Few weeks ago, we interviewed our talented type designer Gaëtan Baehr who worked hand in hand with the amazing Sophie Barbier, artistic director of Inria with whom we worked on creating the Inria Poster font. Inria, the French Institute for Research in Computer Science and Automation, while reworking their graphic identity, needed a new typeface that would have a greater visual impact, be stronger, and more recognizable. This typeface needed to represent the company's technological and avant-garde DNA, while blending well with their existing typographic system, which includes both a sans serif and a serif family. 🤌
À propos
Combining design and technology, we create fonts that perform. Across borders, across touchpoints. For everyone and everywhere. Type designers of our times, we are skilled craftsmen in a connected world. Type+Tech® is our expertise. Black [Foundry] is our name. BlackFoundry est une fonderie typographique basée à Paris, spécialisée dans le conseil, le design et la technologie des fontes. Nous créons des fontes efficaces, sur notre terrain d'expertise qui est le Type+Tech® .
- Site web
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https://black-foundry.com
Lien externe pour BlackFoundry
- Secteur
- Design graphique
- Taille de l’entreprise
- 2-10 employés
- Siège social
- Paris, Île-de-France
- Type
- Partenariat
- Fondée en
- 2014
- Domaines
- Type Design, Fonts, Font Design, Design, Tech & Type et Graphic Design
Lieux
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Principal
132, Rue du Faubourg Saint-Denis
75010 Paris, Île-de-France, FR
Employés chez BlackFoundry
Nouvelles
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Introducing Cæsura: A bold typeface blending structured European signage with the fluidity of Japanese calligraphy. Perfect for making a statement in any design. https://lnkd.in/e5_3bJ-q
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Don't miss out on our latest release: Numero.02! 🤌🖤 Available on our website: https://lnkd.in/eW5dAz9m
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📡 Introducing you to our latest release: Numero.02! 🤩 Designed by Solenn Bordeau , Numero.02 draws inspiration from the historic Gothic №2 typeface by the Keystone Type Foundry (1888-1917). This type family pays homage to the origins of the « Gothic » appellation, a term historically used in the 19th century to describe sans serif typefaces. In contrast to the ornate and classical serifed typefaces of the time, these « Gothic » fonts were seen as bold, utilitarian, and modern—a departure from the past. The term came to represent a certain straightforward, no-nonsense aesthetic that was both functional and striking. Discover Numero.02 on our website: https://lnkd.in/eW5dAz9m
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Psilo's design speaks for itself. 🌼 https://lnkd.in/eUhf8-Xz
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The Grtsk pack includes 126 different styles and offers 3 writing systems: Latin, Arabic and Cyrillic! 🤩 https://lnkd.in/gmhhJKR
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Few weeks ago, we interviewed our talented type designer Gaëtan Baehr who worked hand in hand with the amazing Sophie Barbier, artistic director of Inria with whom we worked on creating the Inria Poster font. Stay tuned 👀👀🖤
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Sharpness, elegance, Brillante has been made to elevate your communications. Discover this incredible typeface on our website. https://lnkd.in/dTbdEqBh
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Tout simplement tout nu… Our font Fat used with humour. Thank you Philippe Katerine for this performance! https://lnkd.in/er5YyskP