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ORCIDMarije A. J. Baalman
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2010 – 2019
- 2017
[c13]Marije A. J. Baalman:
Wireless sensing for artistic applications, a reflection on sense/stage to motivate the design of the next stage. NIME 2017: 307-312- 2014
- [c12]Marije A. J. Baalman, Till Bovermann, Alberto de Campo, Miguel Negrão:
Modality. ICMC 2014 - 2010
- [c11]Marije A. J. Baalman, Vincent De Belleval, Joseph W. Malloch, Joseph Thibodeau:
Sense/Stage - Low Cost, Open Source Wireless Sensor Infrastructure For Live Performance And Interactive, Real-Time Environments. ICMC 2010
2000 – 2009
- 2009
- [c10]Marije A. J. Baalman, Harry Smoak, Christopher L. Salter, Joseph W. Malloch
, Marcelo M. Wanderley:
Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork. NIME 2009: 131-134 - [c9]Marije A. J. Baalman:
Code LiveCode Live, or livecode Embodied. NIME 2009: 329 - 2007
- [c8]Christopher L. Salter, Marije A. J. Baalman, Daniel Moody-Grigsby:
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance. CMMR 2007: 246-262 - [c7]Marije A. J. Baalman:
On wave Field synthesis and electro-acoustic Music - State of the Art 2007. ICMC 2007 - [c6]Christopher L. Salter, Marije A. J. Baalman, Daniel Moody-Grigsby:
Between Mapping, Sonification and Composition: Responsive audio Environments in Live Performance. ICMC 2007 - [c5]Marije A. J. Baalman, Daniel Moody-Grigsby, Christopher L. Salter:
Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance. NIME 2007: 178-184 - 2005
- [c4]Marije A. J. Baalman:
Elevation Problems in the Auralisation of sound Sources with Arbitrary Shape with wave Field synthesis. ICMC 2005 - 2004
- [c3]Marije A. J. Baalman, Daniel Plewe:
WONDER - a software interface for the application of Wave Field Synthesis in electronic music and interactive sound installations. ICMC 2004 - 2003
- [c2]Marije A. J. Baalman:
Application of Wave Field Synthesis in the composition of electronic music. ICMC 2003 - [c1]Marije A. J. Baalman:
The STRIMIDILATOR, a String Controlled MIDI-Instrument. NIME 2003: 19-23
Coauthor Index
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