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The Jazz Palace Paperback – March 8, 2016

3.9 3.9 out of 5 stars 268 ratings

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Winner of the Anisfield-Wolf Book Award

Boomtown Chicago, 1920s—a world of gangsters, musicians, and clubs. Young Benny Lehrman, born into a Jewish hat-making family, is expected to take over his father’s business, but his true passion is piano—especially jazz. After dark, he sneaks down to the South Side to hear the bands play. 

One night he is asked to sit in with a group. His playing is first-rate. The trumpeter, a black man named Napoleon, becomes Benny’s friend and musical collaborator. They are asked to play at a saloon Napoleon has christened The Jazz Palace. But Napoleon’s main gig is at a mob establishment, which doesn’t take kindly to their musicians freelancing . As Benny and Napoleon navigate the highs and the lows of the Jazz Age, a bond is forged between them that is as memorable as it is lasting. Morris brilliantly captures the dynamic atmosphere and dazzling music of an exceptional era.

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Editorial Reviews

Review

“Riveting. . . . As her tale unfolds, we know that we are in the hands of a master.” —Christina Baker Kline, author of The Orphan Train

The Jazz Palaceunderstands what great things come from staying light on your feet. . . . The historical material itself seems to dance.” —The Washington Post

“There is a reason I have always called Mary Morris my writing mentor: she taught me everything I know; and here is the living proof.” —Jodi Picoult, New York Times bestselling author of The Storyteller 
 
“Vibrant. . . . With brio, Morris creates music on the page.” —The New York Times Book Review 

“A bittersweet, deeply lyrical but eyes-wide-open look at Chicago before and during Prohibition.” —
Chicago Tribune

“In this incandescent tour-de-force, Mary Morris takes us on a riveting journey that soars and tugs on our heartstrings just as if it were music itself.” —Dani Shapiro, author of 
Family History and Still Writing

“The Jazz Palace is a sweeping tribute, a jazz ode, by a wonderful writer to her native city.” —Valerie Martin, author of Property and The Ghost of the Mary Celeste

“Haunting and dreamlike, there is no other word for this novel but masterpiece.” —Caroline Leavitt, author of
 Is This Tomorrow and Pictures of You

“Packed with so much love, heartbreak, endurance. . . .
In The Jazz Palace, Mary Morris has written an exquisite love letter to her home town, Chicago. And yet the book transcends time and place.” —Peter Orner, author of Love and Shame and Love

“A graceful and involving affirmation of the transcendent power of art.”
—Booklist (starred review)

“As fluid and nuanced as the music it celebrates, Morris’s narrative brings physical details, the power of music, and the sweeping history of Chicago . . . to memorable life.”
Publishers Weekly


About the Author

Mary Morris is the author of numerous works of fiction and nonfiction, including the novels A Mother’s Love and House Arrest, as well as the travel memoir classic Nothing to Declare: Memoirs of a Woman Traveling Alone. The recipient of the Rome Prize in literature and a grant from the John Simon Guggenheim Memorial Foundation, she was raised in Chicago and now lives with her family in Brooklyn, New York.

www.marymorris.net

Product details

  • Publisher ‏ : ‎ Knopf Doubleday Publishing Group; Reprint edition (March 8, 2016)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 258 pages
  • ISBN-10 ‏ : ‎ 1101872861
  • ISBN-13 ‏ : ‎ 978-1101872864
  • Item Weight ‏ : ‎ 9.6 ounces
  • Dimensions ‏ : ‎ 5.19 x 0.65 x 8 inches
  • Customer Reviews:
    3.9 3.9 out of 5 stars 268 ratings

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Customer reviews

3.9 out of 5 stars
268 global ratings

Customers say

Customers find the narrative very evocative of the times, lovely, and well researched about Chicago. They also appreciate the lyrical writing style that brings the music and characters to life. Readers also find the subject matter interesting and the level of detail high.

AI-generated from the text of customer reviews

17 customers mention "Narrative"17 positive0 negative

Customers find the narrative evocative, real, and wise. They also say the love story and an intimate look at the struggles and joys of a creative life are downright magical. Readers also say it's lush and lyrical, providing a good overview of early Chicago and its music. Overall, they describe the book as the very best sort of novel, one that moves and fascinates.

"...Like all of these, The Jazz Palace employs beautifully observed and perfectly chosen detail to render a world that feels entirely real, yet magical..." Read more

"Nice history feel.... too much jazz details for me." Read more

"...Morris writes with lyrical spirit and such vividness that I can still see many of the haunting images, and I slowed down toward the end to make the..." Read more

"...Maybe not the greatest writing but very well researched about Chicago which I loved." Read more

15 customers mention "Writing style"15 positive0 negative

Customers find the writing style lyrical, well-written, and sweet. They also say the book is like a good piece of jazz.

