Musik bising
Musik bising atau musik berisik adalah genre musik yang dicirikan oleh penggunaan bunyi yang ekspresif dalam konteks musiknya. Genre musik ini cenderung menantang perbedaan yang dibuat dalam praktik musik konvensional dan mengaburkan batas antara suara musik dan non-musik.[1] Musik kebisingan mencakup berbagai gaya musik dan praktik kreatif berbasis suara yang menampilkan kebisingan sebagai aspek utama.
Musik bising dapat menampilkan suara yang dihasilkan secara akustik maupun elektronik, serta alat musik, baik alat musik tradisional maupun alat musik non konvensional. Musik ini mungkin menggabungkan suara mesin, teknik vokal non-musik, media audio yang dimanipulasi secara fisik, rekaman suara yang diproses, rekaman lapangan, kebisingan yang dihasilkan komputer, proses stokastik, dan sinyal elektronik lain yang dihasilkan secara acak seperti distorsi, umpan balik, statis, desis dan dengungan. Musik ini mungkin juga ada penekanan pada tingkat volume tinggi dan potongan yang panjang dan berkesinambungan. Secara lebih umum, musik yang bising mungkin mengandung aspek-aspek seperti improvisasi, teknik yang diperluas, hiruk-pikuk, dan ketidaktentuan. Dalam banyak kasus, musik ini mengabaikan penggunaan melodi, harmoni, dan ritme.[2][3][4][5]
Catatan
[sunting | sunting sumber]- ^ Priest, Eldritch. "Music Noise" in Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure, p. 132. London: Bloomsbury Publishing; New York: Bloomsbury Academic, 2013.
- ^ Chris Atton, "Fan Discourse and the Construction of Noise Music as a Genre", Journal of Popular Music Studies 23, no. 3 (September 2011): 324–42. Citation on 326.
- ^ Torben Sangild, The Aesthetics of Noise (Copenhagen: Datanom, 2002):[halaman dibutuhkan]. ISBN 87-988955-0-8. Reprinted at UbuWeb.
- ^ Paul Hegarty, Noise/Music: A History (London: Continuum International Publishing Group, 2007): 3–19.
- ^ Caleb Kelly, Cracked Media: The Sound of Malfunction (Cambridge, Ma.: MIT Press, 2009): 60–76.
Referensi
[sunting | sunting sumber]- Albright, Daniel (ed.) Modernism and Music: An Anthology of Source. Chicago: University Of Chicago Press, 2004.
- Attali, Jacques. Noise: The Political Economy of Music, translated by Brian Massumi, foreword by Fredric Jameson, afterword by Susan McClary. Minneapolis: University of Minnesota Press, 1985.
- Atton, Chris (2011). "Fan Discourse and the Construction of Noise Music as a Genre". Journal of Popular Music Studies, Volume 23, Issue 3, pages 324–42, September 2011.
- Bangs, Lester. Psychotic Reactions and Carburetor Dung: The Work of a Legendary Critic, collected writings,edited by Greil Marcus. Anchor Press, 1988.
- Biro, Matthew. The Dada Cyborg: Visions of the New Human in Weimar Berlin. Minneapolis: University of Minnesota Press, 2009.
- Cage, John. Silence: Lectures and Writings. Wesleyan University Press, 1961. Reprinted 1973.
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- Cahoone, Lawrence. From Modernism to Postmodernism: An Anthology. Cambridge, Mass: Blackwell, 1996.
- Cain, Nick "Noise" in The Wire Primers: A Guide to Modern Music, Rob Young, ed., London: Verso, 2009.
- Cascone, Kim. "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music".Computer Music Journal 24, no. 4 (Winter 2002): 12–18.
- Chadabe, Joel (1996). Electronic Sound: The Past and Promise of Electronic Music. New Jersey: Prentice Hall. hlm. 370. ISBN 0-13-303231-0.
- Cowell, Henry. The Joys of Noise in Audio Culture. Readings in Modern Music, edited by Christoph Cox and Dan Warner, pp. 22–24. New York: Continuum, 2004. ISBN 0-8264-1614-4 (hardcover) ISBN 0-8264-1615-2 (pbk)
- Ocean Music by De Maria, Walter (1968)][perlu rujukan lengkap]
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- Goodman, Steve. 2009. "Contagious Noise: From Digital Glitches to Audio Viruses". In The Spam Book: On Viruses, Porn and Other Anomalies From the Dark Side of Digital Culture, edited by Jussi Parikka and Tony D. Sampson, 125–40.. Cresskill, New Jersey: Hampton Press.
