When K-pop's emblematic group EXO debuted in 2012, each member was assigned a superpower as part of their overarching lore. Kim Jongin, then a fresh-faced 18-year-old, was given the ability to teleport, promptly appearing and disappearing throughout their many music videos. He also received an alias: KAI, whose Chinese character "开" means "to open."

Eleven years later, KAI has manifested his nickname; his individual success has opened doors to three solo albums, countless world tours as part of EXO and supergroup SuperM, and several luxury brand contracts (he is an ambassador for Gucci and a representative for Yves Saint Laurent Beauty). It makes sense that he sees himself as someone who can't be constrained — and that he named his third EP Rover.

As the title insinuates, embodying multiple things at once has always been KAI's specialty. He is notoriously shy off-camera, an introvert who stays silent unless spoken to, but who unravels in winding thoughts and warm laughs when comfortable. At the same time, he is also one of K-pop's most lethal performers, with a voice that is as soft as sinful, and ballet-trained movements that spellbind any audience.

Rover is KAI's latest self-actualization. In a Zoom call with GRAMMY.com, he is all smiles as he mentions that this album is the truest to his creative desires so far. Whether visually or sonically, the six-track collection (plus a second installment of his conceptual video series, FILM : KAI, to be released on March 20) fuses everything that he is known for: the teleporting, the hypnotizing dance moves, the many characters he can embody, and his versatility in approaching rhythms that go from reggaeton to R&B.

He ponders about the limitations of social media and receiving love in tracks like "Black Mirror," and "Say You Love Me," while longing for freedom in "Bomba" and the project's title track. "Here I am in your face/ Focus on every single expression/ Y'all buzzin', catch me if you can," he sings in the latter, making reference to one of his favorite movies. In the music video, he also hints at Billy Elliott, another formative movie in his life, while adopting multiple personalities and namesakes. There are no boundaries to KAI's artistry, after all.

Ahead of the release, GRAMMY.com caught up with KAI about the meaning of freedom, his relationship with social media, and how it feels to be an idol for over a decade.

You ask to be called "Mr. Rover" in the EP's title track. Who is Mr. Rover?

That's me! [Laughs.] [The song] has a story about a wanderer and a message of wanting to be free, and since I want to be free on stage, and as an artist in general, Mr. Rover is me.

What is freedom to you?

I put a lot of thought into that, but honestly, I still don't know. I do feel free, and I do feel freedom when I'm on stage, and in order to feel that true freedom, I think it's not just throwing away something that's inside of you. It's more like trying your best and putting more effort into that freedom that you're seeking.

A lot of my fans say that I seem very happy and free on stage. I really want to be like that. I realized that, in order to be free, there's a lot of things that I have to try harder behind the stage.

Indeed, one of your main characteristics is that on stage you are very confident and charismatic, while off stage you are a little more shy and warm-hearted. What's on your mind when you're on stage?

I don't think that much when I'm on stage. This is intentional, because I try not to think about anything and just do my best. Just enjoy that moment. If I think a lot, then it'd be difficult for me to concentrate. I really want to get to that level where I don't have any thoughts and I can just feel free and do the performance as it is.

On stage, you can usually see me smiling and laughing a lot, but that's because the more I get nervous, the more I start smiling and laughing, and the more I enjoy it. Once I feel a sense of pressure is when I truly start to enjoy [it]. I realized that I must be crazy to be enjoying all this nervousness. [Laughs.]

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Besides freedom, what are three main words that you associate with this album?

The first one is "SNS" [Social Networking Service, or what Koreans usually call social media], because it's actually a theme in the album. To add up, the album also has a message of loving yourself and not caring about what others think. 

As in one of my tracks, "Black Mirror," when the display screen is black, it tells you to see yourself reflected there and to love yourself more. "Say You Love Me" [is] a song about desiring love. On SNS, we care a lot about likes, followers, and what other people think or how they see us.

The second keyword is "performance." It is a very important part of this album, because I really did what I wanted to do. There are a lot of performances to see and hear altogether, so when I was preparing [them], I tried to show different aspects of myself.

And my third keyword would be "happiness," because that is the emotion I felt the most while preparing for this album. I really enjoyed it, and I felt a lot of happiness in my daily life. I think that it's going to be a very memorable period for me.

Since your first keyword is SNS, what is your personal relationship with social media?

Honestly speaking, if I wasn't a celebrity, I think I wouldn't have been using SNS at all. But since I am, I do have to [use] it, and I think of it as a way to communicate with my fans. 

In my album, tracks such as "Black Mirror" or "Rover" have a message of being free and loving yourself, and I [prepared] a lot of curated content to show to my fans. I do have a desire for [my fans] to like that, but I want to say that it doesn't matter because, as a human, it's the same for me. I watch YouTube too, I watch all those [Instagram] Reels at night before I go to sleep. So you know, after all, I'm doing the same thing [as everyone].

**Your second keyword is performance, and you seem very happy that you could do everything that you wanted for Rover. What new things were you able to show through your performances this time?**

The ["Rover"] music video is very well-made and fun, and another FILM : KAI is coming out soon. The first FILM : KAI was released before my first music video [for "Mmmh"], so the role of it was to explain the whole concept and help the listeners understand what I was trying to say.

