Rehash

Rehash
Rehash

Rehash: The podcast about the social media phenomenons that strike a nerve in our culture, only to be quickly forgotten - but we think are due for a revisiting. Hosted by Maia (Broey Deschanel) and Hannah Raine Find us on Patreon: https://www.patreon.com/rehashpodcast

  1. 4 DAYS AGO

    Emos

    If you never made your FB profile picture that “I made you a cookie, but I eated it :(“ meme in 2008, were you even living? In this episode, Hannah and Maia recall the long lost emo subculture - which took the world by storm in the mid aughts and fell quickly into obscurity thereafter. Emo emerged as a musical non-genre from the DIY hardcore punk scenes of San Fran and Detroit, and two decades later  it would transform into completely unrecognizable pop punk radio hits resounding in every mall you ever walked into. But thanks to the no-holds-barred, cost-effective utopias that were MySpace and LiveJournal, it seemed the emo subculture was stronger than ever - as socially-anxious teens bonded over their love for Pete Wentz and their own self-loathing. What could possibly go wrong? Are subcultures a form of teenage sovereignty? And do we have Twilight because of 9/11? Listen, for these pressing questions and more. Tangents include: Hannah’s parents’ perfect marriage, Orson Welles vs. Woody Allen beef, and Maia’s online relationship with Gerard Way.  Get a whole month of great cinema FREE: mubi.com/rehash Support us on Patreon and get juicy bonus content: ⁠⁠https://www.patreon.com/rehashpodcast⁠⁠ Intro and outro song by our talented friend Ian Mills: ⁠⁠https://linktr.ee/ianmillsmusic SOURCES: Peter C. Baker, “When Emo Conquered the Mainstream” New Yorker (2023). Tom Connick, “The beginner’s guide to the evolution of emo” NME (2018). M. Douglas Daschuk, “Messageboard Confessional: Online Discourse and the Production of the "Emo Kid"” Berkeley Journal of Sociology, Vol. 54, Knowledge Production and Expertise (2010). Judith May Fathallah, Emo: How Fans Defined a Subculture, University of Iowa Press (2020). Andy Greenwald, Nothing Feels Good: Punk Rock, Teenagers, and Emo, St. Martin’s Publishing (2003). Rosemary Overell, “Emo online: networks of sociality/networks of exclusion,” Perfect Beat (2011). Dan Ozzi, Sellout: The Major Label Feeding Frenzy That Swept Punk, Emo, and Hardcore, Mariner (2021). Carla Zdanow and Bianca Wright, The Representation of Self Injury and S*icide on Emo Social Networking Groups” African Sociological Review, Vol. 16, No. 2 (2012).

    1h 8m
  2. 16 DEC

    Disney Adults

    Ever heard of the Disney theme park for adults called “Pleasure Island”? No? Well now you have - sorry! Disney has always been understood as a company for children. But Pleasure Island closed in 2003, and people are having babies later and later (if ever at all), and so now the Disney theme parks have become a veritable playground for a whole new group of fans: grown ups. In this episode, Hannah and Maia talk about Disney adults - their malignment by the general public, their strange religiosity, and their unabashed love of a conglomerate that routinely tramples on the rights of its workers. But, after all, Disney was designed to be a a nostalgic teet from which lost adult souls may suck. So why is it that when adults like Disney, we hate them for it? Tangents include: Hannah’s dm correspondence with Deux Moi, and Maia’s millennial rights advocacy.  Get a whole month of great cinema FREE: mubi.com/rehash Support us on Patreon and get juicy bonus content: ⁠https://www.patreon.com/rehashpodcast⁠ Intro and outro song by our talented friend Ian Mills: ⁠https://linktr.ee/ianmillsmusic SOURCES: Johnny Oleksinski, “Sorry, childless millennials going to Disney World is weird.” The New York Post. Zach Gass, “Pleasure Island: The Origins of Disney’s Nightlife” Inside The Magic. Michael Sorkin, “See You in Disneyland” Design Quarterly  (1992). Sarah Marshall, “The Magic Kingdom: The dark side of the Disney dream” The Baffler (2019). Xavier Guillaume Singh, “Becoming A ‘Disney Adult’ Might Be Cringe, But It Saved My Life” Huffington Post (2023). EJ Dickson, “How ‘Disney Adults’ Became The Most Hated Group On The Internet” Rolling Stone (2022). Jodi Eichler-Levine, “Don’t judge Disney adults. Try to understand them.” NBC (2022). Hannah Sampson, “Childless millennials are passionately defending their Disney fandom” The Washington Post (2019). K.J. Yossman, “Confessions of Disney Adults: Mouse House Superhans Talk Splurging on Merch, Keeping Execs in Check” Variety  (2023). Todd Martens, “In defense of Disney adults” Los Angeles Times  (2024). Amelia Tate, “The ‘Disney adult’ industrial complex” The New Statesman  (2024). Lia Picard, “It’s Not Enough to Love Disney. They Want to Live Disney” The New York Times  (2023). Savannah Martin, “We interviewed the genius girl behind DisneyBound - and she’s just as magical as you’d expect” Hello Giggles (2015).