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- Hegarty, Paul. 2004. "Full with Noise: Theory and Japanese Noise Music". In Life in the Wires, edited by Arthur Kroker and Marilouise Kroker, 86–98. Victoria, Canada: NWPCtheory Books.
- Hegarty, Paul. Noise/Music: A History. London: Continuum International Publishing Group, 2007.
- Piekut, Benjamin. Experimentalism Otherwise: The New York Avant-Garde and Its Limits. Berkeley: University of California Press, 2012.
- Kahn, Douglas. Noise, Water, Meat: A History of Sound in the Arts. Cambridge: MIT Press, 1999.
- Kelly, Caleb. Cracked Media: The Sound of Malfunction Cambridge, Ma.: MIT Press, 2009.
- Kemp, Mark. 1992. "She Who Laughs Last: Yoko Ono Reconsidered". Option Magazine (July–August): 74–81.
- Krauss, Rosalind E. 1979. The Originality of the Avant Garde and Other Modernist Myths. Cambridge: MIT Press. Reprinted as Sculpture in the Expanded Field. Cambridge: MIT Press, 1986.
- LaBelle, Brandon. 2006. Background Noise: Perspectives on Sound Art. New York and London: Continuum International Publishing.
- Landy, Leigh (2007),Understanding the Art of Sound Organization, Cambridge, Massachusetts: MIT Press, xiv, 303p.
- Lewisohn, Mark. 1988. The Beatles Recording Sessions. New York: Harmony Books.
- Lombardi, Daniele. 1981. "Futurism and Musical Notes". Artforum January 1981. [1]
- McCartney, Paul (1995). The Beatles Anthology (DVD). Berlangsung pada Special Features, Back at Abbey Road May 1995, 0:12:17.
- MacDonald, Ian (2005). Revolution in the Head: The Beatles' Records and the Sixties (edisi ke-Second Revised). London: Pimlico (Rand). ISBN 1-84413-828-3.
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- Masters, Marc. 2007. No Wave London: Black Dog Publishing.
- Mereweather, Charles (ed.). 2007. Art Anti-Art Non-Art. Los Angeles: Getty Research Institute.
- Miles, Barry (1997). Many Years From Now. Vintage – Random House. ISBN 0-7493-8658-4.
- Nechvatal, Joseph. 2012. Immersion Into Noise. Ann Arbor: Open Humanities Press. ISBN 978-1-60785-241-4.
- Nechvatal, Joseph. 2000. Towards a Sound Ecstatic Electronica. New York: The Thing Post.thing.net
- Nyman, Michael (1974). Experimental Music: Cage and Beyond. London: Studio Vista. hlm. 196. ISBN 0-19-816511-0.
- Pedersen, Steven Mygind. 2007. Notes on Joseph Nechvatal: Viral SymphOny. Alfred, New York: Institute for Electronic Arts, School of Art & Design, Alfred University.
- Petrusich, Amanda. "Interview: Lou Reed Pitchfork net. (Accessed 13 September 2009)
- Priest, Eldritch. "Music Noise". In his Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure, 128–39. London: Bloomsbury Publishing; New York: Bloomsbury Academic, 2013. ISBN 978-1-4411-2475-3; ISBN 978-1-4411-2213-1 (pbk).
- Rice, Ron. 1994. A Brief History of Anti-Records and Conceptual Records. Unfiled: Music under New Technology 0402 [i.e., vol. 1, no. 2]: [halaman dibutuhkan]Republished online, Ubuweb Papers (Accessed 4 December 2009).
- Ross, Alex. 2007. The Rest Is Noise: Listening to the Twentieth Century. New York: Farrar, Straus and Giroux.
- Sangild, Torben. 2002. The Aesthetics of Noise. Copenhagen: Datanom. ISBN 87-988955-0-8. Reprinted at UbuWeb
- Sanouillet, Michel, and Elmer Peterson (eds.). 1989. The Writings of Marcel Duchamp. New York: Da Capo Press.
- Smith, Owen. 1998. Fluxus: The History of an Attitude. San Diego: San Diego State University Press.
- Spitz, Bob (2005). The Beatles: The Biography
. New York: Little, Brown and Company. ISBN 1-84513-160-6.