This time, FILM : KAI is coming out after the music video [for "Rover"], so I think it could be a chance for the viewers to organize their thoughts and compare with what they have been thinking while watching the music video, so they can realize some different charms [within it].

**You talked about your first album, KAI (开), and now you're on your third album. What are some of the differences between them, and what have you improved on since your solo debut?**

For the first album, when preparing the songs, it was more about finding what I wanted to do as KAI and what I'd like to show people. For the second album, it was more about focusing on what people would like to see and what they wanted from me. I did feel a bit pressured and stressed, but it was one of the steps in the process of trying to find what I really want to do. 

For my third album, I was able to find what I want to do and start doing it. As an artist, I grew a lot, but that's why I think it was a new challenge. It's something new that I'm attempting.

If it wasn't for the first or the second albums, the third one wouldn't even exist. I even had some songs that I saved during the [previous] albums because I thought I wasn't prepared before, but now I'm ready to release them to the world. As a soloist and an artist, I'm just developing and growing. There may be a lot of lacking skills still, but this album is very special to me, and I like it a lot.

You've been an idol for more than a decade now. What is the most important thing you learned so far?

Being an idol is a job too. The line between my daily life and my life as a celebrity is very ambiguous. From time to time, I could feel more stressed out, and as it is a job where I can share emotions with the public, there's a bit of pressure on that too.

The most important thing to do is to take care of my mental [health] and mindset, and this realization was a chance for me to grow. I've been thinking deeply on how to become a better person, how to live a happy life as a human being, and I think that, as KAI, I really want to share more positive and happy thoughts with my fans and the people all around the world.

Herbal Tea & White Sofas: Yuju Reveals The Cozy Items That Keep Her Calm On Tour

"Back then, I thought of myself as Iron Man," K-pop star Baekhyun shares over a video call from Seoul. The 32-year-old singer, known for his roles in chart-topping groups EXO, EXO-CBX, and SuperM, is reflecting on his 2019 solo debut, City Lights.

"I really like Iron Man. I know I'm not that super but, since this is an interview, I will say Iron Man," he adds, half-jokingly, a slender finger thoughtfully placed under his chin. "I remember when [Tony Stark] first started out [in the 2008 movie], he was in a cave with very limited resources, but he built an armor out of them. It was not perfect, but he started anyway. And from then on, he improved. I think that is quite similar to how I have also improved myself over time."

Baekhyun's latest "upgrade" is his fourth EP and first release in over three years, Hello, World, out September 6. The much-anticipated effort comes at a pivotal moment, too: Baekhyun returned from South Korea's two-year obligatory military service in 2023, and soon established INB100, a new label to support his solo career on his own terms.

Wearing a black T-shirt and a Kusneuf designer cap, with a dainty silver cross chain adorning his neck, the best word to define Baekhyun right now is "comfortable." Judging by his youthful face, most might not suspect he's a veteran artist, much less a businessman. During the interview he sits as close as possible to the laptop screen, staring curiously, smiling generously. 

"For listeners to love my songs, I need to love them too. The first impression is really important," he shares about choosing the six tracks that tell the story of Hello, World. "It starts with "Good Morning," which is about a happy and comfortable daily life with a loved one, and then it progresses into a breakup, and meeting that person again." 

Inspired by movies, such as Wong Kar-wai's Chungking Express and Peter Weir's The Truman Show, Baekhyun invites the listener into his own cinematic universe, where you can get "anything you want" and "everything you need."

"These days, with [YouTube] Shorts and [Instagram] Reels, for people to listen to a 3-minute song and not get bored, the first 10 seconds have to be really good," he says. "Pineapple Slice," Hello, World's confident, beat-driven single, is proof. "When I first listened to the song, it mesmerized me," he says. But getting to the equivalent of Iron Man's Mark LXXXV suit — Tony Stark's latest, most powerful one — didn't happen overnight.

Born in Bucheon, a satellite city near Seoul, Baekhyun wanted to be a singer since he was 11 years old. "I didn't think I would be able to work sitting in an office, because I'm very lively by nature, and I cannot stay still in one spot," he shared with Elle Korea in 2015.

His colorful tenor voice was distinguishable since high school, where he was the lead vocalist of band 혼수상태 (honsusangtae, or "coma" in English). While preparing for his college entrance exams in 2011, he was cast by behemoth label SM Entertainment — and less than a year later, debuted as one of the main vocalists in boy group EXO. "I was nervous and anxious all the time," he says of his unusually short K-pop idol training period. "Rather than having fun and enjoying myself, I felt a lot of pressure to be really good."

To be part of EXO was akin to being in a superhero movie, he says. "I think we were similar to Marvel's The Avengers, because we each had our own superpower." EXO, whose name came from the exoplanets (planets outside the Solar System), debuted with an intricate storyline where each member was given an otherworldly ability to fight the evil "Red Force."

Baekhyun was granted the power to control light. But what started as silly lore became one of his most meaningful motifs. Through his voice, Baekhyun can bring light and darkness, intensity and softness, all at once. "It felt like another me back then, but now I think 'light' equals the artist Baekhyun," he says. "'Light' is very similar to 'life.' It can [mean to] shine on others, like a lamp, but also to be a positive energy or influence. Right now, I want to make people as happy as possible." 

