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The Smartphone Project: An Augmented Dance Performance

Authors:

Fabien PriovilleAuthors Info & Claims

CHI '15: Proceedings of the 33rd Annual ACM Conference on Human Factors in Computing Systems

Pages 2569 - 2572

https://doi.org/10.1145/2702123.2702538

Published: 18 April 2015 Publication History

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Abstract

The Smartphone Project (TSP) is an interactive dance-performance in a professional setting that exploits the communication channels provided by smartphone-apps as a new material in the dance-theatre domain. We present an account of the experience and its staging. Based on an initial study with 36 participants from the audience, we present results and discuss lessons learned from this project that might guide similar future work.

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Cited By

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Correia NPrimett W(2024)Best Practices for Technology-Mediated Audience Interaction in Dance PerformancesProceedings of the 9th International Conference on Movement and Computing10.1145/3658852.3659083(1-6)Online publication date: 30-May-2024
https://dl.acm.org/doi/10.1145/3658852.3659083
Li XShen XKamiyama YHynds DHorie AWakisaka SMinamizawa K(2024)“It’s Like Being on Stage”: Staging an Improvisational Haptic-Installed Contemporary Dance PerformanceHaptics: Understanding Touch; Technology and Systems; Applications and Interaction10.1007/978-3-031-70058-3_41(507-518)Online publication date: 30-Jun-2024
https://dl.acm.org/doi/10.1007/978-3-031-70058-3_41
Greenhalgh CHazzard ABenford SCliffe LKelly E(2022)Crafting Trajectories of Smart Phone Use at the OperaACM Transactions on Computer-Human Interaction10.1145/353100729:6(1-37)Online publication date: 16-Nov-2022
https://dl.acm.org/doi/10.1145/3531007
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Index Terms

The Smartphone Project: An Augmented Dance Performance
1. Applied computing
  1. Arts and humanities
    1. Performing arts
2. Human-centered computing
  1. Interaction design
    1. Interaction design process and methods
      1. User centered design

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Published In

CHI '15: Proceedings of the 33rd Annual ACM Conference on Human Factors in Computing Systems

April 2015

4290 pages

ISBN:9781450331456

DOI:10.1145/2702123

General Chairs:
Bo Begole
Huawei, USA
,
Jinwoo Kim
Yonsei University, Korea
,
Program Chairs:
Kori Inkpen
Microsoft Research, USA
,
Woontack Woo
KAIST, Korea

Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 18 April 2015

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Conference

CHI '15

Sponsor:

SIGCHI

CHI '15: CHI Conference on Human Factors in Computing Systems

April 18 - 23, 2015

Seoul, Republic of Korea

Acceptance Rates

CHI '15 Paper Acceptance Rate 486 of 2,120 submissions, 23%;

Overall Acceptance Rate 6,199 of 26,314 submissions, 24%

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CHI 2025

Sponsor:
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ACM CHI Conference on Human Factors in Computing Systems

April 26 - May 1, 2025

Yokohama , Japan

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Cited By

View all

Correia NPrimett W(2024)Best Practices for Technology-Mediated Audience Interaction in Dance PerformancesProceedings of the 9th International Conference on Movement and Computing10.1145/3658852.3659083(1-6)Online publication date: 30-May-2024
https://dl.acm.org/doi/10.1145/3658852.3659083
Li XShen XKamiyama YHynds DHorie AWakisaka SMinamizawa K(2024)“It’s Like Being on Stage”: Staging an Improvisational Haptic-Installed Contemporary Dance PerformanceHaptics: Understanding Touch; Technology and Systems; Applications and Interaction10.1007/978-3-031-70058-3_41(507-518)Online publication date: 30-Jun-2024
https://dl.acm.org/doi/10.1007/978-3-031-70058-3_41
Greenhalgh CHazzard ABenford SCliffe LKelly E(2022)Crafting Trajectories of Smart Phone Use at the OperaACM Transactions on Computer-Human Interaction10.1145/353100729:6(1-37)Online publication date: 16-Nov-2022
https://dl.acm.org/doi/10.1145/3531007
Merino LSchwarzl MKraus MSedlmair MSchmalstieg DWeiskopf D(2020)Evaluating Mixed and Augmented Reality: A Systematic Literature Review (2009-2019)2020 IEEE International Symposium on Mixed and Augmented Reality (ISMAR)10.1109/ISMAR50242.2020.00069(438-451)Online publication date: Nov-2020
https://doi.org/10.1109/ISMAR50242.2020.00069
Speicher MHall BNebeling MBrewster SFitzpatrick GCox AKostakos V(2019)What is Mixed Reality?Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems10.1145/3290605.3300767(1-15)Online publication date: 2-May-2019
https://dl.acm.org/doi/10.1145/3290605.3300767
Rostami AMcMillan DMárquez Segura ERossito CBarkhuus LInakage MIshii HDo ESteimle JShaer OKunze KPeiris R(2017)Bio-Sensed and Embodied Participation in Interactive PerformanceProceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction10.1145/3024969.3024998(197-208)Online publication date: 20-Mar-2017
https://dl.acm.org/doi/10.1145/3024969.3024998
Webber SHarrop MDowns JCox TWouters NVande Moere A(2015)Everybody Dance NowProceedings of the Annual Meeting of the Australian Special Interest Group for Computer Human Interaction10.1145/2838739.2838801(284-288)Online publication date: 7-Dec-2015
https://dl.acm.org/doi/10.1145/2838739.2838801

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Augmenting live performance dance through mobile technology

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