The Hi-Lo Country
Brief Synopsis
Cast & Crew
Stephen Frears
Sandy Baron
Walter C Hall
Marty Stuart
Monica Sundown
Katy Jurado
Film Details
Technical Specs
Synopsis
In the prairie town of Hi-Lo, New Mexico, Pete and Big Boy return from World War II to their old way of life: raising cattle and working the land. Able to hold their own with other men, and popular with women, they are masters of the land that they are proud to call home. But Pete has always pined for Mona, who is now married to someone else. Pete resigns himself to this loss, and returns to steady girlfriend Josepha. When he discovers that Mona is having a passionate affair with Big Boy, his desires are reawakened and his friendship put into question. Mona represents everything that Pete yearns for but cannot have.
Director
Stephen Frears
Cast
Sandy Baron
Walter C Hall
Marty Stuart
Monica Sundown
Katy Jurado
Bobby Boatwright
Gary Hogue
Tom Morrell
Dave Alexander
Penélope Cruz
Woody Harrelson
Howard Maccrae
Larry Spencer
Jacob Vargas
Enrique Castillo
Rose Maddox
Bob Tallman
Glen Rothstein
Richard Purdy
Cole Hauser
Mark Abbott
Don Walser
Sam Elliott
Leon Rausch
Sarge Mcgraw
John Diehl
Chris O'connell
Amanda Cordova
Kate Williamson
Tim Alexander
Will Cascio
Craig Carter
Gregg Stocki
Billy Crudup
James Gammon
Darren E Burrows
Robert Knott
Leonard Vigil
Rich O'brien
Keith Walters
Lane Smith
Gaye Grant
Donald R Walser
Rosaleen Linehan
Leslie Cook
Randy Elmore
Jimmy Belkin
Tommy Alsup
Don Pope
Buff Douthitt
Patricia Arquette
H. P. Evetts
Crew
Douglas Neal Acton
James Allen
Joan Altman
Jimmy Dale Anderson
Lindsay Anderson
Lee Archuleta
Eddy Arnold
Laura Auldridge
Sydney R Baldwin
Dianne Barnes
David M. Barrett
Jim Barth
Marsha Barton
Thomas J Barton
John Beauvais
Dana Belcastro
John Bell
Bridget Bergman
Dan Berryman
James D Berryman
David L Bethel
Tim Bevan
Joey Box
Greg Bronner
Bob F Brown
Craig Brown
Kayce Brown
Ryan Brown
Troy Brown
Valdia Buchwald
Maurice Burns
Billy Burton
Carter Burwell
Carter Burwell
John C Cameron
Gretchen Campbell
Benette Cantu
Francisco Cantu
Harry Carey Jr.
Christopher Carter
Jenne Casarotto
Will Cascio
Steve Chambers
Liza Chasin
Rashid Chinchanwala
James E Christian
Art Claunch
Rob Cohen
Jerry Colbeigh
Kim Coleman
Will J Collins
Ed Collyer
Jeff Couch
Ken Coulman
Keith Cox
Mary Cybulski
J Patrick Daily
Mitch Dalton
Wayne Daniell
Siduri Davey
Jason Davis
Steve M Davison
Thomas S Dawson
Barbara De Fina
Anuree Desilva
Thomas C Dilbeck
Shane Dixon
Shirley Dolle
Juliette Dow
Lindsay Elliott
Paul Ensby
Sherry Erickson
Pam Erwin
Harland Espeset
Tobin Espeset
Gilbert Espinosa
Jesse Esquibel
Troy Esquibel
Charles T Esty
Max Evans
H. P. Evetts
Albert Eylar
Kip Farnsworth
Michael Farrow
Mike Feinberg
Eric Fellner
Jan Fleischer
David A Foster
Vic Fraser
Brian Fuller
Lisa Garcia
Jerry Gardner
David Gertz
William D Gethin-jones
Peter Gleese
A Gomez-orozco
Mark Goodermote
Allan Graf
Robin Green
Walon Green
Isobel Griffiths
Pauline Griffiths
David Haldeman
James Halty
Paul Hamblin
Isabel Harkins
Tarn Harper
Steve Harrow
Maurice Hatton
Susan Hegarty
Juli Heinen
Stefan Henrix
Hank Herrera
Stuart Hilliker
Rich Hintze
Masahiro Hirakubo
Sean Hobin
Robert G Hoelen
Dale Holmen
Kimmer Howell
Norman Howell
Shawn Howell
Laurie Hudson
Jerry Irby
Jake Jackson
Julian Jackson
Askia Won-ling Jacob
Matt D Johnston
L Dean Jones
Mike Justus
Olof Kallstrom
Lelan Keffer
Andy Kennedy
Angela Kent
Nina Khoshaba
Sonny Kompanek
Drew Kunin
A. Welch Lambeth
Leon Lebow
Erica Levy
Joe Lewis
Marc Coady Lieb
Cris Lombardi
Bill Lopez
Sam Lucero
Narciso Martinez
Timothy P Mcdonald
Keith Mcgee
Larry Mckinney
Larry Mckinney
Alvin Mears
Matt Medina
Leonor Mendoza
Lydia Mendoza
Alan Miller
Michael Miller
Darwin Mitchell
Darwin Mitchell
Charlie Montoya
Tom Moore
Leslie Morales
Michelene Mundo
Cory Murchy
Ty Murray
Alan Nelson
Lou Nelson
Teresa Neptune
Kirk Newren
Jim Nickerson
Dan Nordquist
Patricia Norris
Patricia Norris
David Nute
Chemen Ochoa
Jesus M Ornelas
Randy Ortega
Ray Ortega
Maurice Palinski
Clive Pendry
Scott A Perez
Gary Petersen
Aron Peterson
Becki Ponting
Don Pope
Pauline Pope
Trixie Pope
Will Power
Chris I Quintana
Leon Rausch
Billy Ray
Paul Ray
Michael Redfern
Patrick Reynolds
S Mark Rich
Brian Richards
Bill Rogers
Chris Rogers
Jake Rogers
Jesse Romero
Michael Runyward
Film Details
Technical Specs
Articles
Lane Smith (1936-2005)
Born in Memphis, Tennessee on April 29, 1936, Smith had a desire to act from a very young age. After a brief stint in the Army, he moved to New York to study at the Actors Studio and made his debut on off-Broadway debut in 1959. For the next 20 years, Smith was a staple of the New York stage before sinking his teeth into television: Kojak, The Rockford Files, Dallas; and small parts in big films: Rooster Cogburn (1975), Network (1976).
