Aristonothos. Rivista di Studi sul Mediterraneo Antico, 19, 2023
Oggetto del presente studio è un’olpe attica a figure nere rinvenuta in frammenti all’interno di ... more Oggetto del presente studio è un’olpe attica a figure nere rinvenuta in frammenti all’interno di un bothros presso il ‘complesso monumentale’ di Tarquinia. Il vaso, in base a morfologia e stile, riporta alle olpai prodotte dalla cerchia di Amasis ed è attribuibile al Pittore di Taleides. Il contesto di rinvenimento e la mancanza del piede, intenzionalmente staccato, inducono a supporre che l’olpe sia stata impiegata nelle azioni connesse al riempimento del bothros e successivamente ivi deposta, forse ritualmente frantumata.
Parole chiave: Ceramica attica a figure nere; ceramica attica in Etruria; olpe attica a figure nere; Pittore di Taleides; Pittore di Amasis; Tarquinia; rituale
The present study will analyse the discovery of an Attic black-figured fragmentary olpe, which was found inside a bothros at the ‘monumental complex’ of Tarquinia. According to its shape and decoration it appears to belong to the olpai associated with the Amasis workshop, and it has been assigned to the Taleides Painter. Both the area where it was unearthed and the fact that one foot of the olpe is intentionally missing, suggest a connection with the rituals of the filling of the bothros where it was then deposed and perhaps even ritualistically broken.
Key-words: Attic black figure pottery; Attic Pottery in Etruria; Athenian black-figured olpe; Taleides Painter; Amasis Painter; Tarquinia; Ritual
ABSTRACT This paper is the result of the clashing but fruitful collaboration of experts of two di... more ABSTRACT This paper is the result of the clashing but fruitful collaboration of experts of two different cultures - Computer Science and Archaeology – and reports on the design and development of the T.Arc.HNA System, a new system of accessibility towards Cultural Heritage of the ...
ABSTRACT This paper is the result of the clashing but fruitful collaboration of experts of two di... more ABSTRACT This paper is the result of the clashing but fruitful collaboration of experts of two different cultures - Computer Science and Archaeology – and reports on the design and development of the T.Arc.HNA System, a new system of accessibility towards Cultural Heritage of the ...
ABSTRACT This paper is the result of the clashing but fruitful collaboration of experts of two di... more ABSTRACT This paper is the result of the clashing but fruitful collaboration of experts of two different cultures - Computer Science and Archaeology – and reports on the design and development of the T.Arc.HNA System, a new system of accessibility towards Cultural Heritage of the ...
Aristonothos. Rivista di Studi sul Mediterraneo Antico, 19, 2023
Oggetto del presente studio è un’olpe attica a figure nere rinvenuta in frammenti all’interno di ... more Oggetto del presente studio è un’olpe attica a figure nere rinvenuta in frammenti all’interno di un bothros presso il ‘complesso monumentale’ di Tarquinia. Il vaso, in base a morfologia e stile, riporta alle olpai prodotte dalla cerchia di Amasis ed è attribuibile al Pittore di Taleides. Il contesto di rinvenimento e la mancanza del piede, intenzionalmente staccato, inducono a supporre che l’olpe sia stata impiegata nelle azioni connesse al riempimento del bothros e successivamente ivi deposta, forse ritualmente frantumata.
Parole chiave: Ceramica attica a figure nere; ceramica attica in Etruria; olpe attica a figure nere; Pittore di Taleides; Pittore di Amasis; Tarquinia; rituale
The present study will analyse the discovery of an Attic black-figured fragmentary olpe, which was found inside a bothros at the ‘monumental complex’ of Tarquinia. According to its shape and decoration it appears to belong to the olpai associated with the Amasis workshop, and it has been assigned to the Taleides Painter. Both the area where it was unearthed and the fact that one foot of the olpe is intentionally missing, suggest a connection with the rituals of the filling of the bothros where it was then deposed and perhaps even ritualistically broken.
Key-words: Attic black figure pottery; Attic Pottery in Etruria; Athenian black-figured olpe; Taleides Painter; Amasis Painter; Tarquinia; Ritual
ABSTRACT This paper is the result of the clashing but fruitful collaboration of experts of two di... more ABSTRACT This paper is the result of the clashing but fruitful collaboration of experts of two different cultures - Computer Science and Archaeology – and reports on the design and development of the T.Arc.HNA System, a new system of accessibility towards Cultural Heritage of the ...
ABSTRACT This paper is the result of the clashing but fruitful collaboration of experts of two di... more ABSTRACT This paper is the result of the clashing but fruitful collaboration of experts of two different cultures - Computer Science and Archaeology – and reports on the design and development of the T.Arc.HNA System, a new system of accessibility towards Cultural Heritage of the ...
ABSTRACT This paper is the result of the clashing but fruitful collaboration of experts of two di... more ABSTRACT This paper is the result of the clashing but fruitful collaboration of experts of two different cultures - Computer Science and Archaeology – and reports on the design and development of the T.Arc.HNA System, a new system of accessibility towards Cultural Heritage of the ...
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Papers by CRISTINA RIDI
Il vaso, in base a morfologia e stile, riporta alle olpai prodotte dalla cerchia di Amasis ed è attribuibile al Pittore di Taleides. Il contesto di rinvenimento e la mancanza del piede, intenzionalmente staccato, inducono a supporre che l’olpe sia stata impiegata nelle azioni connesse al riempimento del bothros e successivamente ivi deposta, forse ritualmente frantumata.
Parole chiave: Ceramica attica a figure nere; ceramica attica in Etruria; olpe attica a figure nere; Pittore di Taleides; Pittore di Amasis; Tarquinia; rituale
The present study will analyse the discovery of an Attic black-figured fragmentary olpe, which was found inside a bothros at the ‘monumental complex’ of Tarquinia.
According to its shape and decoration it appears to belong to the olpai associated with the Amasis workshop, and it has been assigned to the Taleides Painter.
Both the area where it was unearthed and the fact that one foot of the olpe is intentionally missing, suggest a connection with the rituals of the filling of the bothros where it was then deposed and perhaps even ritualistically broken.
Key-words: Attic black figure pottery; Attic Pottery in Etruria; Athenian black-figured olpe; Taleides Painter; Amasis Painter; Tarquinia; Ritual
Books by CRISTINA RIDI
Il vaso, in base a morfologia e stile, riporta alle olpai prodotte dalla cerchia di Amasis ed è attribuibile al Pittore di Taleides. Il contesto di rinvenimento e la mancanza del piede, intenzionalmente staccato, inducono a supporre che l’olpe sia stata impiegata nelle azioni connesse al riempimento del bothros e successivamente ivi deposta, forse ritualmente frantumata.
Parole chiave: Ceramica attica a figure nere; ceramica attica in Etruria; olpe attica a figure nere; Pittore di Taleides; Pittore di Amasis; Tarquinia; rituale
The present study will analyse the discovery of an Attic black-figured fragmentary olpe, which was found inside a bothros at the ‘monumental complex’ of Tarquinia.
According to its shape and decoration it appears to belong to the olpai associated with the Amasis workshop, and it has been assigned to the Taleides Painter.
Both the area where it was unearthed and the fact that one foot of the olpe is intentionally missing, suggest a connection with the rituals of the filling of the bothros where it was then deposed and perhaps even ritualistically broken.
Key-words: Attic black figure pottery; Attic Pottery in Etruria; Athenian black-figured olpe; Taleides Painter; Amasis Painter; Tarquinia; Ritual