The Essential Bordertown: A Traveller's Guide to the Edge of Faerie

Not into sword and sorcery but secretly adore magic and faeries? Then this is the one for you. I have never seen a stronger "shared world" anthology, each story will stay with you long after you have finished reading, each for a different reason. A gourmet selection of short stories.

Going by other reader reviews of this book, some fans of the series were disappointed by The Essential Bordertown--they felt the stories "just weren't the same" or something. Of course they weren't the same! It has a different character than other books in the series, but that's only to be expected from an anthology, and I enjoyed it immensely. One of its best features, to my mind, is the way "guidebook" excerpts are placed between the stories--for those unfamiliar with Bordertown, they provide excellent background material, and for fans, they're full of little jokes and references to familiar locations/people/events. They also make good transitions from one story to the next. The book contains 13 stories (how apropos) by Patricia A. McKillip, Midori Snyder, Delia Sherman, Donnard Sturgis, Ellen Kushner, Michael Korolenko, Elisabeth Kushner, Charles de Lint, Caroline Stevermer, Steven Brust, Ellen Steiber, Micole Sudberg, and Felicity Savage, of which four particularly struck me. I loved Patricia A. McKillip's "Oak Hill" for many reasons, but one of them is that its protagonist reminded me of myself in junior high--a lonely girl with bad skin looking for magick. I particularly liked the fact that the girl has no terrible reason to come to Bordertown; she just wants something better--something more--than what she has. McKillip's prose is beautiful as ever, and the ending, though of course I won't give it away, is simple and powerful. "Dragon Child" by Midori Snyder is largely set in Dragontown, which has always been one of my favorite areas of Bordertown. Eli, half elvin and half human, escapes from his cruel elvin father to Bordertown, where he struggles to fully free himself from the aristrocratic father who has controlled him all his life. The story doesn't offer any easy answer to Eli's problems; it may be about a boy who blurs the border between the World and Faerie, but it's realistic. "Changeling" by Elisabeth Kushner I admit I was already predisposed to like--young lesbians desperately trying to build a happy life for themselves have always had a special place in my heart. "Oak Hill" shows Bordertown as a place to run to; "Changeling," like "Dragon Child," shows it as a place to run away to. Selkie/Seal (neither her given name, of course; people who come to Bordertown frequently give themselves new names, in the hopes of new lives) is trying to find a place where her "difference" won't stand out, and comes to Bordertown--where it might not be easier, but it might also be better. The final member of my top four, Ellen Steiber's "Argentine," is about an elvin girl who didn't run anywhere--she was banished, her memory erased, to Bordertown, where she does what she seems to do best: steals. Argentine seeks out things that matter to people, and takes them, to feel the love they contain. But no thief's luck lasts forever, as the ghost of a dead man is only too happy to remind her when she takes his living

Well I read the two reviews below and then I read the book itself. I gotta vote along with Flagstaff Reader, not Chicago Reader, that this book is awesom and the best Border book yet. I think since Chicago Reader picked "Bordertown" and "Finder" as his/her personal favs of all the Borderland books then he/she is probably a big fan of Will Shetterly and Emma Bull's Borderland stories. Well, thats cool but Chicago Reader should realize that not all of us are. The Shetterly & Bull version of Bordertown is fine and fun but personally its a bit too "Miami Vice" for me (altho I thought "Elsewhere" was different and pretty cool) and its really nice to see the series move on past the 1980s and into the 1990s. I for one was really glad to see stories by Patricia McKillip, Midori Snyder and Ellen Kushner instead. Chicago Reader is mistaken if he/she thinks that "Bordertown" and "Finder" were the original Borderland books. Look at the older books in the series you'll see that the first book was called "Borderland" and Terri Windling, Mark Alan Arnold, Charles de Lint, Midori Snyder, Stephen Boyett and Ellen Kushner were the people who created the world of Bordertown. And then in the next book, called "Bordertown" ,Shetterly & Bull came into a world that had been created by other people and added some places and characters to it, and in the next book, "Life on the Border" Michael Koralenko, Craig Shaw Gardner, Cara Dalky joined up and all added their own nieghborhoods and characters to the town- which is what makes it so cool, there's plenty of room for everybody here! So all you Border Rats, don't be put off by Chicago Reader, this is a great book full of all the stuff we love best in Borderland! I agree with Flagstaff Reader that no matter what part of Bordertown you like best, whether it's De Lint's Dancing Ferret or Shetterly & Bull's Danceland or Midori Snyder's dojo or Ballamy Bach's Gray and Wicker, there is plenty of room for everybody, so come down to Soho and lets rock! As for me I LOVE the Patricia A. McKillip story here the best and also the Elisabeth Kushner story about two gay girls, and lots of other stories besides. As a mixed race teenager, Black dad and White mom, I can REALLY relate to stories about kids from two races trying to fit in. And also I really like the fact that the books are even more "multicultural" now. My only complaint is that I want more more more. Ms. Windling and Ms. Sherman and Tor Books, please don't make us wait so long for the next one!!! And please bring this out in paperback so I can own my own copy since I can't keep this library copy forever.Thank you.

Chicago Reader(review below), I challenge you to a duel by pistols (no make that Border-magic) at dawn! You are wrong, wrong, wrong! This book is still the Borderland we know and love. (Gentrification? Phooey!) B-town is still gritty/still fey/still full of mean streets and rock-n-roll but also full of color/magic/the angst of young human- and elven-beings living life on the edge. The stories make it clear that a few years have passed since the earlier books and the 'town has changed, but Soho is still Soho. And a bit o' change is good, it would be awful if the books stayed stuck in a 1980s vibe. The new book is less "Adam Ant" and "Thompson Twins" than earlier books like Bordertown, Finder, etc.--more "AfroCeltic Sound System" or "Dead Can Dance", more worldbeat and world culture in them which is a great thing as far as I'm concerned, a personal opinion sure but one shared by my circle of Border fans here. The Delia Sherman story was my personal fav (welcome to Bordertown, Ms. Sherman!) but there was plenty o' other good tunes here too. Patricia A. McKillip's story broke my heart, Ellen Kushner's story made me laugh, Midori Snyder is back in fine form and I liked the less polished but raw and dynamic stories by newcomers like Jenna Felice and Donnard Sturgis too. Special nod to Felicity Savage for her cool and snarky tale at the end o' the book. There's one thing me and Chicago Reader can agree on though: Ms. Windling's "guide" pieces are the absolute best. To the writers and editors of this volume: thanx from all us Border Rats here in Flagstaff. Borderland just keeps getting better and better. Those of you readers who may be new to the Border, the other books in the series are great, but start with this one. Start with the best.