During their first years, EXO found massive success with epics like "MAMA" and sleek jams like "Growl" and "LOVE ME RIGHT." By 2016, they were leading names in the industry, and the announcement of the group's first sub-unit, EXO-CBX, formed by Baekhyun, Xiumin, and Chen, was met with thorough excitement. As their debut single "Hey Mama!" showed, the trio went on to offer light-hearted songs with a witty glaze, contrasting with EXO's powerful style.

"We wanted people to laugh when they saw us," says Baekhyun. The special clip for "The One" comes to mind. He compares the group to the 2009 comedy 3 Idiots. "It's a comic film, so people watching it feel happy, right?" he asks. "Through EXO we showed our cool side, but with EXO-CBX I wanted people to feel closer to us. I'm a very loud and kind of busy person, but [Chen and Xiumin] are so calm that I felt relaxed and comfortable. Even when I made mistakes, they were protective of me, like parents."

2016 was also the year where Baekhyun noticeably improved his dance skills. His steps became infused with emotion, and he often added small tweaks and flairs to the choreographies, effortlessly standing out. In June of that year, EXO released one of their most quintessential singles, "Monster," and Baekhyun's dance solo during The EXOr'DIUM Tour further attested to his crowd-commanding abilities — first with his voice, now with his moves.

Baekhyun also experimented with acting around that time, starring in SBS's TV drama Moon Lovers: Scarlet Heart Ryeo, and in the South Korean production of musical Singin' in the Rain. Nicknamed "Genius Idol" for his multiple talents and warm personality, a solo career was the natural next step, and he spent a good portion of 2017 and 2018 rehearsing for it. Through chart-topping duets "Dream" with Miss A's Suzy, "Rain" with Sistar's Soyou, "Young" with rapper Loco, and more, the singular artistry of soloist Baekhyun started to shine.

In July 2019 came his first EP, City Lights, which sold over half a million copies, and eventually became South Korea's best-selling album by a soloist in the 2010s. "Rather than pressuring myself into thinking 'I must be successful,' my debut was a greeting to the world, saying 'Hey, this is what I want to do,'" he explains. 

The slow burn R&B of "UN Village" showcased a new side to the beloved star. The single's sturdy self-assurance reflected on the remaining tracklist — five songs doused with drama and desire, made to be listened to after dark. "I was really surprised by how much love I received, and it helped me decide which direction to take [on my] future solo albums."

But before Baekhyun could even start thinking about the future, he was flung straight into his fourth debut: supergroup SuperM. The SM Entertainment and Capitol Music Group project debuted in October 2019, and brought together Taemin from SHINee, Baekhyun and Kai from EXO, Taeyong and Mark from NCT, and Ten and Lucas, also from NCT and from Chinese band WayV, to form "The Avengers of K-pop" — as they were sometimes dubbed.

But for Baekhyun, SuperM went beyond that. "I don't think there's a [movie] genre that I can compare SuperM to. It would be as if superheroes from Marvel and DC Comics and others all came together in one movie."

Baekhyun was appointed the leader of the group, a position that taught him how to be responsible. "I learned how to be diligent, and to work really hard, all the time, at everything," he says. During their promotions in the U.S., he was impressed by the diversity of styles, sounds, and routines that each member brought to the group. "I felt the need to care for other members. Before, I relied on my EXO members a lot, and I felt quite protected."

The onset of the COVID-19 pandemic in 2020 cut short many of SuperM's activities, whose main focus was the international market. However, the K-pop industry endured, as prolific as ever, and in May 2020, Baekhyun released his sophomore EP, Delight. 

Less moody than City Lights, the album was a welcome shot of serotonin during dark times, fronted by the juicy synths of "Candy." By July, Delight had surpassed 1 million sales, becoming the first album by a soloist in South Korea to do so since 2001. "It was unimaginable," he says. "I did not expect a million copies sold and all those chart records. But I was sad that I couldn't return that love by [performing live to] my fans because of the pandemic."

During an interview with GRAMMY.com at the time, Baekhyun shared that his main goal with Delight was to showcase versatility. "Fans would always say that they like both my sweet side and the more sensual, performative side, so I wanted to capture both and present them in a bigger package." Even though this was a thriving era for him, the pandemic constraints and his looming military enlistment left a bittersweet taste.

Read more: K-Pop Superstar Baekhyun On His Sweet Solo Single "Candy" & Delightful Second Mini Album

Less than a year later, in March 2021, Baekhyun elevated his abilities with his third EP and military send-off, Bambi. The album, filled with impossible highs and lows and dexterous vocal inflections, was a boundary-pushing labor for the singer. "I wanted to show everything I had, all of my experience, all of my talent, I really wanted everything to be in this album," he says. "Especially since I had to enlist shortly afterwards. Even though there were a lot of difficult songs, I thought 'I will do this, and I will do this well.'"

Baekhyun enlisted in the military on his 29th birthday — May 6, 2021. It would take almost two years before he returned to his activities as an artist, but the break granted him a necessary period of self-reflection. "Whenever I had free time, I would monitor all my past activities through YouTube. I would make mental notes like, 'I look good when I do this' or 'I look awkward when I do this," he recalls. "I also thought a lot about what I like and what I do well, and tried to make them compatible. I think I understand who I am a little bit better."

