Skeeal appee
Ayns studeyryssyn shaanrey, ta skeeal appee çheet er shaanrey lettyraght, theater, scannane, as gamman-feeshan ta jeeraghey er appaghey feniagh voish y lambaanid dys yn eash aasit echey ny eck. Ta skeealyn appee dy mennick cur ny smoo trimmid er y chohaggloo na er y jantys, as dy mennick t'ad bunnit 'sy traa shagh. T'ad jeigeyryn biallee ny skeealyn appee dy mennick.[1] She fo-haanrey yn skeeal appee eh yn Bildungsroman.
She ceaghlaghyn ennaghtagh çheusthie jeh ny karacteyryn hene co-chialgyn ny skeealyn appee.[2]
Bildungsroman
[reagh | edit source]'Sy chremeydys lettyraght, s'maylartagh dy mennick ta noaskeealyn appee as Bildungsroman, ga dy nee shaanrey ny s'lhea eh yn noaskeeal appee. Ta'n Bildungsroman (voish ny focklyn Germaanish Bildung, "ynsagh" ny "kiaddey" as Roman, "noaskeeal") goaill stiagh troghyn formoil as bun-chooishagh.[3] T'ee jeeraghey er aase as appaghey shicklaagagh as beasagh y characteyr voish yn aegid dys yn eash aasit,[4] raad dy vel caghlaa yn characteyr scanshoil.[5][6][7]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/9/98/The_Wizard_of_Oz_Judy_Garland_1939.jpg/200px-The_Wizard_of_Oz_Judy_Garland_1939.jpg)
Hie yn shaanrey er n'aafilley voish skeealyn çheerey bentyn rish paitçhyn ronsaghey magh yn dowan son y fortan oc y gheddyn.[8] Ga dy daase yn Bildungsroman 'sy Ghermaan, haink er dy ve feer cummaghtagh 'syn Oarpey ec y toshiaght as er feie ny cruinney ny s'anmey. Ren Thomas Carlyle çhyndaa noaskeeal Goethe dys y Vaarle as, lurg e hoilshaghey magh ayns 1824, screeu ram ughtaryn Goaldagh noaskeealyn as ad geddyn ardsmooinaght voish.[9][10]
Shimmey cummey yn Bildungsroman t'ayn, lheid as y Künstlerroman ("noaskeel ellyneyr"), ta jeeraghey er hene-aase ellyneyr.[11]
Scannaneyn jeigeyr
[reagh | edit source]'Sy scannaneaght, she shaanrey scannaneyn jeigeyr ta'n scannane appee. Ta scannaneyn appee jeeraghey er aase shicklaagagh as beasagh y characteyr voish yn aegid dys yn eash aasit. S'caghlaa yn çhaanrey shen voish ny 2020yn na yn "scannane appee moal ta goaill rish najoor moal yn eash aasit 'sy 21d eash", raad foddee dy vel deiney aasit aegey ronsaghey magh mooinjeryssyn giare-heiltagh, staydyssyn beaghee, as staartaghyn cha jeianagh as nyn 20yn as 30yn leah.[12]
Yn aase as y caghlaa persoonagh, t'ad feer scanshoil 'sy çhaanrey, as t'ad croghey er y chohaggloo as freggyrtyn ennaghtagh as cha nee er y jantys. Keayrtyn, ta'n skeeal goll er insh ayns cummey aaçhentyn.[1] Dy shendeeagh, va scannaneyn appee jeeraghey er guillyn aegey, agh er y gherrid haink orroo jeeraghey er caillinyn chammah ayns scannaneyn lheid as The Poker House (2008), Winter's Bone (2010), Hick (2011), Girlhood (2014), Mustang (2015), The Diary of a Teenage Girl (2015), Mistress America (2015), The Edge of Seventeen (2016), Lady Bird (2017), as Sweet 20 (2017).[13]
Imraaghyn
[reagh | edit source]- ↑ a b Benyahia, Sarah Casey; Gaffney, Freddie; White, John (2006). As Film Studies: The Essential Introduction. Essentials Series. Taylor & Francis. ISBN 0-415-39311-6. Feddynit magh er 5 Boaldyn 2011.
- ↑ Romero, Travis (2020). "Coming Of Age". Ginglu. Feddynit magh er 7 Nollick 2020.
- ↑ Iversen, Annikin Teines (2010). "Change and Continuity; The Bildungsroman in English". Ollooscoill Tromsø: Munin open research archive.
- ↑ Lynch, Jack (1999). "Glossary of Literary and Rhetorical Terms". Guide to Literary Terms. Ollooscoill Rutgers. Er ny hashtey veih yn lhieggan bunneydagh er 5 Luanistyn 2011. Feddynit magh er 24 Boaldyn 2020.
- ↑ Bakhtin, Mikhail (1996). "The Bildungsroman and its Significance in the History of Realism". Ayns Emerson, Caryl; Holquist, Michael (rdyn.). Speech Genres and Other Late Essays. Austin, TX: University of Texas Press. dg. 21. ISBN 978-0-292-79256-2. OCLC 956882417.
- ↑ Jeffers, Thomas L. (2005). Apprenticeships: The Bildungsroman from Goethe to Santayana. York Noa: Palgrave. dg. 2. ISBN 1-4039-6607-9.
- ↑ Bildungsroman: German literary genre. 22 Averil 2013.
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ignored (cooney) - ↑ Cicchelli, Vincenzo (2010). "Les legs du voyage de formation à la Bildung cosmopolite" (ayns fr). Le Télémaque. Ym-lioar 38 (2): 57–70. doi: . ISSN 1263-588X. “Franco Moretti et John Neubauer, historiens de la littérature, ont tous deux insisté sur le rôle fondamental qu'a joué le roman, depuis la fin du XVIIIe siècle jusqu'à la Première Guerre mondiale, dans la construction des âges de la vie, de l'adolescence et la jeunesse. Si, avant cette période, les jeunes sont les laissés-pour-compte de la littérature romanesque, cette entrée tardive est compensée par la place centrale qu'ils occupent dans le roman de formation. Vers la fin du XIXe siècle, quand ce genre entre en crise, les jeunes sont remplacés par les adolescents, nouveaux protagonistes des œuvres de fiction. Après les écrits de Jean-Jacques Rousseau, le roman de formation, ou Bildungsroman, dont l'apogée se situe entre Les années d'apprentissage de Wilhelm Meister de Goethe (1795–1796) et l'Éducation sentimentale de Flaubert (1869), invente la figure littéraire du jeune homme voyageur. C'est à partir donc de cette période qu'il faudra retrouver certains traits des voyages fictionnels, que j'appelle matrices , qui hantent encore notre imaginaire, et que l'on retrouve dans les séjours Erasmus contemporains”
- ↑ Buckley, J. H. (1974), Season of Youth: The Bildungsroman from Dickens to Golding, Harvard Univ Press, ISBN 978-0-67479-640-9.
- ↑ Ellis, L. (1999), Appearing to Diminish: Female Development and the British Bildungsroman, 1750–1850, Lunnin: Bucknell University Press, ISBN 978-0-83875-411-5
- ↑ Werlock, James P. (2010). The Facts on File companion to the American short story. Ym-l. 2. dg. 387. ISBN 9781438127439.
- ↑ Murthi, Vikram (10 Mayrnt 2022). "The Wonder and Horror of Delayed Adulthood". The Nation. Feddynit magh er 10 Mayrnt 2022.
- ↑ Erbland, Kate (5 Nollick 2017). "7 Female-Centric Coming-of-Age Movies to Watch If You Loved 'Lady Bird'". IndieWire.
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