BURT REYNOLDS, CANDACE BERGEN, JILL CLAYBURGH 'STARTING OVER'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwAboAIlPhoDL6kIV9BijDFmw4FoGPTR917hj5QeCD6WpSIhSXmMwb1Q1S-o1zjM6w-MDVQnRaVzNQ9uuCEn-tTjW2wdGk_BlHy5HmcyKaRYxGZzkBARNizbAUgZi1Dt1CjUorXZugI1JwZbQ3DyBweUhCO4-pLTTey7r_JMW85A8dl87nGzigSNc3ZNCJ/s928/Screen%20Shot%202024-09-15%20at%205.53.15%20PM%203.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="504" data-original-width="928" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwAboAIlPhoDL6kIV9BijDFmw4FoGPTR917hj5QeCD6WpSIhSXmMwb1Q1S-o1zjM6w-MDVQnRaVzNQ9uuCEn-tTjW2wdGk_BlHy5HmcyKaRYxGZzkBARNizbAUgZi1Dt1CjUorXZugI1JwZbQ3DyBweUhCO4-pLTTey7r_JMW85A8dl87nGzigSNc3ZNCJ/s16000/Screen%20Shot%202024-09-15%20at%205.53.15%20PM%203.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Burt Reynolds in WHITE LIGHTNING (Reassessment Review) Year: 1973 Rating: ****</u></td></tr></tbody></table><p>There are two things that connect the romantic-comedy STARTING OVER with Burt Reynolds' career breakthrough DELIVERANCE: he doesn't have the defining mustache, and it's not a "Burt Reynolds Movie" but a movie he co-stars in with other people...</p><p></p><p></p><p></p><p></p><p></p><p>Successful TV-writer and future mogul James L. Brooks' original script is directed by Alan J. Pakula, more prone to political thrillers... and he's about as comfortable here directing as Burt is being basically stuck in a vehicle that would have far better suited an Alan Alda, Henry Winkler or Charles Grodin type...<br></p><p></p><p></p><p><span></span></p>

alan j. pakula, burt reynolds, candace bergen, charles durning, james l. brooks, jill clayburgh, love triangle, romantic comedy, seventies

BURT REYNOLDS, CANDACE BERGEN, JILL CLAYBURGH 'STARTING OVER'

Burt Reynolds in WHITE LIGHTNING (Reassessment Review) Year: 1973 Rating: **** There are two things that connect the romantic-comedy STARTIN...

RICHARD FLEISCHER'S 'VIOLENT SATURDAY' WITH VICTOR MATURE

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzJ_3GkjBNChIBTBABOAThxnDtaWxRtCCx-1dfRY-hxS_zbv-qXzEIzzenFuACFnb-6Fdqit95DPegi1nJ1UYxLOS4t5IIvwIZbXg0Uvpeh1c5CRaz5spN3fMifw34DxYHooQRcMYpgPBsy0Tr9-mYd4KooBdt-Fv9ns9gptlotO7whBJ_uW3-lYgeNfxb/s2246/Screen%20Shot%202024-03-07%20at%204.05.04%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1252" data-original-width="2246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzJ_3GkjBNChIBTBABOAThxnDtaWxRtCCx-1dfRY-hxS_zbv-qXzEIzzenFuACFnb-6Fdqit95DPegi1nJ1UYxLOS4t5IIvwIZbXg0Uvpeh1c5CRaz5spN3fMifw34DxYHooQRcMYpgPBsy0Tr9-mYd4KooBdt-Fv9ns9gptlotO7whBJ_uW3-lYgeNfxb/s16000/Screen%20Shot%202024-03-07%20at%204.05.04%20PM.png"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: VIOLENT SATURDAY Year: 1955 Rating: ****1/2</u></td></tr></tbody></table><p>Director Richard Fleischer crafted a tight, sparse, edgy noir also replete with enough paperback melodrama for a dozen Douglas Sirk features, which <a href="http://www.cultfilmfreaks.com/2016/05/V-sat.html">VIOLENT SATURDAY</a> resembles but only from either close-up or afar...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>The first because of the soapy situations, like a cheating wife or a father whose son seems to hate him... and the latter from the vibrant technicolor cinematography of an Arizona small town, richly contrasting from Fleischer's previous B&W city-set thrillers ARMORED CAR ROBBERY,  FOLLOW ME QUIETLY and THE CLAY PIGEON...</p><p><span></span></p>

