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The conductor's philosophy: embodied generative visual music

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Dionysios MarinosAuthors Info & Claims

TEI '14: Proceedings of the 8th International Conference on Tangible, Embedded and Embodied Interaction

Pages 343 - 344

https://doi.org/10.1145/2540930.2555208

Published: 16 February 2014 Publication History

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Abstract

We present a system that combines a real piano with computer generated algorithmic musical expressions, which are directly controlled by a conductor's gestures and trigger a real-time visualization.

References

[1]

Bunger, Richard. The Well-Prepared Piano, Colorado College Music Press, 1973.

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[2]

Bevilacqua, F. et al. 2010. Continuous Realtime Gesture Following and Recognition. Gesture in Embodied Communication and Human-Computer Interaction. S. Kopp/I. Wachsmuth, Springer. 73--84.

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[3]

Marinos, D. et al. 2013. Prototyping natural interactions in virtual studio environments by demonstration: combining spatial mapping with gesture following. Proc. of the Virtual Reality International Conference: Laval Virtual, 2:1--2:8.

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Marinos DGeiger CGrimshaw MWalther-Hansen M(2014)Facilitating the creation of natural interactions for live audiovisual performancesProceedings of the 9th Audio Mostly: A Conference on Interaction With Sound10.1145/2636879.2636893(1-6)Online publication date: 1-Oct-2014
https://dl.acm.org/doi/10.1145/2636879.2636893

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The conductor's philosophy: embodied generative visual music
1. Human-centered computing

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Published In

TEI '14: Proceedings of the 8th International Conference on Tangible, Embedded and Embodied Interaction

February 2014

401 pages

ISBN:9781450326353

DOI:10.1145/2540930

Conference Chairs:
Andreas Butz
University of Munich (LMU), Germany
,
Saul Greenberg
University of Calgary, Canada
,
Program Chairs:
Saskia Bakker
Eindhoven University of Technology, the Netherlands
,
Lian Loke
University of Sydney, Australia
,
Alexander De Luca
University of Munich (LMU), Germany

Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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Association for Computing Machinery

New York, NY, United States

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Published: 16 February 2014

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TEI'14

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SIGCHI

TEI'14: Eighth International Conference on Tangible, Embedded, and Embodied Interaction

February 16 - 19, 2014

Munich, Germany

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TEI '14 Paper Acceptance Rate 46 of 172 submissions, 27%;

Overall Acceptance Rate 393 of 1,367 submissions, 29%

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TEI '25

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sigchi

Nineteenth International Conference on Tangible, Embedded, and Embodied Interaction

March 4 - 7, 2025

Bordeaux / Talence , France

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Marinos DGeiger CGrimshaw MWalther-Hansen M(2014)Facilitating the creation of natural interactions for live audiovisual performancesProceedings of the 9th Audio Mostly: A Conference on Interaction With Sound10.1145/2636879.2636893(1-6)Online publication date: 1-Oct-2014
https://dl.acm.org/doi/10.1145/2636879.2636893

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Recommendations

LyricJam Sonic: A Generative System for Real-Time Composition and Musical Improvisation

Harmony Generation Driven by a Perceptually Motivated Tonal Interval Space

A live coding improvisation

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