Pang Xunqin, celebrated for merging Chinese tradition with modern aesthetics, creates works that blend cultural heritage with contemporary design through the “China Decoration Figure Collection”. His approach demonstrates how traditional elements can be innovatively integrated into modern contexts, bridging past and present while connecting Eastern and Western artistic influences. … Read More →
The Image in Hans Jonas’s Philosophical Anthropology
Hans Jonas explores the image as a central element in philosophical anthropology and ontology, highlighting vision as the mediator between the organism and the world. The human capacity to create images and abstractions, which enables the formation of the “self-image”, is crucial for ethical reflection on the impact of biotechnology and transhumanism. … Read More →
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