Following his return in February 2023, Baekhyun was invited by Riot Games to voice League of Legends' character Ezreal in the game's virtual boy band, Heartsteel. He performed the single "Paranoia" live at the Worlds 2023 Finals. He also sang both the U.S. and the Korean National Anthems at the 2024 MLB World Tour in Seoul. While these events confirmed that he was still at the top of his game, the major plot development in his career was the creation of his own label, INB100.

"I always had a desire to do my own thing, but it's very, very hard to make that a reality," he says with a nervous smile. "The main reason I made it is because I really wanted to meet my fans more freely and frequently, and now I can [do that] whenever I want."

"Even as a leader of SuperM, I don't think I was oppressive," he adds. "I always thought about how to have everyone contribute and have synergy. At my company right now, I'm always thinking about how we can work together well. I try to listen to others more, and I always ask what they think. Even if it takes some time, it's important that we all work towards a common goal together."

Despite a decade of star-studded achievements and a new leading role in business, Baekhyun compares this moment in his life to the 2015 comedy-drama The Intern. In it, 70-year-old widower Ben Whittaker (played by Robert De Niro) decides to embrace a new chapter by becoming the unexpected intern of a bustling online store.

"When I watched that movie, I was very touched," he says. "Before, I was always trying to impress my fans, but now I want to be approachable and friendly. I want to be a good worker. I want to be a comforting, reliable person. I try to show many sides [performing], but I would like to show stability, in terms of emotion."

With the mindset of an apprentice and the wisdom of a sage, Baekhyun navigates the new currents ahead with grit, come the obstacles and supervillains that may. When asked what movie he would like his future to resemble, he stops and thinks for a few moments, finger under chin once again. "In a very, very distant future, I would love to be living like the Pixar movie Up."

The ability to transmit the most genuine emotions and make the audience truly feel the lyrical meaning of a composition is what sets apart the best singers. It’s an earnest gift that furthers the linkage between artist and audience, endowing any performance.

In the competitive K-pop industry, few are the vocalists who boast this virtue, and one of them is — unquestionably — EXO’s D.O. He has become a paragon of excellence, a man whose irresistible voice has enthralled beyond the borders of South Korea. 

As part of EXO, one of K-pop’s most legendary groups, D.O. reached stratospheric heights and a much-anticipated career as a soloist. And though it took him nearly 10 years to strike out on his own, his July 2021 solo debut, Empathy, landed with great success – and enthusiasm for more offerings.

Now he’s back again with his second EP, Expectation. Out Sept. 18, the record is an aural treasure that lays out D.O.’s greatest strength: bending any melody to his will with an evocative tessitura with exceedingly emotional effect.

Debuting With EXO

A native of Goyang, Gyeonggi Province, South Korea, the artist born Doh Kyung-soo developed a musicality during his elementary school days, with singing being his creative medium of choice. Growing up, he constantly captivated with his maturing vocal abilities, and in 2010, he won a competition that prompted SM Entertainment — a K-pop label that is one of the heavyweights in the industry — to recruit him. Given his shy nature, Doh Kyung-soo kept his new reality as an idol trainee low-key from people until his subsequent debut two years later.

Amid considerable anticipation, SM Entertainment began introducing the 12 members of its new boy group (the first one since SHINee’s debut in 2008). Doh Kyung-soo — now going by the stage of D.O. — was revealed alongside power vocalist Baekhyun as part of the lineup with the sublime prelude single, "What’s Love," at the end of January 2012. 

With a larger-than-life concept including superpowers and a metaphysical storytelling, the upcoming act would be known as EXO, taking its name from the exoplanets. To broaden the expanse of possibilities and impact, the group was split into two parallel contingents: EXO-M (who were molded to promote in China) and EXO-K (a group mainly focused on South Korea).

EXO officially broke into the K-pop sphere on April 8, 2012, with "Mama" — a bold and colossal production composed by SM’s revered singer/songwriter Yoo Young-jin — the title track from their first EP, ushering a soon-to-be volcanic trajectory. D.O. impressed as one the group’s vocalists with a beautiful technique, showcasing how his versatile voice could smoothly glide across all types of genres.

EXO’s Success & D.O.’s Expanding Artistry

While many weren’t initially convinced by EXO’s premise, the group’s reputation skyrocketed in the summer of 2013 with the release of "Growl," the lead single from the repackaged version of their first studio album, XOXO. All 12 members of EXO-K and EXO-M united under the same banner to elevate the spectacularity of the production, subverting expectations and flaunting their undeniable chemistry. 

"Growl," an effortlessly magnetic hip-hop cut, received widespread acclaim and topped South Korean charts. As a result of the single’s popularity, EXO became million-sellers for the first time in their careers, and they won 14 first place trophies in the weekly music shows.

K-pop idols tend to combine their group efforts with other individual endeavors, and for D.O., acting was always a calling. In 2014, he landed his first supporting role in the film Cart, also contributing to the soundtrack with the song "Crying Out."

In the SBS-produced series, "It’s Okay, That’s Love," D.O. had a breakout portraying Han Kang-woo, a young, aspiring writer who ends up becoming a central piece to the protagonist’s narrative arc. It was a heart-wrenching interpretation, with D.O. rendering vulnerability and tenderness over a storyline that revolved around sensitive topics such as domestic abuse and mental health. The performance resulted in a nomination as Best New Actor in the category of Television at the Baeksang Arts Awards — one of the leading entertainment ceremonies in South Korea — and an accolade for Best New Actor at the APAN Star Awards.  