dorothy patrick, fifties, film noir or melodrama, heist, j. carrol naish, lee marvin, love triangle, margaret hayes, richard egan, richard fleischer, stephen mcnally, victor mature, virginia leith

RICHARD FLEISCHER'S 'VIOLENT SATURDAY' WITH VICTOR MATURE

Title: VIOLENT SATURDAY Year: 1955 Rating: ****1/2 Director Richard Fleischer crafted a tight, sparse, edgy noir also replete with enough pa...

BURT REYNOLDS AND KRIS KRISTOFFERSON ARE 'SEMI-TOUGH'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLDaNPfvwD4fGSodpDeuuVMUryxdiU2CLAzNipgxKvjKfPKlQC3D0UBTlJQ-TjBz-Me77_rh1jrhRwPZn_9UeDw0euvag0LGB0SdzMWvc_SrcGsK8CEVB-GhK24cR-Fu4yddUO2Hd8_gxNjIEFsn_xfRQGazXWywj87OvDLn7GEX7y3MVjMMRYcMG0Tw/s2198/Screen%20Shot%202022-09-25%20at%2010.41.43%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1235" data-original-width="2198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLDaNPfvwD4fGSodpDeuuVMUryxdiU2CLAzNipgxKvjKfPKlQC3D0UBTlJQ-TjBz-Me77_rh1jrhRwPZn_9UeDw0euvag0LGB0SdzMWvc_SrcGsK8CEVB-GhK24cR-Fu4yddUO2Hd8_gxNjIEFsn_xfRQGazXWywj87OvDLn7GEX7y3MVjMMRYcMG0Tw/s16000/Screen%20Shot%202022-09-25%20at%2010.41.43%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Burt Reynolds in SEMI-TOUGH Year: 1977 Rating: ***</u></td></tr></tbody></table><p>Having been a college football star before an injury leading to acting lessons, football became Burt Reynolds' <i>Rosebud</i>... and the second mainstream football flick for Burt Reynolds isn't as gritty as THE LONGEST YARD, which took place in prison involving prisoners vs guards...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>But SEMI-TOUGH centers on a professional team where the most famous and beloved players, odd couple Reynolds and Kris Kristofferson (flanked by muscular loon Brian Dennehy and a stable Roger E. Mosely), hardly compete on the field but, as a romantic comedy, seek a relationship with the team owner's progressive daughter, Jill Clayburgh...</p><p><span></span></p>

brian dennehy, buddy, burt reynolds, football, jill clayburgh, kris kristofferson, love triangle, michael ritchie, roger e. mosley, romantic comedy, seventies, sport

BURT REYNOLDS AND KRIS KRISTOFFERSON ARE 'SEMI-TOUGH'

Burt Reynolds in SEMI-TOUGH Year: 1977 Rating: *** Having been a college football star before an injury leading to acting lessons, football ...

EDWARD G. ROBINSON'S FISHY LOVE TRIANGLE OF 'TIGER SHARK'