"...Morris' writing is OK, nothing exceptional, but not so bad either, and she had some nice lines I highlighted (look at the line above for example)...." Read more

"...Morris writes with lyrical spirit and such vividness that I can still see many of the haunting images, and I slowed down toward the end to make the..." Read more

"...For me the jazz scenes were incredibly intimate, and how in earth she got the music to flow through words is beyond me!..." Read more

"...Not all the circumstances are equal, but the upcoming jazz was underground. The father is a bastard. The mother is compliant...." Read more

10 customers mention "Level of detail"7 positive3 negative

Customers find the subject matter interesting and enjoy the historical references.

"...Age is the very best sort of novel, one that moves and fascinates, amazes us, makes us laugh, keeps us on the edge of our seats, and helps us..." Read more

"...don't quite turn out as he'd planned, but it's so poignant and compelling to watch him struggle to follow his heart...." Read more

"Nice history feel.... too much jazz details for me." Read more

"...The historic content was an enjoyable revelation and the story was the kind of story you just want to go on forever...." Read more

4 customers mention "Characters"4 positive0 negative

Customers find the characters in the book to be brought to life.

"...The characters are complicated, real, and visceral…Benny's dreams don't quite turn out as he'd planned, but it's so poignant and compelling to..." Read more

"...I just loved this book, and all the characters brought to life. Their loneliness, their striving to achieve, their need to be loved...." Read more

"Engaging characters with interesting life's...." Read more

"...I liked the fictional characters and also the real people who lived at that time. I'm glad Pearl and Benny got together in the end...." Read more

Top reviews from the United States

Reviewed in the United States on May 7, 2015
Three books kept coming to mind as I read The Jazz Palace, Mary Morris’s brilliant and irresistible new novel: Ragtime, by E. L. Doctorow, The Mambo Kings Play Songs of Love, by Oscar Hijuelos, and Love in the Time of Cholera, by Gabriel Garcia Marquez. Like all of these, The Jazz Palace employs beautifully observed and perfectly chosen detail to render a world that feels entirely real, yet magical at the same time. And, perhaps more to the point, like her predecessors, Morris has important things to tell us about love, obsession and sorrow—although the love and obsession in this novel primarily focus on the music and culture of jazz. The story follows the interwoven fates for four characters: Pearl and Opal, two of the three “Gem sisters” (the third is Ruby) who own the Chicago jazz club that lends the novel its title, and two musicians, Benny Lehrman, who, like the sisters, is Jewish, and Napoleon Hill, who is black and from New Orleans—though the novel also contains vivid cameo appearances by such real life figures as Louis Armstrong and, most memorably, Al Capone. Benny is a piano prodigy, and while Napoleon initially sees him as just another white man out to “steal” black music, he soon understands the depth of Benny’s talent and of his love for jazz. The two men become bandmates and friends, and they both become sexually involved with Opal—though Benny’s relationship with her is far more serious. Meanwhile, Pearl nourishes her love for Benny, but is too much of a realist to do anything but watch him and her younger sister from afar. One of the many pleasures of The Jazz Palace is the factual information that Morris scatters with consummate grace throughout its pages. The word “jazz,” she tells us, was originally pronounced “jass” and may have derived from the passion-inspiring jasmine oil used by prostitutes in New Orleans; while the word “hipster” came from the hip flasks sported by stylish young men during Prohibition. And a powerful subplot concerns the fact that, more than half a century after the end of slavery, black musicians were “owned” by Chicago’s mostly mobster club owners, and could be killed or maimed for playing at rival clubs. But in the end, this novel is primarily about the dialectic of joy and pain that love—or obsession—brings into the hearts of men and women. And in her wise and beautiful conclusion, Morris shows that while suffering can destroy some loves, it is also the forge by which others are made durable and real. The Jazz Age is the very best sort of novel, one that moves and fascinates, amazes us, makes us laugh, keeps us on the edge of our seats, and helps us understand what matters most in life.
6 people found this helpful
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Reviewed in the United States on August 7, 2018
Nice history feel.... too much jazz details for me.
Reviewed in the United States on August 9, 2018
The Jazz Palace is a saloon opened by the jewish Chimbrova family in Chicago in the 20's and is run by 4 siblings. This is the place where white man gather to drink and to listen to music. And this is the place, where Napoleon, a black jazz musician comes to play every monday against all rules. He also brings with himself Benny Lehrmann, son of a jewish business owner, who has no interest in taking over from his dad and spends most of his time wandering the south side of the city, where black people live and entertain everyone who comes over. Benny has a good ear for music and picks up jazz pretty quickly and starts jamming. Together with Napoleon they mesmerize the audience. Benny enjoys life as a famous musician and charms the Chimbrova girls. But life is not all about rainbows and unicorns so Benny and the others faces tragedies, death, poverty, the rise of the gangsters and learn the hard way how unfair the world can be.