In 1978, he moved to Los Angeles to focus on better film roles, and his toothy grin and southern drawl found him a niche in backwoods dramas: Resurrection (1980), Honeysuckle Rose (1980); and a prominent role as the feisty Mayor in the dated Cold War political yarn Red Dawn (1984).
Smith returned to New York in 1984 and scored a hit on Broadway when he received a starring role in David Mamet's Glengarry Glen Ross and earned a drama desk award in the process. His breakthrough role for many critics and colleagues was his powerful turn as Richard Nixon in The Final Days (1989); a docudrama based on the book by Bob Woodward and Carl Bernstein. He earned a Golden Globe nomination for his spot-on portrayal of the fallen President, and his career picked up from there as parts in prominent Hollywood films came his way: Air America (1990), My Cousin Vinny, The Mighty Ducks (both 1992), and the Pauly Shore comedy Son in Law (1993).
For all his dependable performances over the years, Smith wasn't a familiar presence to millions of viewers until he landed the plump role of Perry White, the editor of the Daily Planet in Superman: Lois and Clark which co-starred Dean Cain and Teri Hatcher (1993-1997). After that run, he gave a scorching performance as Reverend Jeremiah Brown in the teleplay Inherit the Wind (1999); and he appeared last in the miniseries Out of Order (2003). He is survived by his wife Debbie; and son, Rob.
by Michael T. Toole
Lane Smith (1936-2005)
TCM Remembers - Katy Jurado
KATY JURADO, 1924 - 2002
Katy Jurado, an Oscar nominee and major actress in Westerns, died July 5th at the age of 78. She was born in Guadalajara, Mexico on January 16th 1924 as Maria Cristina Estella Marcela Jurado Garcia, daughter of a cattle rancher and an opera singer. Jurado started to appear in Mexican films in 1943. After 15 films in her native country, director Budd Boetticher saw Jurado attending a bullfight (Jurado wrote about the subject for Mexican newspapers) and cast her in his Bullfighter and the Lady (1952), her Hollywood debut. For much of her career Jurado alternated between the two film industries. In the US, she was memorable for the sensual energy she brought to roles in High Noon (1952), One-Eyed Jacks (1961) which was directed by Marlon Brando, Sam Peckinpah's Pat Garrett and Billy the Kid (1973) and John Huston's Under the Volcano (1984). She was nominated for an Oscar as Best Supporting Actress for Broken Lance (1954). Jurado's Mexican films were in a broader range of genres and included Luis Bunuel's El Bruto (1952), Ismael Rodriguez's We the Poor and Miguel Littin's The Widow Montiel (1979). She won three Ariel Awards (Mexican equivalent to the Oscars) and one special award. She was married to Ernest Borgnine from the end of 1959 to summer 1963. One of her final films was The Hi-Lo Country (1998), a contemporary Western directed by Stephen Frears and co-starring Woody Harrelson, Billy Crudup and Penelope Cruz.
