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Posthumous Keats: A Personal Biography Paperback – Illustrated, November 9, 2009
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A Los Angeles Times Favorite Book and a Washington Post Best of 2008: “A book worthy of Keats―full of feeling and drama and those fleeting moments we call genius.”―Ted Genoways, Washington Post Book World
John Keats’s famous epitaph―”Here lies One Whose Name was writ in Water”―helped cement his reputation as the archetype of the genius cut off before his time. In this close narrative study, Stanley Plumly meditates on the chances for poetic immortality, an idea that finds its purest expression in Keats. Incisive in its observations and beautifully written, Posthumous Keats is an ode to an unsuspecting young poet―a man who, against the odds of his culture and critics, managed to achieve the unthinkable: the elevation of the lyric poem to sublime and tragic status. 7 illustrations- Print length396 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateNovember 9, 2009
- Dimensions5.5 x 1 x 8.2 inches
- ISBN-100393337723
- ISBN-13978-0393337723
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― Nicholas Delbanco, Los Angeles Times
"Mr. Plumly writes beautifully and very movingly."
― Charles McGrath, New York Times
"Plumly has written a book to last: worthy of its subject and commensurate with both words of its title."
― Robert Pinsky, Slate
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- Publisher : W. W. Norton & Company; Illustrated edition (November 9, 2009)
- Language : English
- Paperback : 396 pages
- ISBN-10 : 0393337723
- ISBN-13 : 978-0393337723
- Item Weight : 1.08 pounds
- Dimensions : 5.5 x 1 x 8.2 inches
- Best Sellers Rank: #2,524,709 in Books (See Top 100 in Books)
- #12,440 in Author Biographies
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Plumly's volume is an obvious work of love. He writes a straightforward history of Keats's last months, and then muses over the details from different perspectives. He turns a forensic as well as a philosophical eye on the motives and actions of Keats's inner circle of friends, spending considerable time ruminating on the characters and principles of Charles Brown, William Haslam, George Keats, and - of course - Joseph Severn. We see Keats's last days not just as they probably were, but as they must have been. And we see John Keats himself: fragile and anguished, full of vigor, innocence, trustworthiness, incredible talent, and deep, abiding love for Fanny Brawne and life itself.
Plumly's most remarkable accomplishment is his interweaving much of Keats's great odes with the young poet's experiences and literary philosophy. That a youth so inexperienced in life, so poor, and so desperately ill could write what many believe to be the greatest series of odes in English is astounding. I remember being blown away by Keats's odes in my high school English class, and now Stanley Plumly has written a book that explains to me why.
Keats's opening lines of his long poem, Endymion, certainly apply to his own work:
"A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing."
And yet, a lot of this book is compelling simply because of the emotion behind it, the sheer investment. However, if you want to know about Keats' youth, his boyhood, you get almost nothing. The lack of sequence can also be annoying--you are forever returned to that ghastly death-chamber. It gets to be too much. Also, Plumly tries to outdo Keats in terms of the sensuality, the fullness, of his figurations--as if he is competing with the poet. A no-win situation.
So I give a divided review here. i am glad I read this book but do not feel as if i gained much knowledge about the poetry or the poet. i did learn a lot about TB and 19th c quackery, however.
A few of Plumly's interests here threaten to become obsessive - the need to count the days til Keats's death appears throughout, whereas it would need be a source of profitable speculation only once. That Keats lived in the shadow of death is true enough, but the truth becomes diminished when it is mentioned so often. Still, any lover of Keats will embrace this work and acknowledge that it holds a unique place on the very long shelf of Keatsiana.