    1h 13m
  3. 9 DEC

    Furries

    “Grandma, would you tell us that old adage again?” “Yes dears. A long time ago, your ancestors used to say: if all the computers in the world shut down, it’s because the furries logged off for a day.” In this season 6 premiere, Hannah and Maia chat about the most maligned subculture on the internet: furries - a group of people with an above-average interest in anthropomorphic creatures, who everyone seems to despise. Thanks to some unflattering depictions in popular media like CSI and the Tyra Show, the world believes furries to be a group of maladjusted sexual deviants. But have furries gotten a bad rap? Is it really sexual deviancy, or a post-humanist movement that has been way ahead of us this whole time? We may very well be f*cking with the wrong group of people (after all, they created their own ISP before the White House did). Tangents include: the emotional power of Aquamarine, Tyra teaching Hannah about Islamophobia, and the Kyle Jenner-ification of My Little Pony. Support us on Patreon and get juicy bonus content: ⁠https://www.patreon.com/rehashpodcast⁠ Intro and outro song by our talented friend Ian Mills: ⁠https://linktr.ee/ianmillsmusic SOURCES: Jessica Ruth Austin, Fan Identities in the Furry Fandom, Bloomsbury (2021). Eliza Graves-Browne, ​”What It Means to Be Otherkin” Vice (2016). Daisy Jones, “How furries became the most misunderstood fandom in the UK” Dazed. Joseph P. Laycock, ““We Are Spirits of Another Sort”: Ontological Rebellion and Religious Dimensions of the Otherkin Community”  Nova Religio: The Journal of Alternative and Emergent Religions , Vol. 15, No. 3 (2012). Dylan Reeve, “Who runs the internet? Furries” The Spinoff (2022). Venetia Laura Delano Robertson, “The Beast Within: Anthrozoomorphic Identity and Alternative Spirituality in the Online Therianthropy Movement”  Nova Religio: The Journal of Alternative and Emergent Religions , Vol. 16, No. 3 (2013). Joe Strike, Furry Nation: The True Story of America's Most Misunderstood Subculture, Cleis Press (2017). Allison Tierney, “Furries Tell Us How They Figured Out They Were Furries” Vice (2017). Ariel Zibler, “The Furred Reich! Furry annual convention cancelled amid community's bitter divisions over rise of alleged neo-Nazi Mr 'Foxler' and the 'altfur' movement” Daily Mail (2017).