- Tunbridge, Laura. 2011. The Song Cycle. Cambridge and New York: Cambridge University Press. ISBN 0-521-72107-5.
- Watson, Ben. "Noise as Permanent Revolution: or, Why Culture Is a Sow Which Devours Its Own Farrow". In Noise & Capitalism, edited by Anthony and Mattin Iles, 104–20. Kritika Series. Donostia-San Sebastián: Arteleku Audiolab, 2009.
- Watson, Steven. 2003. Factory Made: Warhol and the Sixties. New York: Pantheon.
- Weiss, Allen S. 1995. Phantasmic Radio. Durham NC: Duke University Press.
- Young, Rob (ed.). 2009. The Wire Primers: A Guide To Modern Music. London: Verso.
- Van Nort, Doug. (2006), Noise/music and representation systems, Organised Sound, 11(2), Cambridge University Press, pp 173–178.
Bacaan lanjutan
[sunting | sunting sumber]- Álvarez-Fernández, Miguel. "Dissonance, Sex and Noise: (Re)Building (Hi)Stories of Electroacoustic Music". In ICMC 2005: Free Sound Conference Proceedings. Barcelona: International Computer Music Conference; International Computer Music Association; SuviSoft Oy Ltd., 2005.
- Thomas Bey William Bailey, Unofficial Release: Self-Released And Handmade Audio In Post-Industrial Society, Belsona Books Ltd., 2012
- Barthes, Roland. "Listening". In his The Responsibility of Forms: Critical Essays on Music, Art, and Representation, translated from the French by Richard Howard. New York: Hill and Wang, 1985. ISBN 0-8090-8075-3 Reprinted Berkeley: University of California Press, 1991. ISBN 0-520-07238-3 (pbk.)
- Brassier, Ray. "Genre is Obsolete". Multitudes, no. 28 (Spring 2007) Multitudes.samizdat.net.
- Cobussen, Marcel. "Noise and Ethics: On Evan Parker and Alain Badiou". Culture, Theory & Critique, 46(1) pp. 29–42. 2005.
- Collins, Nicolas (ed.) "Leonardo Music Journal" Vol 13: "Groove, Pit and Wave: Recording, Transmission and Music" 2003.
- Court, Paula. New York Noise: Art and Music from the New York Underground 1978–88. London: Soul Jazz Publishing, in association with Soul Jazz Records, 2007. ISBN 0-9554817-0-8
- DeLone, Leon (ed.), Aspects of Twentieth-Century Music. Englewood Cliffs, New Jersey: Prentice-Hall, 1975.
- Demers, Joanna. Listening Through The Noise. New York: Oxford University Press. 2010.
- Dempsey, Amy. Art in the Modern Era: A Guide to Schools and Movements. New York: Harry A. Abrams, 2002.
- Doss, Erika. Twentieth-Century American Art. Oxford and New York: Oxford University Press, 2002
- Foege, Alec. Confusion Is Next: The Sonic Youth Story. New York: St. Martin's Press, 1994.
- Gere, Charlie. Digital Culture, second edition. London: Reaktion, 2000. ISBN 1-86189-388-4
- Goldberg, RoseLee. Performance: Live Art Since 1960. New York: Harry N. Abrams, 1998.
- Goodman, Steve a.k.a. kode9. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge, Ma.: MIT Press, 2010.
- Hainge, Greg (ed.). Culture, Theory and Critique 46, no. 1 (Issue on Noise, 2005)
- Harrison, Charles, and Paul Wood. Art in Theory, 1900–2000: An Anthology of Changing Ideas. Oxford: Blackwell Publishing, 1992.
- Harrison, Thomas J. 1910: The Emancipation of Dissonance. Berkeley: University of California Press, 1996.
- Hegarty, Paul The Art of Noise. Talk given to Visual Arts Society at University College Cork, 2005.
- Hegarty, Paul. Noise/Music: A History. New York, London: Continuum, 2007. ISBN 978-0-8264-1726-8 (cloth); ISBN 978-0-8264-1727-5 (pbk).
- Hensley, Chad. "The Beauty of Noise: An Interview with Masami Akita of Merzbow". In Audio Culture: Readings in Modern Music, edited by C. Cox and Dan Warner, pp. 59–61. New York: Continuum, 2004.