Morris' writing is OK, nothing exceptional, but not so bad either, and she had some nice lines I highlighted (look at the line above for example). She was able to give it back the atmosphere of the pretty wide period of time this story is set in: the end of WWI, the ban of alcohol, the rise of the gangsters (Al Capone above all), the beginning of the Great Depression. The story focuses on the lifes of the main characters and actual historical events are only mentioned marginally. Al Capone himself appears twice, but his appearance doesn't add anything to the story. Sure, he has a great influence on one of the characters, but that's all. What this book missing is some depth, I wanted to read more about the era, to better understand the characters, what drove them, how it really affected their life. Instead we get a lot of brooding, and miserabe characters with whom the reader couldn't really connect. Sure, their pain and suffering and all that are understandable, they all led a hard life. But it's hard to really feel sorry for them.

And then there were passages totally irrelevant to the story. Felt like they were just thrown in without any purpose so the pages would be filled. They didn't really add to the atmosphere either. If she really wanted to create a rich, vivid, full of life kind of book, she should have written more about the gangsters, how the saloons and clubs really worked, what they had to do to stay alive. Some more added general history would have made The Jazz Palace a much more interesting book. I have to hand it to Morris though that she gives a good description of how life were for black people at the time and what it meant for white and black people to make friendships or any kind of relationship really. Benny and Napoleon set a new standard and showed to Chicago what they can accomplish on their own and together, stereotypes be damned.

This book is recommended for those who'd like to get a glimpse into the history of Chicago, into the birth of jazz and what effect it has on a handful of lives and don't mind getting thrown off balance with the sudden change of POV or timeline ocassionally. The Jazz Palace while an easy read in terms of style and writing, it is full of tragedy with some light moments here and there. Overall, if not an exactly enjoyable read, but one which will make you wonder about life and music and the choices we make in our lifes. And in the end, that can count as an accomplishment in itself.
3 people found this helpful
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Reviewed in the United States on April 18, 2015
The pages turned musical as I read! The detailing is sensory but also historical; I loved finding out, for instance, the origin of the term "jazz" and even "hipster"…and there's a Valentine and love-song to the wild city of Chicago. The characters are complicated, real, and visceral…Benny's dreams don't quite turn out as he'd planned, but it's so poignant and compelling to watch him struggle to follow his heart. Pearl is a heartbreaker, too, and Napolean's journey evokes the sad truths of the racial divide in the era. Gangsters, musicians, and tradesmen flow in and out of the main events; readers are happy to be reminded that people are never separate from time and place. Morris writes with lyrical spirit and such vividness that I can still see many of the haunting images, and I slowed down toward the end to make the story last.
One person found this helpful
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Reviewed in the United States on July 25, 2015
If you like jazz and if you like reading about Chicago in the roaring 20s with all the jazz clubs on the south side, you'll like this book. Starts out with the capsizing of the USS Eastland in the Chicago River and moves on from there. I really enjoyed the book. Maybe not the greatest writing but very well researched about Chicago which I loved.
4 people found this helpful
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Reviewed in the United States on March 15, 2015
Vine Customer Review of Free Product( What's this? )
As someone who is quite familiar with Chicago, I had no problem visualizing the street locations described in this book, but for someone who is unfamiliar with Chicago, these descriptions wouldn't mean anything. I think one would have a better understanding of the history of Chicago and its neighborhoods by doing a Google search. And, so far as the characters in the book are concerned, I thought they were stereotypes and completely unreal. I would not recommend this book.
3 people found this helpful
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Top reviews from other countries

Anca Maria Savu
4.0 out of 5 stars Good read
Reviewed in Germany on March 4, 2024
I was not left amazed but I enjoyed the story and the atmosphere it creates very much. It’s not a book that just HAS to be on someone’s reading list but if you enjoy the theme or the epoque than it’s nice. The musical elements were the ones I appreciated most!
Greg Neath
5.0 out of 5 stars Amazing story telling
Reviewed in Canada on April 30, 2015
Amazing story telling.
Love this book.
The first chapters are unforgettable!!!
The characters are so human and real.
Couldn't put it down