Papers by Julian Carter
Bulletin of the History of Medicine, 2010
Alternative-format presentations and movement workshops were a marvelous and distinctive part of ... more Alternative-format presentations and movement workshops were a marvelous and distinctive part of the 2015 CORD/SDHS experience in Athens, Greece. What follows is the text score of a collectively-generated workshop/community performance on “Guerrilla Dramaturgy,” held on Saturday June 4 2015 at 9 am. In this workshop we combined oral presentation about dance dramaturgy, participatory dramaturgical practice, and physical movement. The written score does not seek to represent every word or gesture, but rather delineates the sequence of activities through which we constructed a productive space for people to generate and explore ideas about meaningful support for dance composition, broadly defined to include both movement-based art and writing about such art.
Talk on formal experimentation in my current writing about swan ballets, presented at the Congres... more Talk on formal experimentation in my current writing about swan ballets, presented at the Congress for Research on Dance/Society of Dance History Scholars in Iowa City, Nov 2014. For a panel on "Absent Presences in Contemporary Dance," with Clare Croft, Ariel Osterweis and Anusha Kedhar.
Framing discussion for a session at PSi19, "The Trans- Temporality of Fouettes in Blood," in coll... more Framing discussion for a session at PSi19, "The Trans- Temporality of Fouettes in Blood," in collaboration with Yve Laris Cohen, Ariel Osterweis, Julie Tolentino and Jeanne Vaccarro.
Articles/Essays (Topics after 1945) by Julian Carter
Journal of the History of Sexuality vol 14 no 1-2, 2005
Journal of The History of Sexuality vol. 10 no. 2, Apr 2001
GLQ: A Journal of Lesbian and Gay Studies vol 15 no 4, 2009
The Transgender Studies Reader, vol 2 (ed Susan Stryker and Aren Aizura), 2013
This project follows the fleeting trace of swans across time and choreographic tradition. I explo... more This project follows the fleeting trace of swans across time and choreographic tradition. I explore French postmodern choreographer Jerome Bel's dance, Veronique Doisneau, focusing on its quotations from Rudolph Nureyev's staging of Swan Lake to consider questions of queer time and the long shadow of the aesthetic legacies of absolutism. This essay is forthcoming in Clare Croft, ed., The Makings and Meanings of Queer Dance.
Julian B. Carter, David J. Getsy, and Trish Salah, Introduction to a special issue on on "Trans C... more Julian B. Carter, David J. Getsy, and Trish Salah, Introduction to a special issue on on "Trans Cultural Production" edited for the inaugural year of _TSQ: Transgender Studies Quarterly_
Table of Contents at http://tsq.dukejournals.org/content/1/4.toc
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Papers by Julian Carter
Articles/Essays (Topics after 1945) by Julian Carter
Table of Contents at http://tsq.dukejournals.org/content/1/4.toc
Table of Contents at http://tsq.dukejournals.org/content/1/4.toc