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Rock in Opposition

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Flyer for the 1st RIO festival, 12 March 1978, The New London Theatre, London. The ticket below the flyer reads: "FIVE ROCK GROUPS THE RECORD COMPANIES DON'T WANT YOU TO HEAR."[nb 1]

Rock in Opposition or RIO was a movement representing a collective of progressive bands in the late 1970s united in their opposition to the music industry that refused to recognise their music. It was initiated by English avant-rock group Henry Cow in March 1978 when they invited four mainland European groups to come to London and perform in a festival called "Rock in Opposition".

History

Practically ignored in their own country, Henry Cow spent most of their last five years touring mainland Europe. There they encountered many innovative groups who were virtually unknown outside their own countries. What Henry Cow had in common with these groups was that record companies were not interested in their music. (Henry Cow's contract with Virgin Records was cancelled when Virgin found that they were not making money for them.)

Henry Cow decided to expose a few of these European groups to British audiences and organised, with the help by a £1000 grant from the British Arts Council,[1] a festival in London they called "Rock in Opposition" with the slogan: "The music the record companies don't want you to hear". The event took place on 12 March 1978 at the New London Theatre with the following groups performing:

While "Rock in Opposition" was never intended to be a formal organisation, the festival did generate "a lot of press around the world".[2] This prompted the five bands to discuss future plans and in December 1978 they met at Sunrise Studio in Kirchberg, Switzerland to reconstitute Rock in Opposition as a collective. By this time Henry Cow no longer existed as a group, but as RIO's prime mover its former members still actively participated.

RIO's primary aim was to represent and promote its members. It was decided that membership should remain closed and small, although new members would be welcome provided they (i) adhered to "musical excellence" (as evaluated by the collective); (ii) worked actively "outside the music business"; and (iii) had a "social commitment to Rock".[2] Using these criteria, three new members were elected:

A second RIO festival, organised by Stormy Six, took place between 26 April and 1 May 1979 at al Teatro dell'Elfo in Milan, Italy where all seven groups performed, the original four (minus Henry Cow) plus the three new groups. During the festival, the RIO members met formally again to discuss the way forward. However, despite some constructive discussion, disagreements arose between the groups regarding RIO's role and matters were left unresolved. Two further RIO festivals took place in Sweden and Belgium, but no new meetings, and by the end of 1979, RIO as an organisation had "quietly slipped away".[2]

Poster for the 2nd RIO festival in Milan, Italy, between 26 April and 1 May 1979.

Towards the end of 1978, Chris Cutler from Henry Cow and Art Bears and one of the active participants in RIO, had established Recommended Records (RēR), an independent record label and distribution network for RIO and similar artists. When RIO folded as an organisation, RēR continued RIO's work by representing and promoting marginalised musicians and groups. RēR became a "virtual" RIO, and "... is part of the continuing legacy of RIO".[3]

RIO as a genre

When RIO ceased being an organisation its name moved into the public domain where it took on the meaning of a music genre. While the term "RIO" was never used to refer to a particular style of music during the organisation's existence (the original RIO bands were quite diverse musically), it became used by listeners, musicians, and distributors as a means of classifying a particular subset of avant-garde artists – generally bands that appeared at the RIO festivals, or bands related to or derived from the original RIO bands, and artists who showed a distinct musical influence from one or more of the original RIO bands and their spin-offs.

Bands familiarised with the RIO movement and genre today include: 5uu's (USA),[4] Guapo (UK),[5] Miriodor (Canada),[6] and Thinking Plague (USA).[7] The term "RIO" today is almost synonymous with avant-rock or experimental rock.[8]

"Reunions"

A "reunion" festival took place at the Maison de la Musique de Cap Découverte in Carmaux, France in April 2007. The spirit of the original festival was preserved in that only artists of quality, innovation and the willingness to be "in opposition" to the commercial music industry performed. The line-up at this event included: Magma, Faust, the Peter Blegvad trio (including Chris Cutler), Present, Zao, Mats/Morgan, Guapo, NeBeLNeST, Salle Gaveau and GMEA.[9]

