Mood Ring

American Public Media
Mood Ring

Mood Ring is a practical guide to feelings. Every episode, host and mental health writer Anna Borges explores one new way we can cope with our feelings, our baggage, or the world around us—especially in a society where access to mental health care and the ability to practice self-care are both huge privileges. Through Anna's self-aware humor and vibrant guest interviews, the podcast shares creative self-care ideas you may not have heard before, as well as realistic takes on classic mental health tips.

  1. 25/08/2022

    Take Care of Something

    There are a lot of reasons to take care of something — like a plant, or a car or a house. It can be a source of purpose or passion or peace or simple satisfaction. Today we’re exploring how taking care of something can be a form of self-care.  Host Anna Borges talks with Jené Etheridge — music producer, DJ, community organizer, and an avid cyclist — about how caring for her bike Butter feeds her mental health.  Hey Mood Ring listeners, we want to hear what you think about Mood Ring! You can help us out by filling out a short audience survey: moodringshow.org/survey Follow Mood Ring @moodringshow Follow Anna ​​@annabroges Mood Ring is a production of American Public Media and Pizza Shark!  Full Transcript   Anna Borges: There’s this old book that I’m willing to bet at least some of you found formative. It’s called The Care and Keeping of You.   MUSIC   And I hope some of you just went OH, THAT BOOK, but you know for the uninitiated, The Care and Keeping of You is this illustrated American Girl guidebook and it was the first real introduction a lot of us got to our bodies and how to take care of them. It covered everything from how to sit when inserting a tampon to you know proper armpit shaving technique.   Legions of preteens referred to that book like a user's manual, myself included. You know, learning as much as we could about maintaining these weird changing bodies that we did not know the first thing about. Understanding what was going on with my body and like the ins and outs in taking care of it made me feel — I mean I don’t want to oversell it but it did — it made me feel like confident and grown up and empowered, or at least more capable of handling the horrors of middle school such as like changing in the locker room and wondering why my boobs looked so much different than everyone else's.   These days, I’m kind of still chasing that high if I'm honest. Like shockingly, huh-huh, taking care of myself as an adult is hardly as satisfying as The Care and Keeping of You once had me believe.   MUSIC FADE OUT   But as I grew up, I did discover that there are a lot of other things that I can take care of, other than myself, and some of them even come with the step-by-step instructions that I was craving. And it turns out, the care and keeping of something else can be as satisfying as the care and keeping of us.   THEME MUSIC   Hey,  I’m Anna Borges, and this is Mood Ring, a practical guide to feelings even when you’re feeling less than capable of taking care of yourself.   I’ve probably said “care” enough times for you to get that we’re talking about care today. Care for ourselves. Care for some thing. And caring for ourselves by way of caring for that something.   If you haven’t guessed, I’m on the lookout for something new to take care of because honestly I have not been that great of a job at taking care of myself lately. And sometimes, when we lose trust in our ability to take care of ourselves, I don't know, we need to find ways to prove to ourselves that we still can.   THEME MUSIC FADE OUT   At least, that’s where I'm at lately. There are a lot of reasons to take care of something for our mental health, whether it’s by giving ourselves a source of purpose or passion or peace or simple satisfaction.   So what are we taking care of?   There are the obvious suspects: things that rely on you for nourishment and support, like pets or plants or children. But we can also find meaning in caring for nonliving things too -  things like our homes, cars, beaches, sneakers, closets — and in the case of our guest today, bikes.   MUSIC   Our guest today is a woman of many talents. Jené Etheridge is a music producer, DJ, community organizer and an avid cyclist.   She tells us about her relationship with her bike, how she cares for it as she travels the world with it. And how it in turn feeds her mental health.   Anna: I would love to just hear how you got into cycling. I just never really got into it. It kind of scared me, but what's your story?   Jené: Yeah, so I was in college at The University of Washington in Seattle, and I just needed a way to get around. Also I had a friend um who rode with me like casually. We would go on casual rides and I told him I would have a new commute from U district to SoDo, which is like six miles.   And he was like, yeah, I don't think you can do it. And I was like, oh, you don't think I can do it? and basically I was like, I'm gonna do it. It was like motivation for me to, you know, prove him wrong.   Anna: My favorite type of origin story.   