"The Magnificent Seven" is a song by the English punk rock band the Clash. Released in 1981, it was the third single from the Clash's fourth album, Sandinista!. It reached number 34 on the UK Singles Chart.[3]
| "The Magnificent Seven" | ||||
|---|---|---|---|---|
 UK vinyl single showing a clock set to 7:00 a.m., as in the song's lyrics | ||||
| Single by the Clash | ||||
| from the album Sandinista! | ||||
| B-side | "The Magnificent Dance" | |||
| Released | 10 April 1981 (U.K.) | |||
| Recorded | April 1980 | |||
| Studio | Electric Lady, New York | |||
| Genre | ||||
| Length | 5:33 | |||
| Label | CBS | |||
| Songwriter(s) | ||||
| Producer(s) | The Clash | |||
| The Clash singles chronology | ||||
| ||||
Composition
editThe song was inspired by old school hip hop acts from New York City, like the Sugarhill Gang and Grandmaster Flash & the Furious Five.[4] Rap was still a new and emerging music genre at the time, and the band, especially Mick Jones, was very impressed with it, so much so that Jones took to carrying a boombox around and got the nickname "Whack Attack".
"The Magnificent Seven" was recorded in April 1980 at Electric Lady Studios in New York City, built around a funky bass loop played by Norman Watt-Roy[5] of the Blockheads. Joe Strummer wrote the words on the spot, a technique that was also used to create Sandinista!'s other rap track, "Lightning Strikes (Not Once But Twice)". This white rap single is earlier than Blondie's "Rapture" by six months. Strummer said of the group's encounter with hip hop:
When we came to the U.S., Mick stumbled upon a music shop in Brooklyn that carried the music of Grand Master Flash and the Furious Five, the Sugar Hill Gang...these groups were radically changing music and they changed everything for us.[4]
Though it failed to chart in America, the song was a hit on underground and college radio. Music critic Jeff Chang wrote that in New York City, the song "had become an unlikely hit on the Black radio station WBLS."[6] Also popular were various dance remixes, including the official B-side ("The Magnificent Dance") and original DJ remixes. WBLS' "Dirty Harry" remix appears on various Clash bootlegs, including Clash on Broadway Disc 4: The Outtakes.
The single was reissued in 1981 with "Stop the World" as its B-side and with different sleeve art.
The Magnificent Dance
edit"The Magnificent Dance", released on 12 April 1981 by CBS in 12-inch single format,[3] is the dance remix of "The Magnificent Seven". The maxi single was released in the UK featuring an edited version of "The Magnificent Seven" on side A, and in the U.S., where it was backed with the extended version of "The Cool Out".[3] It is credited to "Pepe Unidos", a pseudonym for Strummer, Paul Simonon and manager Bernie Rhodes. "Pepe Unidos" also produced "The Cool Out", a remix of "The Call Up". This dance version "definitely capitalized on the funky groove of the original, adding in some very cool drumming."[7]
In 2015, Pitchfork Media included the song on its "Early '80s Disco" playlist, saying "if they were bored with the USA in 1977, four years on, they were also bored with both punk and rock. Instead, they became infatuated with NYC street culture, from early hip-hop to post-disco. This dubbed-out disco remix of the lead track off of Sandinista! was a club hit and the record Larry Levan would use to fine tune the sound system at the Paradise Garage."[8]
Track listing
editAll tracks written by Mick Jones/Joe Strummer/Topper Headon/Norman Watt-Roy/Mickey Gallagher; except where indicated. "The Magnificent Seven" originally solely credited to The Clash.
