Movies Hacksaw Ridge: EW review By Leah Greenblatt Leah Greenblatt Leah Greenblatt is the former critic at large for movies, books, music, and theater at Entertainment Weekly. She left EW in 2023. EW's editorial guidelines Published on November 3, 2016 12:00PM EDT It seems fitting that Mel Gibson, a man who knows a few things about cinematic battlefields, has chosen to turn the extraordinary true story of Desmond Doss — the WWII medic and self-proclaimed pacifist who won a Medal of Honor without ever laying his hands on a weapon — into a movie. What’s less expected is how much it feels like two: a folksy, golden-tinged first half detailing Doss’ rural Virginia childhood, his chaste romance with a pretty nurse (Teresa Palmer), and the struggle to maintain his Seventh-day Adventist faith in the face of combat, and a brutal second hour that plunges viewers directly into the visceral hell mouth of Hacksaw, a key flash point in the fight against Japanese troops. The latter — a bone-rattling shock-and-awe of blasted limbs and spilled intestines — is infinitely more affecting than the former, even as it skirts the edge of exploitation. (It doesn’t help that most characters feel stock, including the saintly, aw-shucks Desmond.) Comparisons are already being made to American Sniper, another treatise on the trade-off between a war hero’s glory and what it costs his soul. But despite its promise, Hacksaw never really delves into the moral grays; it’s just black and white and red all over. B Close