Patricia Piccinini: Difference between revisions
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De Protein Lattice series be inspire by de famous [[Vacanti mouse]] experiment insyd 1996. De experiment form a human ear on a rat. De research’s objective dey to learn more about cells, den how humans fi possibly regrow body part. |
De Protein Lattice series be inspire by de famous [[Vacanti mouse]] experiment insyd 1996. De experiment form a human ear on a rat. De research’s objective dey to learn more about cells, den how humans fi possibly regrow body part. |
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=== 2000 to 2011 === |
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According to ein 2002 National Gallery of Victoria biography: |
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<blockquote>Piccinini has an ambivalent attitude towards technology and she uses her artistic practice as a forum for discussion about how technology impacts upon life. She is keenly interested in how contemporary ideas of nature, the natural and the artificial are changing our society. Specific works have addressed concerns about biotechnology, such as gene therapy and ongoing research to map the human genome... she is also fascinated by the mechanisms of consumer culture."<ref name=NGVBio>{{cite web | title = Biography: Patricia Piccinini | publisher = National Gallery of Victoria | year = 2002 | url = http://www.ngv.vic.gov.au/sandman/biog.shtml | access-date = 2008-06-21 |archive-url = https://web.archive.org/web/20080403044431/http://www.ngv.vic.gov.au/sandman/biog.shtml <!-- Bot retrieved archive --> |archive-date = 2008-04-03}}</ref> </blockquote> |
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== References == |
== References == |
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Revision as of 07:40, 6 December 2024
Patricia Piccinini (dem born am 1965 insyd Freetown, Sierra Leone) be an Australian artist hu works insyd a variety of media, including painting, video, sound, installation, digital prints, den sculpture. Ein works focus on "unexpected consequences",[1] conveying concerns surrounding bio-ethics den help visualize future dystopias. Insyd 2003, Piccinini represent Australia at de 50th Venice Biennale plus a hyperrealist sculpture of ein distinctive anthropomorphic animals. Insyd 2016 The Art Newspaper name Piccinini plus ein "grotesque-cum-cute, hyper-real genetics fantasies insyd silicone" de most popular contemporary artist insyd de world after a show insyd Rio de Janeiro wey dey attract over 444,000 visitors.[2] Natasha Bieniek's portrait of Piccinini be a finalist for de 2022 Archibald Prize.[3]
Early life
Piccinini be born insyd Sierra Leone insyd 1965 to Teodoro den Agnes Piccinini.[4][5]
She move to Canberra, Australia wen she be 7 years old. She attend Red Hill Primary, Telopea Park High School den Narrabundah College (a secondary college).[6]
Academia
After high school, Piccinini begin studying economics at Australian National University. Later she complete a Bachelor of Fine Arts insyd Painting at de Victorian College of the Arts insyd 1991.[7] Insyd 2016 dem award am an honorary Doctorate of Visual den Performing Arts by de University of Melbourne's Victorian College of the Arts den appoint their Enterprise Professor.
Insyd 2014 she receive de Artist Award from de Melbourne Art Foundation's Awards for de Visual Arts.[8]
Works
1995 to 1997
Before finding de medium of sculpture, Piccinini experiment plus world-building through photography den digital enhancements. ‘The Mutant Genome Project’ (1995),[9] features commercially available designer babies call LUMP (Lifeform with Unevolved Human Properties).[10] Ein ‘Protein Lattice’ (1997) series features nude models posing plus computer-generated mutant rats. De two series explore de commercial side of science den bring up de question of ethics.[11]
De Protein Lattice series be inspire by de famous Vacanti mouse experiment insyd 1996. De experiment form a human ear on a rat. De research’s objective dey to learn more about cells, den how humans fi possibly regrow body part.
2000 to 2011
According to ein 2002 National Gallery of Victoria biography:
Piccinini has an ambivalent attitude towards technology and she uses her artistic practice as a forum for discussion about how technology impacts upon life. She is keenly interested in how contemporary ideas of nature, the natural and the artificial are changing our society. Specific works have addressed concerns about biotechnology, such as gene therapy and ongoing research to map the human genome... she is also fascinated by the mechanisms of consumer culture."[7]
References
- ↑ Smith, Terry (September 2011). "Currents of world-making in contemporary art". World Art. 1 (2): 171–188. doi:10.1080/21500894.2011.602712. ISSN 2150-0894. S2CID 191639109.
- ↑ "Top ten contemporary shows in 2016". Retrieved 2019-01-07.
- ↑ "Archibald Prize Archibald 2022 work: Patricia Piccinini by Natasha Bieniek". Art Gallery of New South Wales (in English). Retrieved 2022-05-06.
- ↑ "Teodoro Piccinini Death Notice – Melbourne, Victoria | The Age". tributes.theage.com.au. Retrieved 2021-06-09.
- ↑ SMH ‘A wonderful thing’: what inspired Patricia Piccinini’s biggest creation yet Retrieved 17 May 2024.
- ↑ Warden, Ian (2013-05-07). "Artist keeps mum on lofty theme". The Canberra Times (in Australian English). Retrieved 2021-09-05.
- ↑ 7.0 7.1 "Biography: Patricia Piccinini". National Gallery of Victoria. 2002. Archived from the original on 2008-04-03. Retrieved 2008-06-21.
- ↑ "2014 Awards Winners Announced | Melbourne Art Foundation". Archived from the original on 3 April 2015. Retrieved 2015-03-08.
- ↑ "Patricia Piccinini: The Mutant Genome Project, 1995 - Roslyn Oxley9 Gallery". www.roslynoxley9.com.au. Retrieved 2022-05-19.
- ↑ "Explore the work of Australian artist, Patricia Piccinini". Explore the work of Australian artist, Patricia Piccinini (in English). Retrieved 2022-05-19.
- ↑ The University of Western Australia. "Kim Toffoletti". www.outskirts.arts.uwa.edu.au (in English). Retrieved 2022-05-19.