Jené: [laughter] Yeah. This is like a theme throughout my life. It's like, if people say I can't do it, I'm like, oh, okay…   Anna: Watch me.   Jené: [laughter] I'm Gonna do it then. Yeah. So I just started commuting to work to work, that's how I got started. I just, you know, just did it out of necessity to start and then it just grew from there.   And then when I moved to Portland, you know, it's like a really big cycling city, so it was really easy to get plugged in. And then I started learning more about Does this bike fit me? Like What kind of gearing works for the riding that I do? and, and things like that. So yeah.   Anna: When did it go from, cuz it sounded like it went from like transit to something you enjoyed pretty quickly with all the sight seeing, but when did it become your thing or one of your things?   Jené: I would say just you start craving it when you don't do it for a while.   Anna: Mmm   Jené: I also did have more community in Portland and I think that definitely helped me like realize it was my thing because it was mostly like women, trans femme, people of color in Portland who rode bikes, which is like a very small community, but they're very empowering and I would just be like, I don't know if I can do this. That sounds crazy. And they're like, yeah, you can. Why don’t, why do you think you can't do it? You know?   Anna: Absolutely. So speaking of the bike, tell me about your relationship with it.   Jené: Umm okay yeah it's cream colored. I named it Butter because um.   Anna: Ohhh   Jené: The first time I rode it, I'm like, this is so smooth. Like butter, like -   Anna: Perfect.   Anna: If you were to describe what Butter means to you, how would you describe that?   Jené: [laughter] Um I would say the feeling of like autonomy. Just being able to like leave and go whenever I want to.   Jené: I don't know, it becomes an extension of you when you only have one bike for like everything, you know, your body gets accustomed to it. [laughter]   Anna: I love the idea of like the bike is an extension of you.   Jené: Yeah I mean you really have to be aware and just like aware of your surroundings. And so I'm trusting like my body a lot   Anna: Yeah   Jené: And also my bike to get me through like just to get to the destination. [laughter]   Anna: Oh man. I relate to that in exactly one small way. Cause before this, I was talking to my producer about how, I had an opportunity to get ages ago, um, a motorcycle license and I thought it'd be like a cool thing to do.   And I almost didn't pass the test because to swerve, you have to like throw yourself to the side. Like you're gonna like throw yourself down to the ground.   And then like yank it back up. And so you can kind of like jump around whatever you're swerving around. And like I did not have that trust.   Jené: Yeah   Anna: I did not have that trust in myself to pull myself back up. I did not have trust in the bike to not just like—poooffffff   Jené: Exactly. Yeah. Yeah. You have to like lean your way into it. Like you really have to like trust. Your capabilities and the capabilities of the bike too, to just like get through these situations.   But I don't know. It's like when you, um, do something kind of scary or dangerous and then you make it out and you're like, oh, okay. Like I know, um, I know that wasn't as bad as it looked or at least like I know a little more about how to, you know, handle the bike better next time. So I feel safer. That's a good feeling.   Anna: I love that. So it’s — now I'm just like Oh, you grow with your bike! I get, I get like, feels about like literally anything.   Jené:  [laughter]   Anna: So, don't mind me just sitting here, like with heart eyes. But let's talk about care then.   Like how do you care like how do you take care of your bike?   Jené: Okay. Well, I mean like there's normal bike maintenance, right? Like you take it to the shop, you just make sure like the chain is looped up and all the, you know, components are working right.   But I think  part of taking care of it is like trusting other people to take care of it.   Anna: Mmm   Jené: Like having relationships with these bike shops, so basically when they see the bike, they already know they're like, oh, that's Jene’s bike. And I think that's, like having that relationship established can help with the care process, if that makes sense.   Anna: Yeah. Totally. And I'm like metaphorical, cuz if we're talking about, you know, taking care of, um, like things to take care of ourselves, trusting other people to take care of us too.   Jené: Yeah. yeah.   Anna: Absolutely.   Anna: What does it what does it look like to travel with the bike? Does that require different maintenance?   Jené: Yeah I mean I basically have to deconstruct the bike, so I have to like take the wheels off, like un- unscrew a lot of parts so that they can break apart essentially. And then they fit all snug in my bike bag. Um, and then I'll put it back together once I get to wherever destination I'm at.   And if I can, I'll try and get like a tune up or just have a bike friend look at it just to make sure everything's running smoothly