Meanwhile, EXO’s status continued to rise in the ranks of the K-pop industry, transforming into an example for future generations. Following the triumph of "Growl," the group released the extended plays Miracles in December, Overdose and Sing For You, and their second studio album EXODUS, along with its repackage Love Me Right. (With some lineup changes in between, the separation of EXO-K and EXO-M was unofficially blurred). They also made their Japanese debut in November 2015 with the arrival of their single album Love Me Right ~ romantic universe ~, which peaked at No. 1 on both the Oricon and Billboard Japan charts.

In 2016  D.O began to show the range of his acting abilities through leading roles. He starred in the movie Pure Love and the web-series "Be Positive," dabbling with genres like romance, drama, and comedy. Another important project for him was My Annoying Brother, a dramedy where he brought Go Doo-young to life, a judo athlete who loses his sight and has to deal with a brother that suddenly returns after disappearing for years. The movie turned out to be a success, and D.O. was recognized as Best New Actor during the Blue Dragon Film Awards in 2017. 

Though his notoriety as an actor evolved in prominence, his commitment to EXO and singing never faded away. After all, it remains his first love. In February 2016, D.O collaborated with Yoo Young-jin to release a special duet titled "Tell Me (What Is Love)," a song performed during EXO’s first tour a few years earlier and was part of SM Entertainment’s newest musical initiative, "SM Station."

At this point, his artistry stretched all-encompassing: a protean entertainer regarded as one of the finest vocalists in the world of K-pop, and a renowned idol-actor. D.O. seamlessly created a balance between his own artistic growth and EXO’s ascension.

"We always say to each other that we should really be together as a team," he said in an interview with The Korea Herald in reference to EXO’s symbiosis. "As I have continued my acting and idol career without causing trouble, I want to continue to do that for the rest of my life." 

A Temporary Farewell With "That’s Ok" 

By the end of 2018, the now nine-member act had completed four tours, sold 10 million record in their home country — making history as the first group to do so in the 2000s — and even performed at the 2018 PyeongChang Winter Olympics closing ceremony, which earned them the title of the "the Nation’s Pick." But at the same time, a period of change was quickly approaching.

For every K-pop boy group, there comes a phase where its members need to fulfill a mandatory military conscription of almost two years. EXO entered this pivotal term in 2019 with the enlistment of Xiumin, the oldest member born in 1990, and the collective focus (momentarily) slowed down to make way for different ventures like subunits and solo debuts. In turn, D.O. continued expanding his filmography with his first protagonist role on the silver screen with the historical K-drama "100 days my prince," and a major participation in the feature film Swing Kids, incarnating a North Korean soldier who gets immersed into the world of tap dancing while imprisoned in a war camp. 

Despite a string of back-to-back professional accomplishments under his belt and the public eagerly awaiting for his next project, D.O. unexpectedly announced his early enlistment in May 2019. "I hope that everyone will always be healthy and have [days] that are filled with things that make you laugh," he wrote in a message posted on EXO’s official fan website. "I will carefully serve and return to greet you all with a healthy image."

Before enlisting, D.O. recorded the gentle, self-penned ballad "That’s Ok" in an uplifting farewell. "I’ll shine on you with all the light I have / So don’t hide yourself. Will you show me you?" He sweetly croons accompanied solely by acoustic guitar strings. "Be comfortable with the way you are / That’s right. It’s okay to be okay."

The track became a source of healing and comfort for a lot of his peers in the industry. One notable example is IU, arguably the most lauded K-pop female soloist from the last decade, who offered her own rendition of it, later saying in a radio interview that "That’s Ok" is the first song that moved her to tears in 10 years. 

D.O.’s Long-Awaited Solo Debut: Empathy 

After 19 months of military service, D.O. was discharged in January 2021, just in time for the release of EXO’s seventh mini-album, Don’t Fight The Feeling. The EP was their first musical offering in two years, with Xiumin and D.O. rejoining the group. Don’t Fight The Feeling became their sixth record to surpass one million copies sold; more than a comeback, it was a celebration of EXO’s legacy in the industry. 

To say D.O.’s solo debut was highly-anticipated isn’t an exaggeration, and with his talent, it became a matter of when, not if. So, in the summer of 2021, when SM Entertainment confirmed his first EP, Empathy, many rejoiced. The eight-track album casts a soothing ambience, and it was an important opportunity for him to "make the music he wanted to do" and to etch his feelings in the skyline through his most genuine songwriting. 

"One of the thoughts that came to mind was love, an emotion that anyone can feel," D.O said in an interview with the South Korean newspaper The Dong-a Ilbo. "I also thought that it would be good to provide comfort like the previously released ‘It’s Okay’, so I took on the challenge of writing lyrics myself."

Empathy tempers D.O.’s rich vocals with minimalistic arrangements where the main components are nostalgic-laced guitar chords, a reflection of his well-known tranquil aura. He delivers solace at the length of the record, with the titular song, "Rose," collating the fragments of an endearing admission of love. But perhaps the brightest diamond is "Si Fueras Mía," the Spanish version of the B-side, "It’s Love (다시, 사랑이야)," a tune that portrays D.O. longing for a love unmet, and could only be reached in dreams. His wistful tone captured the romance ingrained in the language, and for some part, it also symbolized a throwback to EXO-K’s cover (from almost ten years ago) of the famous bolero called "Sabor a mí."

