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ORCID30th ICMC 2004: Miami, Florida, USA
- Proceedings of the 2004 International Computer Music Conference, ICMC 2004, Miami, Florida, USA, November 1-6, 2004. Michigan Publishing 2004
- Dale Millen:
An Interactive Cellular Automata Music Application in Cocoa. - Ricardo Dal Farra:
Some recent actions to preserve, document and disseminate electroacoustic music by Latin American composers. - Robert J. Gluck:
Sounds of a Community: An Interactive Sound Installation. - Jean Bresson, Carlos Agón:
SDIF sound description data representation and manipulation in computer assisted composition. - Adrian Moore, David Moore, James Mooney:
M2 Diffusion - The live diffusion of sound in space. - Lawrence Fritts, Guerino Mazzola, Robert Morris, John Rahn, Moreno Andreatta:
Proposal for a Roundtable Discussion on the Role of Abstract Mathematics in Computer Music. - Peter Beyls:
Cellular Automata Mapping Procedures. - Leon Fu, Xiangyang Xue:
A New Efficient Approach to Query by Humming. - Mikhail Malt:
Khorwa: A musical experience with « autonomous agents ». - Jorge Solis, Massimo Bergamasco, Shuzo Isoda, Keisuke Chida, Atsuo Takanishi:
Learning to Play the Flute with an Anthropomorphic Robot. - Jason Freeman, Chandrasekhar Ramakrishnan, Kristjan Varnik, Max Neuhaus, Phil Burk, David Birchfield:
Adaptive High-level Classification of Vocal Gestures Within a Networked Sound Instrument. - Juan García Escudero:
Harmonizations of time with non periodic ordered structures in discrete geometry and astronomy. - Tuukka Ilomäki, Yki Kortesniemi:
Stochastic Estimation of Bsf. - Judy A. Franklin:
Predicting Reinforcement of Pitch Sequences via LSTM and TD. - Eric D. Lyon:
Spectral Tuning. - Bob L. Sturm:
MATConcat: An Application for Exploring Concatenative Sound Synthesis Using MATLAB. - Bob L. Sturm, Stephen Travis Pope:
Spectral Characteristics of the Musical Iced Tea Can. - Wayne Siegel:
DIEM: Studio Report. - Dan Overholt:
The Sonic Scanner and the Graphonic Interface. - Judith Shatin:
Interactive Paths Through Tree Music. - Johannes Zmölnig:
Gem for pd - recent progress. - Bob L. Sturm, Jerry D. Gibson:
Signals and Systems Using MATLAB: An Effective Application for Exploring and Teaching Media Signal Processing. - Simon Wun, Andrew Horner, Lydia Ayers:
A Comparison between Local Search and Genetic Algorithm Methods forWavetable Matching. - R. Gerard Pietrusko, Richard Boulanger:
Understanding the Mathematics of the Frequency Transform: An Interactive Tutorial for Computer Musicians. - Stephen V. Rice, Stephen M. Bailey:
Searching for Sounds: A Demonstration of FindSounds.com and FindSounds Palette. - Teemu Mäki-Patola, Perttu Hämäläinen:
Latency Tolerance for Gesture Controlled Continuous Sound Instrument without Tactile Feedback. - Kia Ng:
University of Leeds Interdisciplinary Centre for Scientific Research in Music. - Christopher Ariza:
An Object-Oriented Model of the Xenakis Sieve for Algorithmic Pitch, Rhythm, and Parameter Generation. - Cristyn Magnus:
Evolving electroacoustic music: the application of genetic algorithms to time-domain waveforms. - Andrew Horner, James W. Beauchamp, Richard Hau Yue So:
A Search for Best Error Metrics to Predict Discrimination of Original and Spectrally Altered Musical Instrument Sounds. - Lydia Ayers:
Synthesizing Timbre Tremolos and Flutter Tonguing on Wind Instruments. - Mikael Laurson, Vesa Norilo:
Copy-synth-patch: A Tool for Visual Instrument Design. - Ali Taylan Cemgil:
Polyphonic Pitch Identification and Bayesian Inference. - Marije A. J. Baalman, Daniel Plewe:
WONDER - a software interface for the application of Wave Field Synthesis in electronic music and interactive sound installations. - Wuan-chin Li:
A Performer's Musicological Research in Performing Interactive Computer Music - The performance of Jean-Claude Risset: Duet for One Pianist-Eight Sketches for MIDI Piano and Computer (Max program) (1989). - Christopher Burns:
Designing for Emergent Behavior: a John Cage realization. - Carlos Caires:
IRIN: Micromontage in Graphical Sound Editing and Mixing Tool. - Michael Spicer:
AALIVENET: An agent based distributed interactive composition environment. - Dave Burraston, Ernest A. Edmonds, Dan Livingstone, Eduardo Reck Miranda:
Cellular Automata in MIDI based Computer Music. - David Brooke Wetzel:
Analysis and Reconstruction of Interactive Electroacoustic Works for Obsolete Technology: Thea Musgrave's Narcissus. - Satoshi Oishi, Shuji Hashimoto:
Pitch Perception of Time-Varying Notched Noise - Hearing the absent frequencies. - Emir Kapanci, Avi Pfeffer:
A Hierarchical Approach to Onset Detection. - Ivica Ico Bukvic:
Linux as a Mature Digital Audio Workstation in Academic Electroacoustic Studios - Is Linux Ready for Prime Time? - Ian Whalley:
Adding Machine Cognition to a Web-based interactive composition. - Adiel Ben-Shalom, Shlomo Dubnov:
Optimal Filtering of an Instrument Sound in a Mixed Recording Given Approximate Pitch Prior. - Joseph A. Sarlo:
Real-time Pitched/Unpitched Separation of Monophonic Timbre Components. - Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
Automatic Generation of Grouping Structure based on the GTTM. - Cyrille Henry:
pmpd : Physical modelling for Pure Data. - Hans Timmermans, Gerard van Wolferen, Paul Newland, Simon Kunath:
MEDIATE: Key Sonic Developments in an Interactive Installation for Children with Autism. - Christian Clozier, Jean-Claude Le Duc, Alexander Mihalic:
Cybersongosse 7Mi. - Diemo Schwarz, Nicola Orio, Norbert Schnell:
Robust Polyphonic Midi Score Following with Hidden Markov Models. - Atau Tanaka, Antoine Authier, Guillaume Valadon, Laurent Violette:
Enhancing Musical Experience through Proximal Interaction. - Rafael Ramírez, Amaury Hazan:
Learning Expressive Performance Rules in Jazz. - Juan Pablo Bello
, Mark B. Sandler:
Centre for Digital Music: Studio Report. - Jiajun Zhu, Xiangyang Xue, Hong Lu:
Musical Genre Classification by Instrumental Features. - John Gibson:
Loop-based Composition with RTcmix and Hula. - Henri Penttinen:
Introducing and Analyzing the Electro-Acoustic Bottle. - Dan Livingstone, Eduardo R. Miranda:
Composition for Ubiquitous Responsive Sound Environments. - Michael Clarke, Ashley Watkins, Mathew Adkins, Mark A. Bokowiec:
Sybil: Synthesis by Interactive Learning. - Christopher J. Keyes:
Three Approaches to the Dynamic Multi-channel Spatialization of Stereo Signals. - Cory McKay:
Automatic Genre Classification as a Study of the Viability of High-Level Features for Music Classification. - Eric Singer:
MidiTron MIDI to Real-World Interface. - David Topper:
GAIA: Graphical Audio Interface Application. - Erling Tind, Kristoffer Jensen:
Phase Models to Control Roughness in Additive Synthesis. - Graham McAllister, Michael Alcorn, Philip Strain:
Interactive Performance withWireless PDAs. - Damien Henry:
PTL, a new sequencer dedicated to graphical scores. - Brian Evans:
Musical Time in Visual Space. - Ernesto Trajano de Lima, Márcio Dahia, Hugo Santana, Geber L. Ramalho:
Automatic Discovery of Right Hand Fingering in Guitar Accompaniment. - Anne Sedes, Benoit Courribet, Jean-Baptiste Thiebaut:
From the visualization of sound to real-time sonification: different prototypes in the Max/MSP/Jitter environment. - Jesse T. Allison, Timothy A. Place:
Teabox: A Sensor Data Interface System. - Keiji Hirata, Shu Matsuda, Katsuhiko Kaji, Katashi Nagao:
Annotated Music for Retrieval, Reproduction, and Sharing. - Van Stiefel, Dan Trueman, Perry R. Cook:
Re-coupling: the uBlotar synthesis instrument and the sHowl speaker-feedback controller. - Steven L. Ricks, Morgan Quigley:
A Pragmatic Approach to Set-Based Algorithmic Composition. - Hugo Bastos de Paula, Mauricio Alves Loureiro, Hani C. Yehia:
Timbre Representation of a Single Musical Instrument. - Michael Leahy:
SCREAM - SuperCollider Resource for Electro-Acoustic Music. - B. Graziano Degazio:
The Transformation Engine. - Naotoshi Osaka:
Toward Construction of a Timbre Theory for Music Composition. - Roger B. Dannenberg:
Combining Visual and Textual Representations for Flexible Interactive Audio Signal Processing. - Jon Appleton, Paul Lansky, Tim Schaaff, Jean-Claude Risset, Masahiro Miwa, Andre Smirnov:
Crossing the Divide. - Mara Helmuth, Teresa Davis:
Rock Music: Granular and Stochastic Synthesis based on the Matanuska Glacier. - Gil Weinberg, Frank Clark:
Georgia Tech Music Department - Studio Report. - Gil Weinberg:
"Voice Networks" - Exploring the Human Voice as a Creative Medium for Musical Collaboration. - Kam Wah Wong:
IMP-CAM: Improvising with Cellular Automata Music. - Jesse Guessford, Hans G. Kaper, Sever Tipei:
Loudness Scaling in a Digital Synthesis Library. - Michael Gurevish, Chris Chafe, Grace Leslie, Sean Tyan:
Simulation of Networked Ensemble Performance with Varying Time Delays: Characterization of Ensemble Accuracy. - Juan Pampin:
ATS: A System for Sound Analysis Transformation and Synthesis Based on a Sinusoidal plus Critical-Band Noise Model and Psychoacoustics. - Juan Pampin, Oscar Pablo di Liscia, William 'Pete' Moss, Alex Norman:
ATS User Interfaces. - Axel Roebel, Miroslav Zivanovic, Xavier Rodet:
Signal decomposition by means of classification of spectral peaks. - Robert Rowe, Neil B. Rolnick:
The Technophobe and the Madman: An Internet2 Distributed Musical. - Rafael Ramírez:
Inductive Logic Programming and Music. - Assaf K. Talmudi:
Evolving Decentralized Musical Instruments Using Genetic Algorithms. - Mika Kuuskankare, Mikael Laurson:
Intelligent Scripting in ENP using PWConstraints. - McGregor Boyle, Geoffrey Wright:
Computer Music at the Peabody Conservatory of the Johns Hopkins University. - Anastasia Georgaki:
Trends on the synthesis of the singing voice: technical problems and perspectives. - Arie Livshin, Xavier Rodet:
Instrument Recognition Beyond Separate Notes - Indexing Continuous Recordings. - Robert Esler:
Re-realizing Philippe Boesmans' Daydreams: A Performative Approach to Live Electro-Acoustic Music. - Ajay Kapur, Philip Davidson, Perry R. Cook, Peter F. Driessen, W. Andrew Schloss:
Digitizing North Indian Performance. - Reiko Miyazaki, Issei Fujishiro, Rumi Hiraga:
comp-i: A System for Visual Exploration and Editing of MIDI Datasets. - Jonghyun Lee, Roger B. Dannenberg, Joohwan Chun:
Cancellation of Unwanted Audio to Support Interactive Computer Music. - Matthew Burtner:
The Shamanic Object as a Model for New Multimedia Computer Performance Interfaces. - Keith Kothman, Michael Pounds, Jeffrey Seitz:
Studio Report: The Music Technology Program at Ball State University, Muncie, Indiana. - Nick Didkovsky:
Java Music Specification Language, v103 update. - Nick Didkovsky:
Recent compositions and performance instruments realized in Java Music Specification Language. - Fabio C. Ciardi:
Real Time Sonification of Stock Market Data with sMax. - Paul Rudy:
Spectromorphology Hits Hollywood: Black Hawk Down-A Case Study. - Shlomo Dubnov:
Spectral Anticipations. - Xavier Rodet, Joseph Escribe, Sébastien Durigon:
Improving score to audio alignment: Percussion alignment and Precise Onset Estimation. - Woon Seung Yeo, Jonathan Berger, Zune Lee:
SonART: A framework for data sonification, visualization and networked multimedia applications. - Kyogu Lee, Julius O. Smith III:
Implementation of a Highly Diffusing 2-D DigitalWaveguide Mesh with a Quadratic Residue Diffuser. - Pedro Kröger:
CsoundXML: a meta-language in XML for sound synthesis. - Niels Bogaards, Axel Röbel, Xavier Rodet:
Sound Analysis and Processing with AudioSculpt 2. - Unjung Nam, Jonathan Berger:
Music Structural Analysis via Novelty Shape Detection. - Jeff Morris:
A Dynamic Model of Metric Rhythm in Electroacoustic Music. - Ralph G. W. Smeenk:
Towards a Model of Parallelism. - Rodrigo F. Cádiz:
A fuzzy logic model for compositional approaches to audio-visual media. - Pedro J. Ponce de León, José Manuel Iñesta Quereda:
Statistical description models for melody analysis and characterization. - Leo Kazuhiro Ueda, Fabio Kon:
Andante: Composition and Performance with Mobile Musical Agents. - Yann Geslin, Adrien Lefèvre:
Sound and musical representation: the Acousmographe software. - Paul Kolesnik, Marcelo M. Wanderley:
Recognition, Analysis and Performance with Expressive Conducting Gestures. - Gary P. Scavone, Marcelo M. Wanderley:
The Music Technology Program at McGill University. - Aleksander Radisavljevic, Peter F. Driessen:
Path Difference Learning for Guitar Fingering Problem. - Nelson Lago, Fabio Kon:
The Quest for Low Latency. - Miller S. Puckette:
Low-dimensional parameter mapping using spectral envelopes. - Shlomo Dubnov, Ted Apel:
Audio Segmentation by Singular Value Clustering. - Matthew Wright, Jonathan Berger, Christopher Burns, Chris Chafe, Fernando Lopez-Lezcano, Julius O. Smith III:
CCRMA Studio Report. - Julian Rohrhuber, Alberto de Campo:
Waiting and Uncertainty in Computer Music Networks. - Manuel Rocha Iturbide:
The First Retrospective of Mexican Electroacustic Music. - Alberto de Campo, Christopher Frauenberger, Robert Höldrich:
Designing a Generalized Sonification Environment. - Mara Helmuth, Margaret Schedel, Jennifer Bernard, Ivica Ico Bukvic, Shiau-uen Ding:
University of Cincinnati, College-Conservatory of Music Center for Computer Music - (ccm)2 in 2004. - Andrew Schmeder:
Mapping Spectral Frames to Pitch with the Support Vector Machine. - Jonathan S. Abel, David P. Berners:
Filter Design Using Second-Order Peaking and Shelving Sections. - David Gerhard, Daryl H. Hepting:
Cross-Modal Parametric Composition. - Sumit Basu:
Mixing with Mozart. - Ge Wang, Perry R. Cook:
The Audicle: A Context-Sensitive, On-the-fly Audio Programming Environ/mentality. - Robeto Aimi, Diana Young:
A New Beatbug: Revisions, Simplifications, and New Directions. - Adam R. Tindale, Ajay Kapur, Ichiro Fujinaga:
Towards Timbre Recognition of Percussive Sounds. - Patty Huang, Julius O. Smith III:
Loudness-Based Display and Analysis Applied to Artificial Reverberation. - Matthew Wright, Ryan J. Cassidy, Michael Zbyszynski:
Audio and Gesture Latency Measurements on Linux and OSX. - Charles Parker:
Examining Synthetic Databases in Melodic Retrieval Testing. - Momilani Ramstrum:
From Kafka to K...: Documenting an Electronic Opera. - Anne Deane Berman:
Interactive Immersive Environments: A Composer's Journey. - Belinda Thom, Mark J. Nelson:
An In-Depth Analysis of Real-Time MIDI Performance. - Lonce Wyse:
Contour Hierarchies, Tied Parameters, Sound Models and Music. - Ian Knopke:
AROOOGA: An Audio Search Engine for theWorldWideWeb. - Marcos Alonso, Günter Geiger, Sergi Jordà:
An Internet Browser Plug-in for Real-time Sound Synthesis using Pure Data. - Stefania Serafin, Juraj Kojs:
A physically informed model of a musical toy: the singing tube. - Rolf Nordahl, Stefania Serafin:
Medialogy: a bridge between technology and creativity based on the Aalborg model. - Daniel Teruggi, Yann Geslin:
Studio Report: the GRM - Groupe de Recherches Musicales, Institut National de l'Audiovisuel. - Greg Schiemer, Kenny Sabir, Mark Havryliv:
Pocket Gamelan: a J2ME environment for just intonation. - Chia-Chun Chen:
Electronic Music: An Interactive CD-ROM for Yong People. - Xavier Serra:
Current Research in Music Technology at the Audiovisual Institute of the Pompeu Fabra University. - Parag Chordia:
Automatic rag classification using spectrally derived tone profiles. - Paul Brossier, Juan Pablo Bello, Mark D. Plumbley:
Real-time temporal segmentation of note objects in music signals. - Stephen Travis Pope, Frode Holm, Alexandre Kouznetsov:
Feature Extraction and Database Design for Music Software. - Matthew Wright, Roger B. Dannenberg, Stephen Travis Pope, Xavier Rodet, Xavier Serra, David Wessel:
Panel: Standards from the Computer Music Community. - Christopher Raphael:
Aligning Polyphonic Musical Scores with Audio using a Latent Tempo Process. - Sergi Jordà:
Digital Instruments and Players: Part II-Diversity, Freedom and Control. - Stephen Horenstein:
Understanding Supersaturation: A Musical Phenomenon Affecting Perceived Time.
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