    17 min
  2. 18/08/2022

    Enjoy It (No Strings Attached)

    Host Anna Borges speaks with poet Nichole Perkins about doing things without the expectation for excellence. They speak about Nichole’s new painting hobby and how her confidence in writing poetry is fueled by her creative license to be a hobbyist painter.  Hey Mood Ring listeners, we want to hear what you think about Mood Ring! You can help us out by filling out a short audience survey: moodringshow.org/survey Follow Mood Ring @moodringshow Follow Anna ​​@annabroges Mood Ring is a production of American Public Media and Pizza Shark!  Full Transcript Anna Borges: Hey everyone! Pop quiz for you. When you discover a new hobby that you’re really enjoying, do you:   A. Strive to improve so you can be really good at it. B. Brainstorm ways to monetize it because hey, if you have to make money, you might as well have fun doing it C. Stress about other things you should be doing instead of indulging in said hobby or D. Just..en…joy? Enjoy it? Wait, some of you can actually do that?   Hey,  I’m Anna Borges, and this is Mood Ring, a practical guide to feelings—even when you feel like you can’t relax and enjoy yourself.   Today, we’re talking about the importance of no strings attached hobbies. You know, activities that don’t have to be productive or impressive or useful and even something you’re good at. Hobbies that don’t have to be anything other than…enjoyable.   But a lot of things can get in the way of actually enjoying them, whether baking to relax turns into stressing about getting an Instagram-worthy loaf of bread or you get stressed out when you don’t discover a secret hidden talent the first time you pick up a paintbrush. You know if you’re anything like me that’s exactly what I do! Letting ourselves relax and be free to do something without the expectation of a performance or an end goal is hard. Even more so when the something we love overlaps with what we do for a living.   That's where the no strings attached hobby comes in.   Today’s guest is Nichole Perkins, a writer, poet, and the host of the podcast This is Good for You, where she helps people stop feeling bad about the things that they love to do.   I also wanted to talk with her because as a creative, I assume she got the struggle of the work-hobby balance well. We dug into the beauty of trying things that we aren’t good at and how we can still enjoy our hobbies, even if they do come with strings attached, like overlapping with what you do for a living.   Anna: Can I start by hearing something that you're bad at? Like something that you were just like awful at, but that you love?   Nichole: Oh, um, so I recently started trying to figure out, um, acrylic painting, abstract acrylic painting. I don't know what I'm doing. I really don't know what I'm doing. I cannot draw a straight line. I cannot, I have never been able to perfect, um, a winged, you know, liner look because I cannot, I don't know what I'm doing. So that's something that I know that I am bad at, and I would never like really share that work with anybody because it's so bad, but it's also been really relaxing for me.   Anna: I love that so much. so I have to ask, cause I feel like there are like two camps of people, largely there are people who can do that and enjoy that. And there are people and I'm in this camp who will do that and be like, this is gonna be like relaxing. I'm not gonna like pressure myself to be good. And then I still am like, but what if I want this to be good? Then I wind up in the boat of like Googling art lessons and oh my God, how do I get better at this blah, blah, blah, blah, blah. So like, are you, are you in one of those camps, have you felt the pressure to become good now that you've started?   Nichole: Yes, absolutely. Because there was like this one tutorial on YouTube that was like, you know, easy beginner thing and it was the sunset and it's supposed to be with, uh, power lines and beautiful trees and maybe like a little shadow of a house, right. And I tried to draw the power lines and I was just like, oh yeah, this is not, I can't do this. And I mean, I ended up kind of being still pleased with the results of what I had done, because it actually still looked like a purposeful painting. But I do want to get to a point where it looks really good, but I am still very  intimidated about trying to go, you know, find actual lessons or something like that, because I feel like I'm still very childish with, with, you know, learning this thing and I don't want to be in a classroom or whatever, you know, a workshop environment where there are people who are like, oh yeah, I used to draw, but then I stopped and now I'm back and they're like, you know.   Anna: Or they're like, I'm so bad at this. And then you look over and you're like, excuse me, if you think that’s bad, don’t look.   Nichole: Yes!   