    1 hr
  4. 19 AUG

    NFTs

    If you’ve ever vacantly nodded along while someone rants to you about NFTs, then this finale episode is for you. Welcome to Blockchain for Bimbos. From a genuine effort to put agency over the sale of their work back into the hands of artists was born a Frankenstein’s monster: the NFT. It’s the internet version of owning a star… if you could resell that star for millions of dollars to a crypto millionaire. Even stranger, the successful marriage of NFTs and legacy art institutions made strange bed fellows out of affluent old art collectors and dweeby tech bros. And while the era of 2021-2022 was a gold rush for those who could wrap their heads around this intentionally confounding technology, it also exposed something we always knew about the world of art, but never wanted to admit… Ernst De Geer’s THE HYPNOSIS is now streaming on MUBI in many countries as part of their Millennial Meltdown series.  You can try MUBI free for 30 days at mubi.com/rehash. Support us on Patreon and get juicy bonus content: ⁠https://www.patreon.com/rehashpodcast⁠ Intro and outro song by our talented friend Ian Mills: ⁠https://linktr.ee/ianmillsmusic SOURCES Kevin Roose, “What are NFTs?” The New York Times https://www.nytimes.com/interactive/2022/03/18/technology/nft-guide.html  Valentina Di Liscia, “Artists Say Plagiarized NFTs are Plaguing Their Community” Hyperallergic (2021) https://hyperallergic.com/702309/artists-say-plagiarized-nfts-are-plaguing-their-community/ “10 things to know about CryptoPunks, the original NFTs” Christie’s (2021) https://www.christies.com/en/stories/10-things-to-know-about-cryptopunks-94347afeea234209a7739c240149f769#FID-11569  Scott Reyburn, “Will Cryptocurrencies Be the Art Market’s Next Big Thing?” The New York Times (2018) https://www.nytimes.com/2018/01/13/arts/cryptocurrency-art-market.html/ “Art Term: Readymade” Tate https://www.tate.org.uk/art/art-terms/r/readymade Cynthia Goodman, “The Digital Revolution: Art in the Computer Age” Art Journal (1990) https://www.jstor.org/stable/777115  David Joselit, “NFTs, or The Readymade Reversed” October Magazine (2021) https://doi.org/10.1162/octo_a_00419  Josie Thaddeus-Johns “Beeple Bring Crypto to Christie’s” The New York Times (2021) https://www.nytimes.com/2021/02/24/arts/design/christies-beeple-nft.html Anthony Cuthbertson, “NFT millionaire Beeple says crypto art is bubble and will ‘absolutely go to zero’ The Independent (2021) https://www.independent.co.uk/tech/nft-beeple-cryptocurrency-art-b1821314.html Zachary Small, “The Night That Sotheby’s Was Crypto Punked” The New York Times (2024) https://www.nytimes.com/2024/05/18/business/sothebys-crypto-nfts-auction.html Adam Maida, “What Critics Don’t Understand About NFTs” The Atlantic (2021) https://www.theatlantic.com/ideas/archive/2021/04/nfts-show-value-owning-unownable/618525/  Anil Dash, “NFTs Weren’t Supposed to End Like This” The Atlantic (2021) https://www.theatlantic.com/ideas/archive/2021/04/nfts-werent-supposed-end-like/618488/  Blake Gopnik, “One Year After Beeple, the NFT has changed Artists. Has It Changed Art?” The New York Times (2022) https://www.nytimes.com/2022/03/03/arts/design/nft-art-beeple.html  Nathaniel Popper, “What is the Blockchain? Explaining the Tech behind Cryptocurrencies” The New York Times (2018) https://www.nytimes.com/2018/06/27/business/dealbook/blockchains-guide-information.html

    1h 2m
  5. 12 AUG

    "Balletcore"

    Considering every broad and her mother owns a pair of ballet flats these days, it’s safe to say ballet has successfully re-infiltrated popular culture. But that might not be a good thing. In this episode, Hannah and Maia, along with movement artist Susanna Haight, trace the evolution of dance in the Western zeitgeist - from the days of George Balanchine, to the introduction of camera phones into the training space. If we’re living in a time of girlhood, and girlhood is all about ballet, and ballet is all about hyper femininity, and femininity is all about self-regulation, and self-regulation is the prevailing force of our social media surveillance society… then we may just be trapped in a dance panopticon. But what does this mean for dancers? Tangents include: Maia being hit on by her pre-recorded, virtual Peloton instructor. Support us on Patreon and get juicy bonus content: ⁠https://www.patreon.com/rehashpodcast⁠ Intro and outro song by our talented friend Ian Mills: ⁠https://linktr.ee/ianmillsmusic Sources: Sarah Crompton, “‘Ballet has the same appeal as Princess culture’: Alice Robb on how would-be ballerinas are taught to be thin, silent and submissive” Independent (2023). Elizabeth Kiem, “George Balanchine: the Human Cost of an Artistic Legacy” Huffington Post (2014). Cecily Parks, “The arts are slowly diversifying but ballet needs to catch up” New School Free Press (2023). Irene E. Schultz, “What is a Ballet Body?” Medium (2020). Frances Sola-Santiago, “Balletcore Is Still Huge In 2023 — Here’s Why It’s More Exciting Than Ever Before” Refinery 29 (2023). Avery Trufelman, “On Pointe” Articles of Interest (2023).

    1h 20m

About

Rehash: The podcast about the social media phenomenons that strike a nerve in our culture, only to be quickly forgotten - but we think are due for a revisiting. Hosted by Maia (Broey Deschanel) and Hannah Raine Find us on Patreon: https://www.patreon.com/rehashpodcast

You Might Also Like

To listen to explicit episodes, sign in.

Stay up to date with this show

Sign in or sign up to follow shows, save episodes and get the latest updates.

Select a country or region

Africa, Middle East, and India

Asia Pacific

Europe

Latin America and the Caribbean

The United States and Canada