<p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi2Cmmbx2wI1_p3enNu6QDW1kred9ZXXQmMA3Cew99Z0Rwgt73AkJksEiXmftHcYlr-O1-2hBbeFtjkCudTgUeWryxaTTrQY8bK3SVJiy5982WdScZo6hxQq6sfauxa3NRGLmk_v-Dk9Dyrp7XJ-vJR6QlR6qPGJGow0dgDhunm1bBzVEOR3DqXkbSwvg=s1159" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="862" data-original-width="1159" src="https://blogger.googleusercontent.com/img/a/AVvXsEi2Cmmbx2wI1_p3enNu6QDW1kred9ZXXQmMA3Cew99Z0Rwgt73AkJksEiXmftHcYlr-O1-2hBbeFtjkCudTgUeWryxaTTrQY8bK3SVJiy5982WdScZo6hxQq6sfauxa3NRGLmk_v-Dk9Dyrp7XJ-vJR6QlR6qPGJGow0dgDhunm1bBzVEOR3DqXkbSwvg=s16000"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: TIGER SHARK Stars: Edward G. Robinson Year: 1932 Rating: ***</u></td></tr></tbody></table><p>Had the antique fishing-village-set TIGER SHARK come out ten years later, it would've made a pretty intriguing Film Noir, following the trope of the pretty young girl marrying an older businessman while falling in love with the handsome younger fella who has no money, and is friends with the rich guy...</p><p></p><p></p><p></p><p>In this case that rich guy, before there was any money and when he had both hands... during the more adventuresome Hemingway-meets-Melville first act... saves the life of Richard Arlen as common fisherman Pipes Boley by losing one hand to the titular (yet thereafter unimportant) TIGER SHARK, later replaced with a hook...</p><p><span></span></p>

adventure, edward g. robinson, love triangle, melodrama, richard arlen, romance, shark, thirties, warner archives, zita johann

EDWARD G. ROBINSON'S FISHY LOVE TRIANGLE OF 'TIGER SHARK'

Title: TIGER SHARK Stars: Edward G. Robinson Year: 1932 Rating: *** Had the antique fishing-village-set TIGER SHARK come out ten years later...

WHERE 'CRASH DIVE' FITS WITHIN EARLY DANA ANDREWS CINEMA

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikB4eEpk9CVvgelMoZiOcwT-WTLX7kWgXZxd9qjT_WaTTaD8lJLiapX6ApbZK_PtQIo_VElD_iOg0S0f9tBDNxITXsarOSzxVcFS4MBKy5h-qb3LFu3dbYXZ8vzQdudlFXpBSIqPVzSLmw/s1600/64911736_729753404120505_3664326982956482560_n.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="662" data-original-width="921" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikB4eEpk9CVvgelMoZiOcwT-WTLX7kWgXZxd9qjT_WaTTaD8lJLiapX6ApbZK_PtQIo_VElD_iOg0S0f9tBDNxITXsarOSzxVcFS4MBKy5h-qb3LFu3dbYXZ8vzQdudlFXpBSIqPVzSLmw/s400/64911736_729753404120505_3664326982956482560_n.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Dana Andrews w/ Anne Baxter in CRASH DIVE Year: 1943 Rates: ***</u></td></tr> </tbody></table> In CRASH DIVE, Tyrone Power is credited with his actual war rank, adding to the WW2 propaganda about a PT-boat enthusiast under the submarine command of Dana Andrews and also featuring Harry Morgan in the second of four pictures together. But it's the romance that matters as a flirtatious courtship between Power and Anne Baxter takes up most of the love-triangle story... <br> <br> Enter Dana's SWAMP WATER (and NORTH STAR) ingenue Baxter, who winds up under Tyrone's inevitable and predictable spell. Which comes to very little once their secret is revealed but gives Andrews a little more than a one-dimensional role as the stalwart captain. And the following the next years' LAURA, Andrews would be done losing the girl, but a decade later would return to the third wheel spot in films like ELEPHANT WALK and BRAINSTORM.<br>

action, dana andrews, forties, harry morgan, love triangle, tyrone power, war, world war II

WHERE 'CRASH DIVE' FITS WITHIN EARLY DANA ANDREWS CINEMA

Dana Andrews w/ Anne Baxter in CRASH DIVE Year: 1943 Rates: *** In CRASH DIVE, Tyrone Power is credited with his actual war rank, adding...