Anna: But that's the thing is like you, I want the natural talents. I wanna be naturally good at things like I don't want to have to work to be good at things.   Nichole: Yes. That's exactly my problem as well. So there are a lot of things, a lot of hobbies that I will try or say, I'm gonna try. And then I get frustrated because I'm not good at the first attempt. And… I really have to sit and think to myself, there are very few people who are, you know, experts at something the first time they pick it up. Like, yes, there are prodigies and all that kind of stuff. But the people that I admire on a creative level, they all had a natural talent, but they still have to practice and practice and practice and practice, you know. Like I love Prince, you know, he had natural talent, but he had to learn everything that he did and learn how to combine all of that, all of his musical skills, all of his lyricism into creating the legacy that he has now. Um, the same with like the writers that I admire. Yes, there's some, there's some natural affinity to it, but they still have to learn.   Anna: And how do you remind yourself of that? Do you have to actually give yourself the Pep talk as you're doing it?   Nichole: I do. I have to, I have to like say okay, practice, practice, practice. It's okay. I know that this is not something that I can make a living at or that I want to make a living at. So it's okay. If it is not perfect or consumable.   Anna: Why did you pick something that you're taking classes for then or not classes, but at least like watching YouTube videos?   Nichole: But I still want to like see satisfaction in my own improvement. I just wanna be able to like sit and do it without feeling the pressure of performance or like I said, that end, that end goal.   Anna: Absolutely.   Nichole: But you know, with writing, obviously that's very different, writing is something that, um, has been a part of my life for a very long time and I've always known I wanted to make a career out of it. And I just didn't really know how, um, because there's so many different ways that you can become a writer or, or make a career out of writing. I still have a lot of goals that I want to accomplish. So that's, that's more when I freeze up and let, like, I don't think I'm a perfectionist, but that fear of someone seeing my mistakes or seeing the worst of what I can do. Um, really like puts me in a choke hold sometimes.   Anna: Absolutely. Yeah. Oh, I can't wait to dive into all the writing stuff because selfishly love writing, love, love talking, writing, and art. Can you kind of, I don't know, this is a big question, but like kind of tell me a little bit more about your like current relationship to writing? Cause I know for so many of us it's work, it's like therapeutic, it's fun, it's creative, it's personal. It's like all of these things that are like seemingly at odds for each other. And I'm curious what it is kind of right now for you.   Nichole: Right now it is 90% work and then 10% just personal creativity and that personal creativity usually is my poetry. I have published a poetry book. So that was very much a goal of mine. I still, I, and I have other poetry that I would like to publish one day, but right now what pays the bills is culture writing. You know, writing books, script writing for podcasts, um, and that kind of thing. And I hope to eventually get into, um, screenwriting for film and television. Um, and I just, I want to ultimately continue to write until my dying breath. Anna: I can’t lie, some days, it’s harder for me to really have fun writing, thanks to how much I associate it with work. After the break, I explore poetry as a potential no-strings-attached hobby and we talk more about how to protect our favorite activities from outside pressures like work. MIDROLL Anna: Hey, welcome back to Mood Ring! Before the break, I was talking with Nichole Perkins about why it’s so helpful to have hobbies that don’t overlap with what we do for a living. Next up, I may or may not have asked for an impromptu poetry lesson. Anna: One of the reasons that I was so excited, um, to talk to you specifically is because growing up, I used to write a lot of poetry and I never had aspirations to do it professionally. It is just, poetry is what I associate with like playful writing, exploratory writing, me writing, all this kind of thing. And so when I started thinking about, Ooh, what can I dig up for this episode? Poetry did come to, come to mind. Oh. And so I'm, I'm kind of curious if I like asked if, like, if I asked you to just write a really God awful poem right now, like where would you start?   Nichole: Oh, well, for me, it, that would be, um, a rhyming poem. Um, and not just like in iambic pentameter, like I, I do try to do like, um, um, inside rhymes or, you know, that kind of thing. Try to switch up the, you know, where the rhyme falls, but rhyming poetry has always just escaped me. Um, and I am not good at it. So if I were to try to write som