A second edition of the France RIO event took place in September 2009 at the same venue as the first. The line-up was Yolk, Aranis, The Muffins, Charles Hayward, Kōenji Hyakkei, Present, Magma, Univers Zero, Combat Astronomy, Electric Epic, Guapo and GMEA.[10]

A third "reunion" festival took place in September 2010 in France at the same venue as the previous festivals. The line-up was Art Bears Songbook (UK, USA), Gong (France, UK), Caspar Brötzmann Massaker (Germany), Sleepytime Gorilla Museum (USA), Rational Diet (Belarus), Jannick Top/Infernal Machina (France), Thierry Zaboitzeff (ex Art Zoyd) "Cross the Bridge" (France, Austria), Full Blast (Germany, Switzerland), Miriodor (Canada), Genevieve Foccroulle (Belgique) and Aquaserge (France).[11]

The fourth edition of the France RIO also took place in September 2011, with a line-up of: Arno, Univers Zero + Present + Aranis ("Once Upon a Time in Belgium"), Alamaailman Vasarat, Vialka, Yugen, Gargantua, Panzerballett, Jack Dupon, Grumpf Quartet, Sax Ruins vs. Ruins Alone vs. Ono Ryoko, and Dispositivoperilanciobliquodiunasferett.[12] The 2011 event was covered in the 2012 documentary film Romantic Warriors II: A Progressive Music Saga About Rock in Opposition by Adele Schmidt and José Zegarra Holder.[13]

Documentaries

Footnotes

  1. ^ The text of the ticket below the flyer varies depending on source of the picture. On the Stormy Six homepage it clearly says "FIVE ROCK GROUPS THE RECORD COMPANIES DON'T WANT YOU TO HEAR.", whereas at SquidCo the ticket is not legible and a bubble (incorrectly?) says "THE ROCK SHOWS THE RECORD COMPANIES DON'T WANT YOU TO HEAR."

References

  • Cutler, Chris (1984). File Under Popular: Theoretical and Critical Writings on Music. November Books. ISBN 0-946423-01-6.
  1. ^ Zampino, Phil. "Rock in Opposition". SquidCo. Retrieved 12 September 2007.
  2. ^ a b c Cutler, Chris. "Rock in Opposition". Chris Cutler homepage. Retrieved 31 August 2007.
  3. ^ Cutler, Chris (1984). "Necessity and Choice in Musical Forms, Part III, Rock in Opposition". File Under Popular: Theoretical and Critical Writings on Music. London: November Books. ISBN 0-946423-01-6.
  4. ^ Dorsch, Jim. "5uu's". Allmusic. Retrieved 25 October 2011.
  5. ^ Mason, Stewart. "Aethenor". Allmusic. Retrieved 25 October 2011.
  6. ^ Lynch, Dave. "Miriodor". Allmusic. Retrieved 25 October 2011.
  7. ^ Couture, François. "A Thinking Plague". Allmusic. Retrieved 25 October 2011.
  8. ^ "Avant-Prog". Allmusic. Retrieved 25 October 2011.
  9. ^ "Rock In Opposition France Event – April 13th, 14th & 15th 2007". Rock Time. Archived from the original on 12 December 2007. Retrieved 7 March 2010.
  10. ^ "Rock In Opposition – September 18th, 19th, 20th, 2009". Rock Time. Archived from the original on 24 April 2008. Retrieved 7 March 2010.
  11. ^ "Rock In Opposition – 17, 18, 19 September 2010". Rock Time. Retrieved 8 September 2010.
  12. ^ "Rock In Opposition – 16, 17, 18 September 2011". Rock Time. Retrieved 23 March 2011.
  13. ^ a b Lynch, Dave. "Romantic Warriors II: A Progressive Music Saga About Rock in Opposition". Allmusic. Retrieved 14 December 2012.
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