Rock-and-roll icon Conrad Birdie is about to go into the Army, and plans are being made to arrange his final going-away concert.Rock-and-roll icon Conrad Birdie is about to go into the Army, and plans are being made to arrange his final going-away concert.Rock-and-roll icon Conrad Birdie is about to go into the Army, and plans are being made to arrange his final going-away concert.
- Won 1 Primetime Emmy
- 1 win & 3 nominations total
Shelley Stewart Hunt
- Alice
- (as Shelley S. Hunt)
Marlowe Windsor
- Suzie
- (as Marlowe Windsor-Menard)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn an Archive of American Television interview, Jason Alexander said that the day after the movie aired, he received a bouquet of flowers and a note that read "Dear Jason. Now I know how to play the role. You were terrific. Love Dick Van Dyke."
- GoofsAlbert, Rose and Conrad are shown departing from New York's Pennsylvania Station, in the film a terminal with "head-end" outdoor platforms at the same level as the station lobby. In reality, trains ran through Penn Station with platforms on the lower level.
- ConnectionsFeatured in Stealing Focus: ABC Musical Madness - Bye Bye Birdie '1995' (2019)
Featured review
This TV adaptation of Bye Bye Birdie has a few things going for it. Vanessa Williams is sensational, and Jason Alexander, surprise, surprise, is a good singer and adequate hoofer. It follows the original play far better than the film, although, it also takes liberties with it. And doesn't have to pull its punches to quite the same extent as the movie did (1963 was kind of crossover year, where attitudes and mores were beginning to loosen up, but American movies were still stuck in the fifties.The TV version also gets rid of that horrible sped-up ballet that nearly ruins the movie version (the play had another ballet entirely, which is not in either the film or the TV version).
On the minus side, as good as Jason Alexander is, he wasn't right for the part. I'm not sure Dick Van Dyke was either, but he was better. George Wendt adds nothing to the mix, especially when compared to Paul Lynde. The character of Kim McAfee is pared back down to its original content, which is just as well. Chynna Phillips is woefully miscast as a teenager and really can't compete with Ann-Margert (who could?). Marc Kudisch's Conrad is a good imitation of Conway Twitty, who was the original template for Conrad (not Elvis), although Jesse Pearson (who looked like he was imitating Elvis) was better.
On the balance, worth watching if you're interested in Broadway musicals and their adaptations, but it's not a must-see.
On the minus side, as good as Jason Alexander is, he wasn't right for the part. I'm not sure Dick Van Dyke was either, but he was better. George Wendt adds nothing to the mix, especially when compared to Paul Lynde. The character of Kim McAfee is pared back down to its original content, which is just as well. Chynna Phillips is woefully miscast as a teenager and really can't compete with Ann-Margert (who could?). Marc Kudisch's Conrad is a good imitation of Conway Twitty, who was the original template for Conrad (not Elvis), although Jesse Pearson (who looked like he was imitating Elvis) was better.
On the balance, worth watching if you're interested in Broadway musicals and their adaptations, but it's not a must-see.
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