    21 min
  3. 04/08/2022

    Be Lamby

    Host Anna Borges speaks with Mood Ring producer Georgina Hahn about her concept of Lamby. They explore the unique way of being tender, supported by a conversation on inner child work with writer and mystic Bernice Angoh. Hey Mood Ring listeners, we want to hear what you think about Mood Ring! You can help us out by filling out a short audience survey: moodringshow.org/survey Follow Mood Ring @moodringshow Follow Anna ​​@annabroges Mood Ring is a production of American Public Media and Pizza Shark!  Full Transcript SOFT GUITAR MUSIC PLAYS   Georgie: Close your eyes and take it way back. Try to remember a quintessential childhood moment, something that encapsulates the best parts of being a kid. Getting lost in your own backyard. Long summer days. Cartoons in your jammies. Playing make-believe. Can you remember the feeling of possibility and wonder?   Anna: That is Georgina Hahn, one of our producers on the show. And she’s telling us about something that’s very close to her heart - letting our inner child out so our most authentic selves can shine. And she even has a name for it.   Georgie: I call it Lamby. Lamby is writing in my room, surrounded by the soft and tender, exploring my thoughts and feelings. It’s waking up to my roommates cooking breakfast, and cuddling my stuffed Lamby in my matching adult-sized pajama set.   But it’s about so much more than that, too. Lamby is kind of a way of life for me, reaching out to my inner child, taking care of her, looking out for her, helps me create a life of curiosity and openness. To go easy and not be so concerned with what other people think. It’s about giving ourselves permission to be, well, unapologetically Lamby.   MOOD RING THEME   Anna: I’m Anna Borges, and this is Mood Ring, a practical guide to feelings—especially the feelings so specific, you make up words for them.   As you might have guessed, I tapped Georgie to kick us off because—well, I’m not very lamby. Or at least, I didn’t think I was when Georgie first introduced me to the idea. It sounded cute and optimistic and happy, and when Georgie explained it to me with like the earnestness of a baby lamb, I had to admit to her that I had never related to anything less in my life.   So, naturally, we had to do an episode on it. That is the challenge we set for ourselves, right? To occasionally give something a try, even when you’re convinced it is not for you.   Which is exactly why I wanted Georgie to steer us today, so we could learn direct from the source: what can channeling our inner child look like when we don’t associate childhood with tenderness and softness? Or, what might be getting in our way? First, I talked to Georgie about all things Lamby.   Anna: For our listeners, but also still for me, I feel like I go back and forth whether or not I understand Lamby, so, what is Lamby, when and how did you come up with it?   Georgie: Okay. Lamby is being unapologetically connected to your inner child and those desires and being tender and being soft and also really leading with that, putting that on your sleeve and putting the sort of gentle vibe forward. And it came about from a stuffed animal that my grandma sent me on Easter when I was 20 or 21, living with my best friend. And we got this like cute little lamb and we would like, just bring her everywhere and do photo shoots with her. And like, just like she was a character in our house. When I moved to New Mexico, I had a radio show called the Lamby Hour on a community radio station. I made a ton of friends through the radio show who were all Lamby? And so I was like, just really beautiful that I feel like the, the energy I was putting out there was really coming back to me and who I was getting to know.   Anna: What I love is before this interview, I was like, please use Lamy in a sentence. Is it a verb? Is it an adjective? And it, it's like a state of mind, it could be an adjective. Like you're so Lamby. But it's also kind of stands out as like a value, like a value system for how you make decisions in your life. You know, like, is this Lamby, is this not Lamby? This place is not Lamby. This place is Lamby. It's, I'm, I'm really into it.   Georgina: A hundred percent. And I think also it helps me sort of make decisions about like what environments I put myself into. Cuz it just feels like so important that I like try and keep that constant in, in terms of like the people that I spend time with, the activities, the, the food, the clothes, like literally down to just like how I feel in my body.   Anna: So, if people who are listening are also kind of doing the same thing, like, what is that for me? Do you have a recommendation of where they start?   Georgie: I think it's just noticing when do I feel cozy? Kind of like when, when do I feel like safe? Is it just that moment when I make myself a cup of coffee and like feel the warmth to my body? Like who are the people and what are resources around me that are going to kind of evoke that feeling?  