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      • Moon, so round and yellow,—Looking from on high,How I love to see you—Shining in the sky.Oft and oft I wonder,—When I see you there,How they get to light you,—Hanging in the air:Where you go at morning,—When the night is past,And the sun comes peeping—O'er the hills at last.Sometime I will watch you—Slyly overhead,When you think I'm sleeping—Snugly in my bed.
  1. Angela Manalang-Gloria. I stand at my window and listen; Only the plaintive murmur of a swarm of cicadas. I stand on the wet grass and ponder, And turn to the east and behold you, Great yellow moon. Why do you frighten me so, You captive of the coconut glade? I have seen you before, Have flirted with you so many a night.

  2. I. The grey sea and the long black land; And the yellow half-moon large and low; And the startled little waves that leap. In fiery ringlets from their sleep, As I gain the cove with pushing prow, And quench its speed i' the slushy sand. II. Then a mile of warm sea-scented beach; Three fields to cross till a farm appears;

  3. poem thrice expresses the speaker's fear of the moon: "Why frighten me so . . (line 6); "You are ghastly, spectral tonight" 17); "I am afraid of you, yellow moon" (line 24) and twice refers. prisonment: "You captive of the coconut glade" (line 7) and. your prison bars of coconut trees" (line 19).

  4. Angela Manalang-Gloria. Read poems by this poet. Angela Manalang-Gloria, born Angela Marie Legaspi Manalang on August 24, 1907, in Guagua, Pampanga, the Republic of the Philippines, was one of the major Filipina poets of the early twentieth century.

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    • About Robert Browning
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    ‘Meeting at Night’ by Robert Browningdescribes a journey the speaker undertakes to meet with the person he loves at night outside their farmhouse. The poem begins with the speaker on a boat sailing through the dark waters of the sea. It is unclear at first if there is a point to his travels or if he is just moving aimlessly through the landscape. H...

    Firstly, a reader should also take note of the way the poem builds tension and momentum. It is clear from the first lines the narrative is building to a climax. The “Meeting” referenced in the title does not occur until the final line. All previous lines were details used to emphasize the importance of the meeting to the traveling speaker. By the t...

    ‘Meeting at Night’ by Robert Browning is a two-stanza poem that is separated into sets of six lines or sestets. The poem is framed out and contained by a consistent and structured rhyming pattern of abccba deffed. Browning wrote this poem using a loose Iambic tetrameter. However, there are a few variations in the poem. For example, “black land” con...

    There are several important themes in this poem. The most important theme of the poem is love. This passionate kind of love does not only involve the primal emotions of the body but also the deepest ones generated from one’s heart. The secrecy between lovers is another important aspect to mention here. The “meeting” seems to be a tryst between two ...

    Robert Browning was born in 1812 and died in 1889. He was an English poet and playwright. Browning’s proficiency in the dramatic monologue made him one of the most well-known Victorian Poets. His poetry is ironic, humorous, and with demanding vocabulary and syntax. He also wrote harsh social commentary and very detailed historical settings in his t...

    The following poems are similar to the themes and subject matter of Browning’s ‘Meeting at Night’, one of the best love poems for her. 1. Meeting Point by Louis MacNeice– This poem is a representation of inner strength and ability, awareness, and choices. Here, the poet concerns the changing of a relationship in great detail. 2. The Meeting by Henr...

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  5. The yellow half-moon enlarged, sagging down, drooping, the face of the sea almost touching, The boy ecstatic, with his bare feet the waves, with his hair the atmosphere dallying, The love in the heart long pent, now loose, now at last tumultuously bursting,

  6. The Full Text of “Meeting at Night” I. 1 The grey sea and the long black land; 2 And the yellow half-moon large and low; 3 And the startled little waves that leap. 4 In fiery ringlets from their sleep, 5 As I gain the cove with pushing prow, 6 And quench its speed i' the slushy sand.

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