Artigos em periódicos by Guillermo T S Caceres
Revista do Instituto de Estudos Brasileiros, Jul 1, 2014
Uma série de episódios que mostram o comprometimento do primeiro presidente petista com a militar... more Uma série de episódios que mostram o comprometimento do primeiro presidente petista com a militarização da segurança pública serve de pano de fundo para um estudo da origem, do desenvolvimento e da morfologia de três bases rítmicas características de três décadas sucessivas do Funk Carioca: o Volt Mix (anos 1990), o Tamborzão (primeira década dos anos 2000) e o Beatbox (anos 2010). Entrevistas, transcrições e espectrogramas indicam sincronismos entre transformações da sonoridade e eventos políticos. À medida que se cerceiam os bailes, a base desocupa sucessivamente o agudo (primeira década dos anos 2000) e o grave (anos 2010) para encolher-se no centro. O início e o fim do segundo mandato, marcados pela Chacina do Pan (2007) e pela invasão dos Complexos da Penha e do Alemão (2010), delimitam uma era de ouro do Proibidão.
A series of episodes that show president Luiz Inácio Lula da Silva’s commitment to the militarization of public security provides the backdrop for a study of the origin, development and morphology of three beats (bases) that characterize, each, one decade of Funk Carioca: Volt Mix (1990s), Tamborzão (the years 2000-2009) and Beatbox (from 2010 onwards). Interviews, transcriptions and spectrograms indicate synchronisms between political events and changes in sonority. As the dances (bailes) become outlawed, the beat retreats successively from the high (years 2000-2009) and low (2010 to date) edges of the spectrum to concentrate in the medium. Marked by the Pan American Games Massacre of 2007 and by occupation of the Penha and Alemão complexes of favelas in 2010, the beginning and the end of Luiz Inácio Lula da Silva’s second term in office delimit a golden age of Forbidden Funk (Proibidão).
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Artigos em periódicos by Guillermo T S Caceres
A series of episodes that show president Luiz Inácio Lula da Silva’s commitment to the militarization of public security provides the backdrop for a study of the origin, development and morphology of three beats (bases) that characterize, each, one decade of Funk Carioca: Volt Mix (1990s), Tamborzão (the years 2000-2009) and Beatbox (from 2010 onwards). Interviews, transcriptions and spectrograms indicate synchronisms between political events and changes in sonority. As the dances (bailes) become outlawed, the beat retreats successively from the high (years 2000-2009) and low (2010 to date) edges of the spectrum to concentrate in the medium. Marked by the Pan American Games Massacre of 2007 and by occupation of the Penha and Alemão complexes of favelas in 2010, the beginning and the end of Luiz Inácio Lula da Silva’s second term in office delimit a golden age of Forbidden Funk (Proibidão).
A series of episodes that show president Luiz Inácio Lula da Silva’s commitment to the militarization of public security provides the backdrop for a study of the origin, development and morphology of three beats (bases) that characterize, each, one decade of Funk Carioca: Volt Mix (1990s), Tamborzão (the years 2000-2009) and Beatbox (from 2010 onwards). Interviews, transcriptions and spectrograms indicate synchronisms between political events and changes in sonority. As the dances (bailes) become outlawed, the beat retreats successively from the high (years 2000-2009) and low (2010 to date) edges of the spectrum to concentrate in the medium. Marked by the Pan American Games Massacre of 2007 and by occupation of the Penha and Alemão complexes of favelas in 2010, the beginning and the end of Luiz Inácio Lula da Silva’s second term in office delimit a golden age of Forbidden Funk (Proibidão).