Nazarín

Nazarín (Spanish pronunciation: [nasaˈɾin], [naθaˈɾin]) is a 1959 Mexican satirical drama film directed by Luis Buñuel and co-written between Buñuel and Julio Alejandro, adapted from the eponymous novel of Benito Pérez Galdós.

Nazarín
Original poster
Directed by	Luis Buñuel
Screenplay by	Julio Alejandro Luis Buñuel
Based on	Nazarín by Benito Pérez Galdós
Produced by	Manuel Barbachano Ponce
Starring	Francisco Rabal Marga López Rita Macedo Jesús Fernández
Cinematography	Gabriel Figueroa
Edited by	Carlos Savage
Music by	Rodolfo Halffter
Production company	Producciones Barbáchano Ponce
Distributed by	Películas Nacionales
Release date	4 June 1959 (1959-06-04)
Running time	94 minutes
Country	Mexico
Language	Spanish

The film received the international prize at the 1959 Cannes Film Festival and was selected as the Mexican entry for the Best Foreign Language Film at the 32nd Academy Awards, but was not selected as a nominee.

Although not one of Buñuel's most renowned films, Nazarín still holds a high reputation. Filmmaker Andrei Tarkovsky named it one of his ten favorite films. In April 2019, a restoration was selected to be shown in the "Cannes Classics" section at the 2019 Cannes Film Festival.

Plot

Padre Nazario, a priest living in a hostel, is quiet, temperate and distributes his money, even indifferent to being burgled. He shows understanding and compassion to such as Beatriz, who has psychotic episodes and suicidal thoughts after being abandoned by her lover, Pinto.

A prostitute, Andara, runs into Nazario's room seeking shelter; she has murdered another prostitute and been wounded. Nazario withholds judgement and helps to conceal her. He tries to make her conscious of her sin. Andara hallucinates that a portrait of Jesus Christ is laughing at her. Beatriz warns them that someone has informed the authorities. Meanwhile, the hostel proprietress finds out and insists Andara must not be discovered with Nazario, ordering her to remove evidence of her stay. After Nazario has left, Andara sets the room ablaze and escapes.

With Nazario afoul of the law and church, he is warned an investigation could cost him his priesthood. Having no possessions - all stolen or given away - he adopts plain clothes and wanders the country, begging. Meeting a construction crew, Nazario offers to work for food, but other workers resent him undercutting them. They shun him, so Nazario leaves with nothing. also his motives are misunderstood, so a fight between the workers and the foreman ensues.

"As if by a miracle," Nazario sees Beatriz again in another town. He reveals his possessions have been stolen. She leads him to Andara, who lives with her, and a sick girl whose mother begs Nazario to cure with a miracle. Nazario suggests a doctor, but offers to pray with them. He is perturbed when the woman performs superstitious rites. The girl's fever subsides. Believing Nazario to be a miracle-worker, Andara and Beatriz follow him despite his protests.

Nazario stops to help a party whose horse has a broken leg. The Colonel yells at a peasant who does not salute them, despite the peasant's protestations that he didn't see them. When Nazario criticises the Colonel's rudeness, the latter tries to pull his gun, but is stopped by the Priest, who excuses Nazario as "a heretic, an erratic preacher" who should be left alone.

Nazario is followed by Beatriz and Andara, whom he reluctantly tolerates, and sermonizes them. In a plague-ridden village, Nazario's help is rejected by one dying woman, who prefers her husband's ministrations (inspired by the Marquis de Sade's Dialogue Between a Priest and a Dying Man). Nazario is overcome by a feeling of failure.

A midget professes love for Andara despite saying she is ugly. Beatrice's ex Pinto, visiting, sees her , accuses her of being "a priest's lover" and demands that she leave with him. Nazario says she is struggling with Satan but should resist. When she asks how he guessed something was wrong, Nazario responds, "It's not guessing; it's knowing." Andara insists that they flee. Nazario responds only thieves flee and the divine will not forsake them. Beatriz tells Nazario she trusts him, and quotes from the Bible: "If I can carry your load on my back, I will." Andara accuses Nazario of preferring Beatriz, but he asserts a Christian love for both.

Discovered by a search party, Andara and Nazario are arrested: Beatriz begs for his release. Pinto tells Beatriz's mother that Beatriz should go with him. However, Beatriz sings Nazario's praises and speaks of his miracles. Her mother's response that Beatriz loves Nazario "like a man" sends Beatriz into a psychotic episode.

Nazario's cellmates insult and assault him. Nazario suffers a crisis of faith, shouting, "For the first time in my life, I find it hard to forgive. But I forgive you. It is my Christian duty. But I also scorn you! And I feel guilty, not knowing how to separate scorn from forgiveness." A cellmate intervenes and Nazario gives him his money.

Nazario is accused of insanity and disobedience. As he is led away, Pinto and Beatriz pass by, but without recognition. Nazario passes a fruit seller who offers a pineapple, saying, "Take this charity, and may God be with you." Nazario seems overcome with confusion. He refuses it twice, but then takes it and says, "May God repay you." He is led away, distraught.

Cast

• Francisco Rabal as Father Nazario
• Marga López as Beatriz
• Rita Macedo as Andara
• Jesús Fernández as Hugo
• Ignacio López Tarso as Thief in church
• Luis Aceves Castañeda as Parricide
• Ofelia Guilmáin as Chanfa
• Noé Murayama as Pinto
• Rosenda Monteros as Prieta
• Victorio Blanco as Old prisoner
• Arturo Castro as Colonel
• José Chávez as Construction site manager (as José Chávez 'Trowe')
• Cecilia Leger as Woman with pineapple
• Ignacio Peón as Priest

Reception

On review aggregator website Rotten Tomatoes, Nazarín has an 86% approval rating based on reviews from 14 critics, and an average rating of 8.3/10.

The film was included by the Vatican in a list of important films compiled in 1995, under the category of "Religion". Catholic deacon and film critic Steven Greydanus has noted some of the film's implicit skepticism of religion, and surmises that it was included in the Vatican's list for its willingness to at least engage with the question of religion.

See also

• List of submissions to the 32nd Academy Awards for Best Foreign Language Film
• List of Mexican submissions for the Academy Award for Best Foreign Language Film

External links

• Nazarín at IMDb