KNOCKOUT BARBARA PAYTON IN THE BOXING NOIR 'BAD BLONDE'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjzKta2A-BlWWJG_2fkYH5QuPRyeXO0zkrej8A1W1h0Y_1QYXcjit3JS70MdEoekUf1fBJrIzAwHOvJary-DfxuI20NJPnpfPqwqmrg5HKFeqj6hGR0hiR-co9Dt0qzvY5K1BOKKLm7Ubx/s1600/Screen+Shot+2020-01-08+at+10.55.58+AM.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="564" data-original-width="842" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjzKta2A-BlWWJG_2fkYH5QuPRyeXO0zkrej8A1W1h0Y_1QYXcjit3JS70MdEoekUf1fBJrIzAwHOvJary-DfxuI20NJPnpfPqwqmrg5HKFeqj6hGR0hiR-co9Dt0qzvY5K1BOKKLm7Ubx/s400/Screen+Shot+2020-01-08+at+10.55.58+AM.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Barbara Payton is Hammer's BAD BLONDE Year: 1953</u></td></tr> </tbody></table> In the Hammer British Film Noir BAD BLONDE originally titled THE FLANAGAN BOY, a bulky and not altogether brilliant English boxer gets a shot when his trainer connects with a rich Italian promoter who can make it all happen...<br> <br>But first, everyone has to live at a rural lakeside estate where the fighter, Charlie Sullivan (Tony Wright), will prepare for future moneymaking matches... Second and most important, Charlie needs to get along with the rich man’s baby-faced, perpetually pursed-lipped wife Lorna, played by goading, manipulating, voluptuous Barbara Payton. Basically, the first moment Charlie sets his smitten eyes on the sullen temptress, his edge is gone… As is his common sense and sanity, much to his trainer's chagrin...

barbara payton, boxing, british film noir/melodrama, british new wave, hammer films, hammer noir, john slater, love triangle, sport, thriller

KNOCKOUT BARBARA PAYTON IN THE BOXING NOIR 'BAD BLONDE'

Barbara Payton is Hammer's BAD BLONDE Year: 1953 In the Hammer British Film Noir BAD BLONDE originally titled THE FLANAGAN BOY, a bu...

JESSIE LA RIVE MAPES ON PLAYING HERSELF IN 'URBAN COWBOY'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVGDw0idRGXWguCDS-MwN9vSKS49dsb18xp_YyDY5AKhttr4oonIE6K7sA5SWeXgeunvzCDc-HaxWmonYiMzXLdPMtlbmBJxbEEIIImuoJuEIfDm1hiOp1lb4EOLpe7inS0eVgEtqZaryp/s1600/Screen+Shot+2019-04-14+at+7.23.17+PM.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1156" data-original-width="1600" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVGDw0idRGXWguCDS-MwN9vSKS49dsb18xp_YyDY5AKhttr4oonIE6K7sA5SWeXgeunvzCDc-HaxWmonYiMzXLdPMtlbmBJxbEEIIImuoJuEIfDm1hiOp1lb4EOLpe7inS0eVgEtqZaryp/s400/Screen+Shot+2019-04-14+at+7.23.17+PM.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Interview with Urban Cowboy's Jessie La Rive Mapes</u></td></tr> </tbody></table> <span style="font-family: "calibri" , "helvetica" , sans-serif;"><i>"Hold my beer, Jessie," Debra Winger's character, Sissy, tells real life cowgirl Jessie La Rive Mapes, then billed as Jessie La Rive, in the  popular 1980 John Travolta feature <a href="http://www.cultfilmfreaks.com/2019/04/urban-cowboy.html">URBAN COWBOY</a>, in which the former disco king, trading polyester for chaps, rides a mechanical bull in the gigantic Gilley's Bar in Houston, Texas, where, on film and real life, Jessie was right at home...</i></span><br> <u><br></u> <span style="font-family: "calibri" , "helvetica" , sans-serif;"><u>How did you first get involved with URBAN COWBOY?</u> The original story was written by Aaron Latham of Esquire magazine. He did a story about my best friend, Betty Jones, her ex-husband and myself along with my daddy, Steve Strange. Then director Jim Bridges with Paramount Pictures decided that the love triangle around the bull would make for a great movie.</span><br>

country music, debra winger, eighties, interview, james bridges, james gammon, jessie la rive, john travolta, love triangle, scott glenn, sport

JESSIE LA RIVE MAPES ON PLAYING HERSELF IN 'URBAN COWBOY'

Interview with Urban Cowboy's Jessie La Rive Mapes "Hold my beer, Jessie," Debra Winger's character, Sissy, tells real...

