File:Erechthéion, vu du sud-est.1 - (Gl.I.A.b.152).jpg

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Erechthéion, vu du sud-est.1 - (Gl.I.A.b.152) - (Gl.I.A.b.152)   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Photographer
Paul des Granges  (1825–1911)  wikidata:Q53501671
 
Description photographer and scientific illustrator
Date of birth/death 18 August 1825 Edit this at Wikidata 22 January 1911 Edit this at Wikidata
Location of birth/death Kalamata Edit this at Wikidata Rome Edit this at Wikidata
Authority file
creator QS:P170,Q53501671
Title
Erechthéion, vu du sud-est.1 - (Gl.I.A.b.152) - (Gl.I.A.b.152)
Description
Erechthéion, vu du sud-est.1 - Le cadrage de biais permet d'appréhender le temple dans toute sa longueur, tout en mettant nettement l'accent sur le côté est. Sur le stylobate du portique est, au niveau de l'emplacement de la colonne nord (emportée par Lord Elgin en 1801 avec son entablement), nous observons la présence d'une base de couleur foncée qui n'apparaît pas sur les photographies antérieures. Nous apercevons également des supports en fer entre les caryatides, disposés en 1872 afin de soutenir le poids de l'entablement en marbre.
Date entre 1872 et 1881
Medium Photogr. pos. montée sur carton : papier albuminé, d'après nég. sur verre au collodion
Dimensions height: 39.7 cm (15.6 in); width: 27 cm (10.6 in)
dimensions QS:P2048,39.7U174728
dimensions QS:P2049,27U174728
institution QS:P195,Q157575
Current location
Collections du musée de l'Institut d'Archéologie classique de Strasbourg
Accession number
Gl.I.A.b.152
Source
institution QS:P195,Q96754733

Licensing

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Public domain
This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

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Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930.

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