EXO’s Seventh Album & Expectation

Just as he reached his 10th debut anniversary with EXO in 2022, saw D.O. take on his second leading role on television in the series "Bad Prosecutor." But as most of his groupmates completed their military service by 2023, the prospect of a second solo release and an EXO comeback was drawing near.  

Suho, the group’s leader, confirmed EXO’s return in the last days of 2022; in June 2023, news surfaced they were gearing up their seventh full-length album, EXIST. The group dropped the pre-release singles "Let Me In" and "Hear Me Out," preparing the stage for the record’s titular song "Cream Soda." 

The July 2023 release was the first time D.O. stepped into the South Korean music shows since the release of the group’s fifth studio album, Love Shot, in 2018, and it marked EXO’s first promotional cycle since 2019’s Obsession. Seeing them together — except for Kai and Lay, who are currently inactive — enjoying a performance again was a treat for fans and K-pop artists alike.

Over the years, D. O. has come to be known as an artist in constant motion, always with a new endeavor lined up. Case in point: Before he completed his military service, he was selected as the protagonist of the sci-fi movie The Moon, the release of which nearly coincided with the end of EXO’s latest album cycle.

Simultaneously, the excitement for D.O.’s second mini-album increased, especially after he revealed in an interview with the South Korean outlet SportSeoul  that he had finished the structuring of it in May 2022. "I wanted to prepare early, so I did it in advance before I went into another shoot," D.O. said, also adding that it would contain "a lot of acoustic songs." The first teaser and the name of the record, Expectation, was unveiled in August. 

True to his title, the record’s essence derives from a contemplation about the desires and consequences of love — from professions of devotion to its contradictory nature. Lead single "Somebody" talks about the yearning for a significant other who can embrace us through our flaws and walk hand-in-hand carefree.

That sense of hope expands to the melodies of "Wonder" and "I Do," until melancholia hits on the second half of the album with "Lost," "Ordinary Days," and "The View." Throughout, D.O.’s alluring timbre draws ruminations in a sonic canvas that certainly will linger as another harbor for his ever-evolving journey. 

K-Pop's Hip-Hop Roots: A History Of Cultural Connection On The Dancefloor

Last year, K-pop group SuperM made history when their self-titled debut EP premiered at No. 1 on the Billboard 200 album chart. A miscellany of a boy band featuring seven cornerstones from four different acts signed to South Korean company SM Entertainment, the newly formed act’s star power and the virality of their immensely memeable first single "Jopping" made them a must-watch act of 2020. Now, they’re back with their first LP, Super One.

Out on Sept. 25, SuperM's first full-length album features 15 tracks, some that listeners have heard before, like pre-release singles "100" and "Tiger Inside," and B-sides like "Dangerous Woman" and "With You" that the act has performed in the past during concerts and televised performances. Split almost evenly between songs that are performed predominantly in either English or Korean and fronted by the lead track "One," a blend of two B-sides, "Monster" and "Infinity," Super One is all about meshing different elements together, whether it’s members of SHINee, EXO, NCT 127 and WayV into one whole, or running the gamut of different genres and languages in ways that are all at once familiar and innovative for members of some of K-pop's biggest acts.

Throughout all the multitudes of Super One, however, is one overall theme—serving up a soundtrack perfect for the age of corona. "I think we tried really hard to unify the messaging through the lyrics and through that bring a message of hope and unity to our fans and everyone who listens to it," said Taemin, the most senior member of the group, active in the industry since debuting with the group SHINee in 2008.

Coming out since the world first began reeling from the changes and ongoing impacts of the global COVID-19 pandemic, Super One spends its length motivating listeners through a freewheeling medley of energetic, vibrant electro-pop anthems and mellowing out to offer up lackadaisical, breezy moments on hopeful tracks. Whether it’s the optimistic, sweet bounce of "Better Days" and "Wish You Were Here" or the hint of separate-but-together partying euphoria on "Together at Home" and the smooth sexiness of the groove on "Drip" serving up the type of confidence that comes with good times, SuperM have delivered an album that is oh-so-very 2020 but will live long beyond December.

This interview was edited for clarity, and conducted in both English and Korean.

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You’re about to release Super One into the world, following the release of "100" and "Tiger Inside." How does it feel to be sharing your first LP after last year’s debut EP?

Mark: We feel really thrilled to let the whole world see it. We’ve prepared a lot for it. “100” and “Tiger Inside” were just the singles that only lead up to the main album, so we’re pretty excited.

Taeyong: Because we’ve been working on this first full-length album for such a long time, we think it’s that much more meaningful for everyone. We were really thinking of our fans when we were putting this all together. Because we released two singles ahead of the release, we hope our fans and everyone will have the same and rising expectations for “One.” We hope everyone receives a lot of strength and positive vibes through this album.

What is the meaning of Super One to you?

Mark: We believe that it is very appropriate for the situation that the whole world is going through, the message that we have. Not only are we trying to say that we can overcome all of our problems and all these difficulties as we work together, we also believe that—if you see in the album, there are a lot of songs in the playlist where it has an encouraging message. We just want to spread positivity around the world and really bring hope to the listeners, saying, "We can overcome it all." With that positive message, we really want to bring everyone together. That’s pretty much how we, SuperM, were brought together as well. Though we may be all scattered in different ways, when we come together we become very super. I guess that’s the main message and the aspiration also of Super One.