JOAN CRAWFORD PLAYS 'DAISY KENYON' WITH DANA ANDREWS

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZeJGshQ8lkG-XCooWTX9BlwyA1Ms8gvzM6JmnPTC8DNtpwOWrHIg_HWrxaTn5FziSG9DYUrssIFXnXp8neqc-F9nNMbuCHDHYuxeUQPao7BLEVA1fMjln4ZWR7lwkoc63uqA9foPCzO1t/s1600/Screen+Shot+2018-12-31+at+12.49.29+AM.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1288" data-original-width="1473" height="279" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZeJGshQ8lkG-XCooWTX9BlwyA1Ms8gvzM6JmnPTC8DNtpwOWrHIg_HWrxaTn5FziSG9DYUrssIFXnXp8neqc-F9nNMbuCHDHYuxeUQPao7BLEVA1fMjln4ZWR7lwkoc63uqA9foPCzO1t/s320/Screen+Shot+2018-12-31+at+12.49.29+AM.jpeg" width="320"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Joan Crawford w/ Dana Andrews YEAR of Release: 1947</u></td></tr> </tbody></table> Joan Crawford stated that if it weren't for director Otto Preminger, DAISY KENYON, a romantic triangle melodrama hinting at Noir with three completely eclectic characters, wouldn't be anything but dull and cliché...<br> <br> <div style="text-align: left;"> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYfvCGxAkz-VYxPNGVYe5PnLZxFR1PvLDgtNs0_1r__TZzrkjTCvEUONei_ahvzvJqz_yBBi3tx9nal4JDzV9uP3QFsg0rO_gC3mfLL33FWikSbRQQ3o63amly_C8Bir6FC2cz7RM_K8t3/s1600/49158418_627336214362225_6406626011898707968_n.jpeg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="813" data-original-width="491" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYfvCGxAkz-VYxPNGVYe5PnLZxFR1PvLDgtNs0_1r__TZzrkjTCvEUONei_ahvzvJqz_yBBi3tx9nal4JDzV9uP3QFsg0rO_gC3mfLL33FWikSbRQQ3o63amly_C8Bir6FC2cz7RM_K8t3/s400/49158418_627336214362225_6406626011898707968_n.jpeg" width="240"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Dana Andrews rules, pet</u></td></tr> </tbody></table> Which is true and it isn't, because a lot of credit must go to the lady herself, who, while a bit old to be playing a working-girl artist fought over by two younger men, brings a dynamic performance out of Dana Andrews that might have been phoned-in with a less talented performer since his cheating, married lawyer Dan O'Mara has all the makings of a complete cinematic jerk...<br> <br> As Preminger's Cary Grant having been in LAURA and FALLEN ANGEL, and more of an ambiguous character-actor style than being strictly a handsome leading man, Andrews is untrusting yet sympathetic, and his love for DAISY KENYON seems legit albeit his ego legitimately needs her love: And it's not just that he has two young daughters, later used as a wishbone by a spiteful wife played by CITIZEN KANE spiteful wife Ruth Warrick (while older daughter Peggy Ann Garner starred in Orson Welles' production of JANE EYRE as the young Jane)...<br>

dana andrews, film noir or melodrama, forties, henry fonda, joan crawford, love triangle, martha stewart, otto preminger, peggy ann garner, romance, ruth warrick

JOAN CRAWFORD PLAYS 'DAISY KENYON' WITH DANA ANDREWS

Joan Crawford w/ Dana Andrews YEAR of Release: 1947 Joan Crawford stated that if it weren't for director Otto Preminger, DAISY KENYO...