by Lang Thompson
DOLORES GRAY, 1924 - 2002
Broadway and nightclub star Dolores Gray died June 26th at the age of 78. Her movie career was brief but consisted of high-profile MGM musicals which guaranteed her a place in film history. Gray was born in Chicago on June 7th, 1924 (and where, according to a common story, she was accidentally shot by a gangster as a child and had a bullet in her lung her entire life). As a teenager she began singing in California until Rudy Vallee featured her on his radio show. Gray moved to Broadway in 1944 and then to the London stage in 1947, solidifying her reputation as a singer/actress while constantly giving the gossip columnists plenty to write about. She had two small singing roles in Lady for a Night (1941) and Mr. Skeffington (1944) but didn't really light up the big screen until It's Always Fair Weather (1955) even though Gray reportedly didn't much care for the role. Her rendition of "Thanks a Lot, But No Thanks," which has her gunning down a slew of male dancers on-stage and kicking them through trap doors, is a genuine showstopper. Three more unforgettable musical roles quickly followed: Kismet (1955), The Opposite Sex (1956, which Gray turned down Funny Face to do) and Designing Women (1957). That was it for Gray's film career. She kept busy with TV appearances (mostly singing though she did one 1988 episode of the cult show Dr. Who) and a busy recording and nightclub schedule. In 1987, she appeared in a British production of Follies at Stephen Sondheim's request.
by Lang Thompson
ROD STEIGER, 1925 - 2002
From the docks of New York to the rural back roads of Mississippi to the war torn Russian steppes, Rod Steiger reveled in creating some of the most overpowering and difficult men on the screen. He could be a total scoundrel, embodying Machiavelli's idiom that "it's better to be feared than loved" in the movies. But as an actor he refused to be typecast and his wide range included characters who were secretly tormented (The Pawnbroker, 1965) or loners (Run of the Arrow, 1965) or eccentrics (The Loved One, 1965).
Along with Marlon Brando, Steiger helped bring the 'Method School' from the Group Theater and Actors Studio in New York to the screens of Hollywood. The Method technique, taught by Stella Adler and Lee Strasberg, insisted on complete immersion into the character's psyche and resulted in intense, dramatic performances and performers. Steiger made his first significant screen appearance as Brando's older brother in On the Waterfront (1954). Their climatic scene together in a taxicab is one of the great moments in American cinema.
It was a short leap from playing a crooked lawyer in On the Waterfront to playing the shady boxing promoter in The Harder They Fall (1956). Based on the tragic tale of true-life fighter Primo Carnera, The Harder They Fall details the corruption behind the scenes of professional boxing bouts. Steiger is a fight manager named Nick Benko who enlists newspaperman Eddie Willis (Humphrey Bogart in his final screen appearance) to drum up publicity for a fixed prizefight. While the boxing scenes were often brutally realistic, the most powerful dramatic moments took place between Steiger and Bogart on the sidelines.
As mob boss Al Capone (1959), Steiger got to play another man you loved to hate. He vividly depicted the criminal from his swaggering early days to his pathetic demise from syphilis. In Doctor Zhivago (1965), Steiger was the only American in the international cast, playing the hateful and perverse Komarovsky. During the production of Dr. Zhivago, Steiger often found himself at odds with director David Lean. Schooled in the British tradition, Lean valued the integrity of the script and demanded that actors remain faithful to the script. Steiger, on the other hand, relied on improvisation and spontaneity. When kissing the lovely Lara (played by Julie Christie), Steiger jammed his tongue into Christie's mouth to produce the desired reaction - disgust. It worked! While it might not have been Lean's approach, it brought a grittier edge to the prestige production and made Komarovsky is a detestable but truly memorable figure.
Steiger dared audiences to dislike him. As the smalltown southern Sheriff Gillespie in In The Heat of the Night (1967), Steiger embodied all the prejudices and suspicions of a racist. When a black northern lawyer, played by Sidney Poitier, arrives on the crime scene, Gillespie is forced to recognize his fellow man as an equal despite skin color. Here, Steiger's character started as a bigot and developed into a better man. He finally claimed a Best Actor Academy Award for his performance as Sheriff Gillespie.
Steiger was an actor's actor. A chameleon who didn't think twice about diving into challenging roles that others would shy away from. In the Private Screenings interview he did with host Robert Osborne he admitted that Paul Muni was one of his idols because of his total immersion into his roles. Steiger said, "I believe actors are supposed to create different human beings." And Steiger showed us a rich and diverse cross section of them.
by Jeremy Geltzer & Jeff Stafford
TCM Remembers - Katy Jurado
Quotes
Trivia
Miscellaneous Notes
Winner of the Silver Bear for Best Director at the 1999 Berlin Film Festival.
Expanded Release in United States January 22, 1999
Limited Release in United States January 15, 1999
Released in United States April 1999
Released in United States February 1999
Released in United States on Video June 29, 1999
Released in United States Winter December 30, 1998
Shown at Berlin International Film Festival (in competition) February 10-21, 1999.
Shown at Paris Film Festival (closing night) April 6-13, 1999.
Max Evans' novel was originally published in 1961 and was once in development with director Sam Peckinpah.
Began shooting September 22, 1997.
Completed shooting December 4, 1997.
Film dedicated to Lindsay Anderson (1923-1994) & Maurice Hatton (1938-1997).
Limited Release in United States January 15, 1999
Expanded Release in United States January 22, 1999
Released in United States February 1999 (Shown at Berlin International Film Festival (in competition) February 10-21, 1999.)
Released in United States April 1999 (Shown at Paris Film Festival (closing night) April 6-13, 1999.)
Released in United States on Video June 29, 1999
Released in United States Winter December 30, 1998