- Helmholtz, Hermann von. On the Sensations of Tone as a Physiological Basis for the Theory of Music, 2nd English edition, translated by Alexander J. Ellis. New York: Longmans & Co. 1885. Reprinted New York: Dover Publications, 1954.
- Hinant, Guy-Marc. "TOHU BOHU: Considerations on the nature of noise, in 78 fragments". In Leonardo Music Journal Vol 13: Groove, Pit and Wave: Recording, Transmission and Music. 2003. pp. 43–47
- Huyssen, Andreas. Twilight Memories: Marking Time in a Culture of Amnesia. New York: Routledge, 1995.
- Iles, Anthony & Mattin (eds) Noise & Capitalism. Donostia-San Sebastián: Arteleku Audiolab (Kritika series). 2009.
- Juno, Andrea, and Vivian Vale (eds.). Industrial Culture Handbook. RE/Search 6/7. San Francisco: RE/Search Publications, 1983. ISBN 0-940642-07-7
- Kahn, Douglas, and Gregory Whitehead (eds.). Wireless Imagination: Sound, Radio and the Avant-Garde. Cambridge, Ma.: MIT Press, 1992.
- Kocur, Zoya, and Simon Leung. Theory in Contemporary Art Since 1985. Boston: Blackwell Publishing, 2005.
- LaBelle, Brandon. Noise Aesthetics in Background Noise: Perspectives on Sound Art, New York and London: Continuum International Publishing, pp 222–225. 2006.
- Lander, Dan. Sound by Artists. Toronto: Art Metropole, 1990.
- Licht, Alan. Sound Art: Beyond Music, between Categories. New York: Rizzoli, 2007.
- Lombardi, Daniele. Futurism and Musical Notes, translated by Meg Shore. Artforum [2] [3]
- Malaspina, Cecile. Introduction by Brassier, Ray. An Epistemology of Noise. Bloombury Academic. 2018.
- Malpas, Simon. The Postmodern. New York: Routledge, 2005.
- McGowan, John P. Postmodernism and Its Critics. Ithaca: Cornell University Press, 1991.
- Miller, Paul D. [a.k.a. DJ Spooky] (ed.). Sound Unbound: Sampling Digital Music and Culture. Cambridge, Ma.: MIT Press, 2008.
- Morgan, Robert P. "A New Musical Reality: Futurism, Modernism, and 'The Art of Noises'", Modernism/Modernity 1, no. 3 (September 1994): 129–51. Reprinted at UbuWeb.
- Moore, Thurston. Mix Tape: The Art of Cassette Culture. Seattle: Universe, 2004.
- Nechvatal, Joseph. Immersion Into Noise. Open Humanities Press in conjunction with the University of Michigan Library's Scholarly Publishing Office. Ann Arbor. 2011.
- David Novak, Japanoise: Music at the Edge of Circulation, Duke University Press. 2013
- Nyman, Michael. Experimental Music: Cage and Beyond, 2nd edition. Music in the Twentieth Century. Cambridge and New York: Cambridge University Press, 1999.ISBN 0-521-65297-9 (cloth) ISBN 0-521-65383-5 (pbk)
- Pratella, Francesco Balilla. "Manifesto of Futurist Musicians" from Apollonio, Umbro, ed. Documents of 20th-century Art: Futurist Manifestos. Brain, Robert, R.W. Flint, J.C. Higgitt, and Caroline Tisdall, trans. New York: Viking Press, pp. 31–38. 1973.
- Popper, Frank. From Technological to Virtual Art. Cambridge: MIT Press/Leonardo Books, 2007.
- Popper, Frank. Art of the Electronic Age. New York: Harry N. Abrams; London: Thames & Hudson, 1993. ISBN 0-8109-1928-1 (New York); ISBN 0-8109-1930-3 (New York); ISBN 0-500-23650-X (London); Paperback reprint, New York: Thames & Hudson, 1997. ISBN 0-500-27918-7.
- Ruhrberg, Karl, Manfred Schneckenburger, Christiane Fricke, and Ingo F. Walther. Art of the 20th Century. Cologne and London: Taschen, 2000. ISBN 3-8228-5907-9
- Russolo, Luigi. The Art of Noises. New York: Pendragon, 1986.
- Samson, Jim. Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920. New York: W. W. Norton & Company, 1977.