I think also like putting aside some time each week to be like, I'm just, I'm going to have an afternoon to myself and just do what I'm gonna enjoy doing. [Anna: Mhmm] Also, yeah, like when you wake up, like, okay, is there any room for some Lambiness today? Is there any like, anything on my agenda that I can approach with softness instead of, um, my usual hardness?Anna: Have you, have you felt pressure to not be Lamby and like had to reclaim your lambiness?   Georgie: I think it was hard in high school and college to be in a very like, like NYU was so cool. You know, like everyone was trying to be so edgy and cool that I think it took a long time to stop trying to be cool and just embracing kind of the nerd. It’s not even nerdy but…   Anna: Ooh, this thing that Georgie completely made up is speaking to me. But as people may or may not know, if they follow me on twitter I recently fell back into like being like into fandom and fanfic too. And like, I've like kind of like been unabashed about talking about it with like people I work with and some of them are like, I don't know how to respond to this. Like isn't’ that a weird thing? And I've like, felt like, so for lack of a better word, annoying, but it's because I'm not like worrying about sounding cool. And the kind of like unselfconscious, I don't know enthusiasm.   Georgie: Yeah. And I think to be honest, you will weed some people out, like some people will be like, that's weird. But then on the other side you'll then become like a magnet for people who are your same kind of vibe. And that's really cool to see happen. Anna: Okay, so I did find a way to connect with this idea after all. But I still wondered… what do you do if this lamby stuff doesn’t come so easily? After the break, we talk with someone who helps us understand our inner child. Stay with us. MIDROLL MOOD RING THEME Anna: Hey, welcome back to Mood Ring. Before the break, our producer Georgina Hahn and I were chatting through some ways we can channel our inner child. But even though I was starting to get on board with the concept, I still had some questions. Like, what happens if my inner child wasn’t very joyful or tender or free? What if I’m not sure who I’m connecting with? To help, I talked with Bernice Angoh, a writer, mystic, poet and author of Dear Me: Love letters to my inner child. She gave us some more perspective on how connecting with our inner child often needs to start from a place of healing and discovery. Anna: If you could kick us off by telling us a little bit more about inner child work and what that even means, I'd so appreciate it.   Bernice: Oh, okay. No problem. First of all, how do we define the inner child? I define the inner child as the original you. The you before all the conditioning from culture, from religion, from society, from politics. So, who were you when you still had that sensitivity? That joie de vivre, you know, like you just had this wonder, this great imagination and that's the part of you, that's your inner child. When there were no limits to anything.   Anna: Oh man. In my head I'm like, oh, who is that? I don't even know anymore. I feel like there's a lot of, a lot of bull crap piled on top of, of, of her.   Bernice: A lot, a lot. Because we are born into our families and we spend so many years of our lives trying to retrace our steps, to go back to being that free unapologetic, authentic self.   Anna: Absolutely. And so inner child work is the work of, reconnecting with that authentic you.   Bernice: Yes. But in order to reconnect, you, you do have to, to retrace your steps because you have to take a, a deep look into your family history, into your family dynamics, into so much of what has made you, you and into your society also. Cause a lot of the times we end up becoming what our family and society has prescribed for us. And we basically, I always say we put our inner child in a perpetual timeout. It's like, hush, I don't want to hear anything you have to say, who are you anyway? You know? And so being able to re-parent or to nurture our inner child, that's where the healing, you know, begins to be able to know where the shame comes from, where the guilt comes from, where the blame comes from, and all that hurt and hiding comes from.   Anna: Man, so how do we like begin spending like time with this inner child?   Bernice: So, the first thing that I usually tell people to do is to get- look for a picture of yourself when you are a child. I have this picture of me when I was five years old, and I used to put it in my wallet. I used to put it on, you know, on my phone, on my screen. And when I start to have that negative self talk, I would look at that little girl and imagine that that's the person I'm talking to. And I'd be disgusted, like how dare you? You know, this child didn't know any better. They were

    17 min

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Mood Ring is a practical guide to feelings. Every episode, host and mental health writer Anna Borges explores one new way we can cope with our feelings, our baggage, or the world around us—especially in a society where access to mental health care and the ability to practice self-care are both huge privileges. Through Anna's self-aware humor and vibrant guest interviews, the podcast shares creative self-care ideas you may not have heard before, as well as realistic takes on classic mental health tips.

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