set we only hold volumes 7 (String and band patterns), 9 (Dados), and 10 (Parapets). These have been digitized and may be found in our digital collections.

View other posts from this title here.

View more posts about decorative arts and pattern books.

Parapet Designs from the Jeypore Portfolio 

This week we return to the Jeypore Portfolio of Architectural Details, published in twelve volumes by Bernard Quaritch between 1890 and 1913. Shown here are a few parapet designs, the decorative treatment to the extension of the wall at the edge of a roof, from volume 10 in the set.

Issued under the patronage of Maharaja Sawai Madhu Singh, the set was prepared under the supervision of Colonel Samuel Swinton Jacob, Indian Staff Corps, Engineer to the Jeypore (Jaipur) State, and Lala Ram Bakhsh, head draftsman and teacher in the Jeypore School of Art, and was photo-lithographed by William Griggs of London, the inventor of photo-chromo-lithography. The Portfolio was intended to serve as a record of the architectural heritage of the Jaipur State and the north-west region of Rajasthan (not to be confused with the city of Jeypore in Odisha, India). As a record, it would “rescue (such) designs from oblivion and give them new life.”

Of the 12-volume set we only hold volumes 7 (String and band patterns), 9 (Dados), and 10 (Parapets). These have been digitized and may be found in our digital collections.

View other posts from this title here.

View more posts about decorative arts and pattern books.

Jeypore Portfolio of Architectural Details

Today we are presenting decorative plates from Jeypore Portfolio of Architectural Details, published in twelve volumes by Bernard Quaritch between 1890 and 1913.

Issued under the patronage of Maharaja Sawai Madhu Singh, the set was prepared under the supervision of Colonel Samuel Swinton Jacob, Indian Staff Corps, Engineer to the Jeypore State, and Lala Ram Bakhsh, head draftsman and teacher in the Jeypore School of Art, and was photo-lithographed by William Griggs of London, the inventor of photo-chromo-lithography. The Portfolio was intended to serve as a record of the architectural heritage of the Jeypore State and the north-west region of Rajasthan. As a record, it would “rescue (such) designs from oblivion and give them new life.” The plates displayed here are from volume 9 on dados, the decorative treatment to the lower part of a wall.

View other posts from this title here.

View more posts about decorative arts and pattern books.

Sarah, Special Collections Graduate Intern

Jeypore Portfolio of Architectural Details

Today we are presenting decorative plates from Jeypore Portfolio of Architectural Details, published in twelve volumes by Bernard Quaritch between 1890 and 1913.

Issued under the patronage of Maharaja Sawai Madhu Singh, the set was prepared under the supervision of Colonel Samuel Swinton Jacob, Indian Staff Corps, Engineer to the Jeypore State, and Lala Ram Bakhsh, head draftsman and teacher in the Jeypore School of Art, and was photo-lithographed by William Griggs of London, the inventor of photo-chromo-lithography. The Portfolio was intended to serve as a record of the architectural heritage of the Jeypore State and the north-west region of Rajasthan. As a record, it would “rescue (such) designs from oblivion and give them new life.” The plates displayed here are from volume 10 on parapets, the decorative treatment to the extension of the wall at the edge of a roof.

View other posts from this title here.

View more posts about decorative arts and pattern books.

Sarah, Special Collections Graduate Intern

Jeypore Portfolio

Last week we wrapped up our Sunday series on The Golden Hind. This week we begin a new summer series focusing on some of the design books being used by artists in the Look Here! Project, which we highlighted on Friday. We begin with some plates from a set of publications being used by Milwaukee artists Nirmal Raja and Cynthia Hayes: .Jeypore Portfolio of Architectural Details, published in twelve volumes by Bernard Quaritch between 1890 and 1913.

Issued under the patronage of Maharaja Sawai Madhu Singh, the set was prepared under the supervision of Colonel Samuel Swinton Jacob, Indian Staff Corps, Engineer to the Jeypore State, and Lala Ram Bakhsh, head draftsman and teacher in the Jeypore School of Art, and was photo-lithographed by William Griggs of London, the inventor of photo-chromo-lithography. The Portfolio was intended to serve as a record the architectural heritage of the Jeypore State and the north-west region of Rajasthan. As a record, it would “rescue (such) designs from oblivion and give them new life.” The plates displayed here are from volume 9 on dados, the decorative treatment to the lower part of a wall.

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