Your first album debuted at No. 1 on the Stateside Billboard 100 chart, so expectations must be high for this album. What sort of response are you hoping for now that Super One is going to be heard by the world?

Lucas: I just hope that, throughout this whole worldwide pandemic situation that we’re all going through, listeners and fans will receive strength and hope through our music.

Why is "One" the perfect single for SuperM to release Super One through, following the earlier releases of "100" and "Tiger Inside"?

Mark: We always thought that having "100" come out first, then "Tiger Inside" leading to "One," that whole picture was a strategy that we thought would be best because we wanted to build up as much anticipation as we can. We wanted to build our fans’ expectations a lot as well. Having "One" come out as the final product was something we knew was right because the song itself has a lot of power in it, it holds a lot of what we can sing and rap about. The potential of the song holds what SuperM can really express. I feel like "One" was one of those tracks we really wanted to explode with. It’s a song that represents the album the best way.

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You mentioned that you were sharing a unified picture in releasing these trio of singles one after another. What were you trying to relay through this trilogy?

Mark: I feel like each is great in their own way, but they all are connected as well. They’re all very different. Even if you just see “100” and “Tiger Inside,” the concept, the visuals, the pictures, the sounds, they’re all really, really different. But if you see the whole playlist of the album, they’re actually quite connected because all the songs have one central message on the album. “100,” we really wanted to give our 100% power and energy for fans to receive. “Tiger Inside,” the message was to not hide your power, to not hide the inner wildness you have inside and really release it out. And “One” is to bring all that energy together to overcome something we think we may not be able to but we can if we work together. It’s all about overcoming and collaboratively working together to overcome something we all want.

“One” is a blend of two songs, “Monster” and “Infinity,” how does it feel for you to be blending these songs together?

Ten: I think the concept that we put two songs and mix it together is very new, but also SHINee’s [2012 single] “Sherlock” is a mix of two songs, “Clue & Note.” With this album we think it’s a good idea to put the songs together because both songs, “Monster” and “Infinite” are very strong, they’re both ear-catching. That’s why I think it’s a very good idea to put it together, and I think the fans are going to love the mix too. 

Speaking of… Taemin, firstly, congratulations on the release of your new album Never Gonna Dance Again!

Taemin: Thank you!

You’ve done this blending of songs into a single before as SHINee. How does it feel revisiting this creative style again with SuperM?

Taemin: I personally think that this is one of K-pop’s biggest strengths, the fact that there are so many different styles of music and genres that can be mixed into one song and they’re all so catchy. Since we [already] did this with “Clue” and “Note,” it was really cool for me to see that creative process happen again. If you think of K-pop in general, it includes so many different styles of music. Even in one song, you’ll see multiple genres, multiple drops, multiple tempos, key changes, etc. I actually heard that when the producing team was making this song, it was really hard to make it sound really seamless and natural, making sure the key and tempo and everything matched when they mixed these two songs. But I personally think it was really fun to see this all come together and happen. Seeing a more creative and fun kind of music production process is always what makes K-pop new and exciting all the time.

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The album is bilingual, and split pretty evenly between English and Korean tracks. How do you feel about showing this duality? Correct me if I’m wrong, but I don’t think it’s ever been done before in K-pop, splitting an album with different language tracks quite in this way.

Taeyong: When I’m recording [in English], it’s very fun but it’s like English studying, a little bit. It’s because English pronunciation is important. I think our fans like our English songs a lot. They and our Korean songs are really good. They’re really dope. Really a bop. 

Several songs, like “Better Days” and “Together at Home” seem inspired especially by the global corona pandemic. Why was it important to you to share these sorts of songs with listeners?

Mark: We structured the entire album to appropriately fit what’s going on in the world right now. So that’s why we thought of this entire message. “Together at Home” and “Better Days” are the songs that really represent that feature the most in a way. Taeyong and I actually wrote some of the lyrics for “Together at Home.” When we received the message of the song for us to get the inspiration, they were talking about how we can talk about the Beyond Live [concert platform] that we used. We could think of that as a way for us to get inspired so we can think of ways to write about ways we could reach our fans at this time. So we actually wrote stuff about that on the song. We really wanted to put that in there. That’s why if you see the lyrics, we’re talking about how we’re always indoors but still kind of connected in a virtual kind of way, however we can [be]. Stuff like that really fits what’s going on right now, so we hope the fans can relate.

Is there a song that any members feel particular fondness for?

All: “Wish You Were Here!” [Members sing.]

Mark: I guess we all like “Wish You Were Here” the most. [Laughs.]

Lucas: Yeah!

Mark: It’s so catchy. It’s easy to listen to and so catchy. That’s why I like it.

Kai: I like the chorus. It’s very bright so I can get uplifted by it. I think it suits the album a lot.

Taemin: It would be great to hear fans’ covers of that song. I think it’s a song people will want to cover, and it’d be cool to collab with someone on it as well.

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You’ve been together as SuperM for a while now, but who surprised or impressed you while recording and preparing this album?

