Conference Presentations by Pavlos Piperias
1ο Συνέδριο Υποψηφίων Διδακτόρων και Μεταδιδακτορικών Ερευνητών/τριων - Ινστιτούτο Ανθρωπιστικών ... more 1ο Συνέδριο Υποψηφίων Διδακτόρων και Μεταδιδακτορικών Ερευνητών/τριων - Ινστιτούτο Ανθρωπιστικών και Κοινωνικών Σπουδών - Πανεπιστημιακό Ερευνητικό Κέντρο - Πανεπιστήμιο Ιωαννίνων
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7th Conference of M.A. Students & Ph.D. Candidates in Classics - University of Ioannina
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Thesis Chapters by Pavlos Piperias
Supervisor: Helen Gasti Associate Professor of Ancient Greek and Latin Literature. Εxamination Co... more Supervisor: Helen Gasti Associate Professor of Ancient Greek and Latin Literature. Εxamination Committee H. Gasti, K. Synodinou, P. Michelakis. MA Thesis Viva: 24.07.2020 Grade: 10/10 (A)
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Books by Pavlos Piperias
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Papers by Pavlos Piperias
Πανεπιστήμιο Ιωαννίνων, 2023
https://olympias.lib.uoi.gr/jspui/handle/123456789/33323
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Mediterranean Chronicle 10, 2020
The aim of this paper is to examine in Euripides’ Iphigenia at Aulis the play’s paralanguage and ... more The aim of this paper is to examine in Euripides’ Iphigenia at Aulis the play’s paralanguage and its relevance to a reconstruction of performance style. In studying how the on-stage speech is being uttered, I have mainly focused on the “vocalizations”, that is, the actual sounds emitted, and on the “vocal characterizers”, that is, laughing, yelling, crying, etc., as well as the “vocal qualifiers”, that is, intensity, pitch height or extent of the on-stage speech. In this paper I have suggested that all the non-verbal sounds function as a means expressing the very emotions of the play’s characters. These paralinguistic elements play a special role in clarifying the ambiguity of the on-stage speech, justifying in this way their presence in the play.
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http://www.phl.uoc.gr/ekdoseis.php. In this paper, I focus on aspects of choral self-referentiali... more http://www.phl.uoc.gr/ekdoseis.php. In this paper, I focus on aspects of choral self-referentiality. I draw attention to the intratextual pointers referring to the play’s choreia, giving prominence to the nexus between the ancient text as such and its performativity. The first case of choral self-referentiality that I discuss occurs in the Parodos of the play (vv. 206–230), where the Chorus describe the athletic race between Achilles and the Eumelus’ chariot. Another case of choral self-referentiality can be found in the Third Stasimon (vv. 1036–1057), where the Chorus project the choruses of the Pierides Muses and the Nereids through their own choreia.
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Conference Presentations by Pavlos Piperias
Thesis Chapters by Pavlos Piperias
Books by Pavlos Piperias
Papers by Pavlos Piperias