- 7" vinyl (Europe)
- "The Magnificent Seven" – 3:33
- "The Magnificent Dance" – 3:26
- 7" vinyl (North America) / 12" vinyl (UK)
- "The Magnificent Seven" – 4:22
- "The Magnificent Dance" – 5:29
- 12" vinyl (Europe)
- "The Magnificent Seven (Special Remix)" – 2:16
- "The Magnificent Dance" – 5:29
- "The Call Up" (The Clash) – 4:50
- "The Cool Out" (The Clash) – 2:57
- 12" vinyl (US)
- "The Call Up" (The Clash) – 4:50
- "The Cool Out" (The Clash) – 2:57
- "The Magnificent Dance" – 5:36
- "The Magnificent Seven" – 2:16
- 12" vinyl promo (US)
- "The Magnificent Seven" – 5:31
- "Lightning Strikes (Not Once But Twice) (The Clash) – 4:49
- "One More Time" (The Clash/Mikey Dread) – 3:32
- "One More Dub" (The Clash/Mikey Dread) – 3:34
Personnel
edit- Joe Strummer – lead and backing vocals, electric piano
- Mick Jones – lead guitars, backing vocals, sound effects
- Topper Headon – drums, backing vocals
- Norman Watt-Roy – bass guitar
Charts
edit| Year | Chart | Peak position |
|---|---|---|
| 1981 | UK Singles Chart[9] | 34 |
| 1981 | Belgium (Ultratop 50 Flanders)[10] | 18 |
| 1981 | Dutch Single Chart[11] | 21 |
| 1982 | US Billboard Club Play Singles[12] | 21 |
References
edit- ^ a b Popoff 2018, p. 200.
- ^ Aaron, Charles (11 February 2014). "Rap-Rock: From 'Punk Rock Rap' to Mook Nation". Spin. Retrieved 19 January 2019.
- ^ a b c The Clash discography.
- ^ a b D’Ambrosio 2003.
- ^ Eder, Bruce. "Norman Watt-Roy". AllMusic. Retrieved 19 April 2022.
- ^ Chang 2005, p. 154
- ^ "The Clash - Super Black Market Clash". Punknews.org. Retrieved 16 November 2010.
- ^ Andy Beta (7 August 2015). "Early '80s Disco". Pitchfork. Retrieved 19 October 2016.
- ^ "The Official Charts Company - The Clash - The Magnificent Seven". Official Charts Company. Retrieved 16 November 2010.
- ^ "The Clash – The Magnificent Seven" (in Dutch). Ultratop 50.
- ^ "THE CLASH - THE MAGNIFICENT SEVEN (NUMMER)". dutchcharts.nl. Retrieved 16 November 2010.
- ^ Whitburn, Joel (2004). Hot Dance/Disco: 1974–2003. Record Research. p. 59.
Sources
edit- Books
- Popoff, Martin (2018). The Clash: All the Albums, All the Songs. Voyageur Press. ISBN 978-0-76036-426-0.
- Chang, Jeff (2005). Can't Stop Won't Stop: A History of the Hip-Hop Generation. New York: Picador. ISBN 0-312-42579-1. OCLC 62860625.
- Gilbert, Pat (2005) [2004]. Passion Is a Fashion: The Real Story of The Clash (4th ed.). London: Aurum Press. ISBN 1-84513-113-4. OCLC 61177239.
- Gray, Marcus (2005) [1995]. The Clash: Return of the Last Gang in Town (5th revised ed.). London: Helter Skelter. ISBN 1-905139-10-1. OCLC 60668626.
- Green, Johnny; Garry Barker (2003) [1997]. A Riot of Our Own: Night and Day with The Clash (3rd ed.). London: Orion. ISBN 0-7528-5843-2. OCLC 52990890.
- Gruen, Bob; Chris Salewicz (2004) [2001]. The Clash (3rd ed.). London: Omnibus. ISBN 1-903399-34-3. OCLC 69241279.
- Needs, Kris (25 January 2005). Joe Strummer and the Legend of the Clash. London: Plexus. ISBN 0-85965-348-X. OCLC 53155325.
- Topping, Keith (2004) [2003]. The Complete Clash (2nd ed.). Richmond: Reynolds & Hearn. ISBN 1-903111-70-6. OCLC 63129186.
- Journals and magazines
- D’Ambrosio, Antonino (June 2003). "'Let Fury Have the Hour': The Passionate Politics of Joe Strummer". Monthly Review. 55 (2). New York, N.Y: Monthly Review Foundation. ISSN 0027-0520. OCLC 1758661. Retrieved 16 November 2010.
- Gibson, Nigel (January 2018). "The Clash's 1981 punk rock take on the cycle of consumption and work". The Conversation. Retrieved 9 February 2018.
- Web
- "The Clash discography". TheClash.com. Retrieved 16 November 2010.