Mark: We’ve been together quite a while now and, more than discover an aspect we haven’t seen of each other before, it’s more like, "Wow." For example, I knew Baekhyun was good at singing, but like… It still surprises me to this day, if you know what I mean? There’s stuff like that. Something that I didn’t know was that Baekhyun is good at art.

Baekhyun: We were together, and when we were in LA living together, from the beginning [as SuperM]. As time passes, we feel more like family and I feel every one of us is growing more into our roles as individual members of the group.

Were there any memorable moments from the creation process of this album?

Baekhyun: We actually shot a reality show together. Obviously, the album production process itself is always memorable, but in addition to what we’ve always done – preparing for performances, practicing together, recording the songs, etc. – outside of that, we had a chance to be a part of these shows that will air soon. These shows were where we got to spend a lot more time together, and we could showcase our chemistry to our fans and viewers. Those memories were really fun because we got to travel and do stuff together.

Transportation and speed have been themes that carried throughout your songs and music videos, where you regularly are seen traveling in different types of vehicles, whether it’s space ships or helicopters. At a time when people aren’t able to travel, what do you feel this represents?

Kai: If you look at our past music videos there are motorcycles, there are tanks, there are a lot of cars, and I think that goes well with SuperM’s concept as a group. That’s why they were featured in our music videos and past songs. We can’t really travel right now because of the pandemic and everything that’s going on, but we hope that, just like these modes of transportation can take you somewhere, our music and this album can be a mode of transportation that takes you to a place of hope and takes you to that higher place where everyone can enjoy themselves and be happy. 

What are your favorite lyrics on the album?

Mark: For me “Wish You Were Here”’s, “After all these years, I wish you were, wish you were here” is my favorite. Because the melody is really cool.

Taemin: In “So Long,” there’s a chorus where Mark sings “차가운 표정으로 맞이하는 절정 (An ending with the coldest face*)” I like that part. It’s really addictive, that part in particular.

Mark: I don’t know if he’s teasing me. [Laughs.]

You’re all part of different groups under SM, so what do you think makes Super One a distinctly SuperM album?

Taemin: If you listen to our first mini album, there were songs that were like unit tracks. It wasn’t every member on the album on every track. This album is different because every member participated in all of the tracks, and I think that it’s distinctly SuperM just because we were kind of able to create this album with one unified messaging. There’s so many types of songs, types of genre, on the album, but I think we tried really hard to unify the messaging through the lyrics and through that bring a message of hope and unity to our fans and everyone who listens to it. I think that makes it distinctly SuperM.

What are your goals for the rest of 2020? What do you hope to achieve with this album?

Lucas: The biggest goal that we want is we really want to be able to meet our fans if possible in 2020, because we miss them so much. If that can’t happen, another goal that we have is that through the Super One album we bring a lot of strength and hope to anyone who listens to it.

Ten: We might have more online events, like Vlive [livestreams] or Beyond Live [concerts]. Maybe those kinds of things can happen. We’re still thinking of ways to get close to fans even though everything is far apart nowadays. We’re going to find all our fans. So don’t be sad, don’t worry, just have fun. Hope you guys stay strong during this period. We’re going to do our best to meet you guys.

Baekhyun: That’s right.

*Translation provided by SM Entertainment.

K-Pop Superstar Baekhyun On His Sweet Solo Single "Candy" & Delightful Second Mini Album

We called Lay Zhang a musical diplomat when he was named promotion ambassador for GRAMMY Festival China last April. A Chinese founding member of the Korean-market boy band EXO, Lay's Oct. 19 release, Namanana: 03, has entered new territory for any Mandarin-pop album.

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Lay debuted at No. 21 on the Billboard 200 with 23,000 traditional album sales boosted by another 1,000 equivalents from streaming and other digital. The album's 22 tracks are half in Mandarin Chinese and half in English, recreating each of the 11 songs as bilingual.

This success shows that K-pop helps put artists on blast but U.S. album buyers are developing an appetite to go beyond the superficial frame of boy band marketing and fame, also known as "idol groups" in Korea.

The K-pop solo mixtape Hope World by J-Hope from BTS debuted at No. 63 last March on the Billboard 200 and rose from there to No. 38, making him the best-selling K-pop solo artist earlier this year, and Lay's No. 21 is more properly M-pop because of its Mandarin Chinese. That's despite Lay's K-pop roots in EXO.

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But meanwhile on Tuesday Oct. 23, J-Hope's BTS bandmate RM delivered a mixtape of his own, titled Mono. With just three days of sales, it debuted at No. 26 on the Billboard 200 for Nov. 3. Traditional album sales were 16,000 plus 5,000 equivalents. Some tracks recall Brian Eno's solo albums, and its subdued and enveloping emotion allows RM's poetics and raps to reach out in a different way. As usual with RM, the word play in English is unexpected and the raps artistic, while his use of Korean, English, or Korean-English together goes wherever he decides to take it.

Terms like "K-pop" or "M-pop" can seem belittling marketing categories, like the term "boy band" or "idol group," but they are useful buckets to compare sales quantities. In general, cross-Pacific pop has had its best album-sales week ever in the U.S. for solo artists, and some tracks even have a Latin feel. However big this new listening culture might grow, it's attracting commercial attention and cash. That's a good sign for any artist who wants to write future chapters in this suspenseful series.

BTS: "Fans Gave Us The Wings That Allowed Us To Be Where We Are"