Explore our newest alpha font: Julia! 🖤✨ This typeface merges grace, smoothness, and legibility, creating a seamless experience with its flowing loops and subtle accents. Crafted by Gaetan Baehr and meticulously refined by calligraphy expert Michel Derre, it guarantees visual balance, making it perfect for both concise and extended text formats. Currently available in a Light version. More styles and updates are on the way—keep an eye out! https://lnkd.in/eMxZkAyr
À propos
Combining design and technology, we create fonts that perform. Across borders, across touchpoints. For everyone and everywhere. Type designers of our times, we are skilled craftsmen in a connected world. Type+Tech® is our expertise. Black [Foundry] is our name. BlackFoundry est une fonderie typographique basée à Paris, spécialisée dans le conseil, le design et la technologie des fontes. Nous créons des fontes efficaces, sur notre terrain d'expertise qui est le Type+Tech® .
- Site web
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https://black-foundry.com
Lien externe pour BlackFoundry
- Secteur
- Design graphique
- Taille de l’entreprise
- 2-10 employés
- Siège social
- Paris, Île-de-France
- Type
- Partenariat
- Fondée en
- 2014
- Domaines
- Type Design, Fonts, Font Design, Design, Tech & Type et Graphic Design
Lieux
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Principal
132, Rue du Faubourg Saint-Denis
75010 Paris, Île-de-France, FR
Employés chez BlackFoundry
Nouvelles
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Discover our latest alpha font release: Julia! Combining fluidity, elegance, and readability, this font offers a natural flow through loops and delicate details. Designed by Gaëtan Baehr Baehr and carefully reviewed by the calligrapher Michel Derre, visual harmony has been ensured to be efficient for both short and long texts. Available in Light weight. Stay tuned for updates and new styles coming soon! https://lnkd.in/eMxZkAyr
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One more victory 🏆 At the Grand prix du Stratégies 2024 , we took home the Gold Award for our project "Inria Poster" in the Visual Identity – Typography category. Inria, a leading French research institute in computer science and automation, approached us to develop a new typeface to strengthen their visual impact and reflect their innovative DNA. This typeface seamlessly fits into their existing typographic system, which includes both sans serif and serif families. Thank you to Inria for their trust, and to the jury for this recognition! 🤌 Jeremie Hornus Gaëtan Baehr gregori vincens Sophie Barbier
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Simply Fat 🤷♀️ Discover Fat, available in Latin and Japanese Kana writing systems! From 40€ 👌 https://lnkd.in/er5YyskP
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Gauthier FY is a contemporary old-style serif with big x-heights and quite small caps. Discover this beautiful typeface on our website. 🖤 https://lnkd.in/e_M79qN2
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Few weeks ago, we interviewed our talented type designer Gaëtan Baehr who worked hand in hand with the amazing Sophie Barbier, artistic director of Inria with whom we worked on creating the Inria Poster font. Inria, the French Institute for Research in Computer Science and Automation, while reworking their graphic identity, needed a new typeface that would have a greater visual impact, be stronger, and more recognizable. This typeface needed to represent the company's technological and avant-garde DNA, while blending well with their existing typographic system, which includes both a sans serif and a serif family. 🤌
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Introducing Cæsura: A bold typeface blending structured European signage with the fluidity of Japanese calligraphy. Perfect for making a statement in any design. https://lnkd.in/e5_3bJ-q
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Don't miss out on our latest release: Numero.02! 🤌🖤 Available on our website: https://lnkd.in/eW5dAz9m
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📡 Introducing you to our latest release: Numero.02! 🤩 Designed by Solenn Bordeau , Numero.02 draws inspiration from the historic Gothic №2 typeface by the Keystone Type Foundry (1888-1917). This type family pays homage to the origins of the « Gothic » appellation, a term historically used in the 19th century to describe sans serif typefaces. In contrast to the ornate and classical serifed typefaces of the time, these « Gothic » fonts were seen as bold, utilitarian, and modern—a departure from the past. The term came to represent a certain straightforward, no-nonsense aesthetic that was both functional and striking. Discover Numero.02 on our website: https://lnkd.in/eW5dAz9m
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Psilo's design speaks for itself. 🌼 https://lnkd.in/eUhf8-Xz