- Schaeffer, Pierre. "Solfege de l'objet sonore". Le Solfège de l'Objet Sonore (Music Theory of the Sound Object), a sound recording that accompanied Traité des Objets Musicaux (Treatise on Musical Objects) by Pierre Schaeffer, was issued by ORTF (French Broadcasting Authority) as a long-playing record in 1967.
- Schafer, R. Murray. The Soundscape Rochester, Vt: Destiny Books, 1993. ISBN 978-0-89281-455-8
- Sheppard, Richard. Modernism-Dada-Postmodernism. Chicago: Northwestern University Press, 2000.
- Steiner, Wendy. Venus in Exile: The Rejection of Beauty in 20th-Century Art. New York: The Free Press, 2001.
- Stuart, Caleb. "Damaged Sound: Glitching and Skipping Compact Discs in the Audio of Yasunao Tone, Nicolas Collins and Oval" In Leonardo Music Journal Vol 13: Groove, Pit and Wave: Recording, Transmission and Music. 2003. pp. 47–52
- Tenney, James. A History of "Consonance" and "Dissonance". White Plains, New York: Excelsior; New York: Gordon and Breach, 1988.
- Thompson, Emily. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933. Cambridge, Ma.: MIT Press, 2002.
- Voegelin, Salome. Listening to Noise and Silence: Towards a Philosophy of Sound Art. London: Continuum. 2010. Chapter 2 Noise, pp. 41–76.
- Woods, Michael. Art of the Western World. Mandaluyong: Summit Books, 1989.
- Woodward, Brett (ed.). Merzbook: The Pleasuredome of Noise. Melbourne and Cologne: Extreme, 1999.
- Young, Rob (ed.) Undercurrents: The Hidden Wiring of Modern Music. London: Continuum Books. 2002.
Pranala luar
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- Nor Noise 119 mins 2004 documentary film by Tom Hovinbole at UbuWeb.
- Noise A short noise music documentary film by N.O. Smith
- Freshwidow.com, Marcel Duchamp playing and discussing his noise ready-made With Hidden Noise
- Paul Hegarty, Full With Noise: Theory and Japanese Noise Music on Ctheory.net
- The Future of Music: Credo, John Cage (1937) from Silence, John Cage, Wesleyan University Press
- Alphamanbeast's noise directory Information base with links to noise artists and labels
- White noise in wave(.wav) format (1 minute)
- UBU.armob.ca La Monte Young's 89 VI 8 c. 1:42–1:52 AM Paris Encore (10:33) on Tellus Audio Cassette Magazine archive hosted at UbuWeb
- Noise generator to explore different types of noise
- PNF-library.org, Free Noise Manifesto
- Torben Sangild: "The Aesthetics of Noise"
- UBU.com, mp3 audio files of the noise music of Luigi Russolo on UbuWeb
- Noiseweb
- List of noise bands in the Noise Wiki created by noise artists for noise artists
- #13 Power Electronics at Tellus Audio Cassette Magazine housed at UbuWeb
- MP3 files by harsh noise artists
- UBU.com, Wolf Vostell's De/Collage LP Fluxus Multhipla, Italy (1980) at UbuWeb
- UBU.wfmu.org, noise music of Antonio Russolo from Tellus Audio Cassette Magazine
- Noise.as, Noise: NZ/Japan
- UBU.artmob.ca Walter De Maria Ocean Music (1968)
- Torben Sangild: "The Aesthetics of Noise"
- Japanoise.net Diarsipkan 2012-03-26 di Wayback Machine.
- Dotdotmusic.com, Paul Hegarty, General Ecology of Sound: Japanese Noise Music as Low Form (2005)
- UBU.artmob.ca, audio excerpt from The Monotone Symphony by Yves Klein
- UBU.com, Genesis P-Orridge on the origins of Throbbing Gristle: interview by Tony Oursler on UbuWeb
- UBU.com, Group Ongaku (1960–61) at Ubuweb Recorded in 1960 & 1961 at Sogetsu Art Center, Tokyo
- RWM.macba.cat, mp3 radio lecture on Fluxus noise music
- Continuo.wordpress.com, Sound recordings from Nicolas Schöffer's spatiodynamic sculptures sourced from the DVD of an exhibition at Espace Gantner, France, 2004, titled Précurseur de l'art cybernétique.
- Marc Weidenbaum, "Classic Tellus Noise MP3s (Controlled Bleeding, Merzbow, etc.)", Classic Tellus Audio Cassette Magazine Noise
- Nam June Paik in UbuWeb Sound