The subjective nature of music emotion introduces inherent bias in both recognition and generation, especially when relying on a single audio encoder, emotion classifier, or evaluation metric.
Sep 23, 2024
Sep 23, 2024 · In this study, we address the issue of emotion bias in music, focusing on both its recognition and generation. We benchmark emotion recognition, ...
[PDF] Rethinking Emotion Bias in Music via Frechet Audio Distance ...
www.semanticscholar.org › paper
This work proposes assessing MER performance using FAD from multiple encoders to provide a more objective measure of music emotion and introduces an ...
Oct 21, 2024 · Yuanchao Li, Azalea Gui, Dimitra Emmanouilidou, Hannes Gamper: Rethinking Emotion Bias in Music via Frechet Audio Distance.
Sep 25, 2024 · Rethinking Emotion Bias in Music via Frechet Audio Distance. The subjective nature of music emotion introduces inherent bias in both ...
Sep 29, 2024 · It proposes using the Fréchet Audio Distance (FAD) as a new metric to evaluate and mitigate emotion biases in music AI models. The research aims ...
Rethinking Emotion Bias in Music via Frechet Audio Distance ... In this work, we conduct a study on Music Emotion Recognition (MER) and Emotional Music Generation ...
Rethinking Emotion Bias in Music via Frechet Audio Distance. Y Li, A Gui, D Emmanouilidou, H Gamper. arXiv preprint arXiv:2409.15545, 2024. 2024 ...
Nov 6, 2023 · A simple and standardized library for Frechet Audio Distance (FAD) calculation. This library is published along with the paper Adapting Frechet Audio Distance.
People also ask
What is the Brecvema framework for emotional responses to music?
Is recognition of emotion in music performance an aspect of emotional intelligence?
Rethinking Emotion Bias in Music via Frechet Audio Distance ... In this work, we conduct a study on Music Emotion Recognition (MER) and Emotional Music Generation ...