Heinrich Gärtner (1828 in Neustrelitz – 1909 in Dresden) was a German landscape painter.
![](http://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Heinrich_G%C3%A4rtner_%E2%80%93_Wasserfall_mit_Holzbr%C3%BCcke_im_Gebirge.jpg/215px-Heinrich_G%C3%A4rtner_%E2%80%93_Wasserfall_mit_Holzbr%C3%BCcke_im_Gebirge.jpg)
![](http://upload.wikimedia.org/wikipedia/commons/thumb/1/13/Heinrich_G%C3%A4rtner_-_Die_Altis_von_Olympia.jpg/215px-Heinrich_G%C3%A4rtner_-_Die_Altis_von_Olympia.jpg)
Biography
editHe was a pupil of F. W. Schirmer in Berlin, and of Ludwig Richter in Dresden, whence he went to Rome to study the old masters, and there was also much influenced by Cornelius. He became favorably known after his return to Germany, through several decorative cycles, executed in private houses and villas, and was commissioned to paint some of the mural decorations in the new Court Theatre at Dresden, and after that the encaustic paintings in the Hall of Sculptures in the Leipzig Museum (1879). Three landscapes by him (1883–85) adorn the staircase of the Agricultural Museum in Berlin. Of his oil paintings there is a “Landscape with the Return of the Prodigal Son” in the Leipzig Museum, and one with “Adam, Eve, Cain, and Abel” in the Dresden Gallery.
See also
editNotes
editThis article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. (July 2013) |
References
edit- Heinrich Gärtner. "Wasserfall mit Holzbrücke im Gebirge". Auktion vom 23.03.2010. Hampel. Archived from the original on 25 January 2013. Retrieved 3 June 2012.
- This article incorporates text from a publication now in the public domain: Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1906). . New International Encyclopedia (1st ed.). New York: Dodd, Mead.