Die Frühgeschichte von Krieg und Konflikt / herausgegeben von, edited by Svend Hansen, Rüdiger Krause. - Bonn : Verlag Dr. Rudolf Habelt GmbH, 2022. - (Universitätsforschungen zur prähistorischen Archäologie ; 383), 2022
Basing on the scenes depicted in situla art (Kuffarn, Este, Golasecca) and on individual figural ... more Basing on the scenes depicted in situla art (Kuffarn, Este, Golasecca) and on individual figural representations from Early Latène period (Ossan and Glauberg), it can be stated that the actual education of boys comprised sports and military training. As the situlae from Este Benvenuti and Sesto Calende demonstrate, youths received a strict education ever since the 7th century BC, at the latest, that is already in
the Early Hallstatt period. This kind of education continued until the 5th – 4th century BC, that is, into early Latène times, but probably during the entire Latène period, as well.
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Papers by Biba Teržan
Silver objects in the Bronze and Early Iron Ages represent exceptional rarities. Only at the end of the 6th century BC did silver products, particularly silver jewellery, again become a true fashion. Three types
of fibulae, as recognizable elements of attire, in the Central Balkan area are discussed in detail: the Novi Pazar type of fibulae (late 6th/5th centuries BC) and hinged fibulae of variants IIa and Vb, according to Rastko Vasić (late 5th and 4th centuries BC). They are indicators of the emergence of a new social elite – the “masters of silver” in the Central Balkans, which could be explained under the influence of Graeco-Macedonians, at first in the time of the Persian wars and later with the rise of the Macedonian state (Philip II and Alexander the Great). This thesis could also be supported by the circulation of Damastion coinage, as well as by the architecture, built in a Hellenistic manner, at the site of Kale-Krševica near Bujanovac in the South Morava river basin, excavated by the honouree and his team.
the Early Hallstatt period. This kind of education continued until the 5th – 4th century BC, that is, into early Latène times, but probably during the entire Latène period, as well.
Most na Soči and on how it co-created situla art. The local making of bronze vessels was on the rise in the Sv. Lucija IIa-b phase. Special attention is paid to the situlae variants 2. B2a (1-2), 3. B2b (1-2) and 3. C (1-2); the largest number of these have been found at the necropolis in Most na Soči. The most prominent examples are the two famous situlae belonging to the situla art of Vače and Magdalenska gora, and several
situlae from Nesactium. We aimed to show that these were the works of itinerant masters of toreutics, who had learnt the craft in the artisanal circles in Most na Soči, and received training in situla art either in the Bologna artistic circles, or in the Este or Raetia ones.
Silver objects in the Bronze and Early Iron Ages represent exceptional rarities. Only at the end of the 6th century BC did silver products, particularly silver jewellery, again become a true fashion. Three types
of fibulae, as recognizable elements of attire, in the Central Balkan area are discussed in detail: the Novi Pazar type of fibulae (late 6th/5th centuries BC) and hinged fibulae of variants IIa and Vb, according to Rastko Vasić (late 5th and 4th centuries BC). They are indicators of the emergence of a new social elite – the “masters of silver” in the Central Balkans, which could be explained under the influence of Graeco-Macedonians, at first in the time of the Persian wars and later with the rise of the Macedonian state (Philip II and Alexander the Great). This thesis could also be supported by the circulation of Damastion coinage, as well as by the architecture, built in a Hellenistic manner, at the site of Kale-Krševica near Bujanovac in the South Morava river basin, excavated by the honouree and his team.
the Early Hallstatt period. This kind of education continued until the 5th – 4th century BC, that is, into early Latène times, but probably during the entire Latène period, as well.
Most na Soči and on how it co-created situla art. The local making of bronze vessels was on the rise in the Sv. Lucija IIa-b phase. Special attention is paid to the situlae variants 2. B2a (1-2), 3. B2b (1-2) and 3. C (1-2); the largest number of these have been found at the necropolis in Most na Soči. The most prominent examples are the two famous situlae belonging to the situla art of Vače and Magdalenska gora, and several
situlae from Nesactium. We aimed to show that these were the works of itinerant masters of toreutics, who had learnt the craft in the artisanal circles in Most na Soči, and received training in situla art either in the Bologna artistic circles, or in the Este or Raetia ones.