aliirezarezaie
Joined Jan 2017
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Reviews6
aliirezarezaie's rating
At the beginning, the film has a strong and uniform structure which, unlike relying on a very limited group of actors, has a broad scope in the story, thus keeping the audience engaged. At the same time, there are issues with the direction of the work stemming from script problems. The film tries to gradually make us understand the reality of what's happening and showcases the separation between the imagination and the reality of the main character of the story, which seems very logical and avoids excessive complexity. Midway through the script, we reach a point where this separation has fully occurred for the audience, and almost the reality of the story, albeit without details, has disappeared. This becomes a problem for the script when, after this event, the director still tries to conceal the reality from the audience, showing a lack of mastery in understanding the story by the public.
Navid Mohammadzadeh's performance is very brilliant, tender, precise, and respectful of details, to the extent that in his particular emotional situation, one even forgets he is myopic. Additionally, the brilliant and impeccable interpretation of the main female role in the film cannot be easily overlooked. The subtleties and details that bring us closer to the reality of the story in the script are amazing, such as the scenes from the surveillance camera, the state of the house floor, and the room window. Despite the brutal nature of the story, watching this film will offer the audience a tender experience. Congratulations to the directing team and the talented cast of this work.
Navid Mohammadzadeh's performance is very brilliant, tender, precise, and respectful of details, to the extent that in his particular emotional situation, one even forgets he is myopic. Additionally, the brilliant and impeccable interpretation of the main female role in the film cannot be easily overlooked. The subtleties and details that bring us closer to the reality of the story in the script are amazing, such as the scenes from the surveillance camera, the state of the house floor, and the room window. Despite the brutal nature of the story, watching this film will offer the audience a tender experience. Congratulations to the directing team and the talented cast of this work.
For me, "Slumdog Millionaire" was the latest powerful and successful work of Indian cinema. It was a film that could be watched multiple times. But this film assured me of the power and impact of Bollywood in world cinema. In a way that, after finishing the film, I was sure it would be very successful among audiences.
I think this film owes its success to the intense empathy of the audience. In other words, the viewer sees themselves in the main character of the film in the face of a vast range of life events. From those who have migrated with the aim of studying, to an audience who has managed to achieve their goal in any way possible, everyone can place themselves in the shoes of the main character and personalize the screenplay in their own lives.
Furthermore, the film's structure is astonishing. The director knows the audience and their expectations when watching a film very well. In such a way that the pace of events within the film, despite the long duration, is very enjoyable. Periods where important details are not significant pass quickly, and details are not paid attention to, while periods that are important and the audience likes to watch them are elaborately addressed.
The actors, due to a complex selection process, are very capable. The presence of Manoj's friend, Pritam, is very heartwarming. Although it reminds us how fragile friendship can be and how love can be forgotten, the presence of this character is comforting and gives the audience a sense of reassurance.
The love story that unfolds parallel to the film is somewhat unrealistic. Elements such as Sharddha's lack of understanding of Maroj's educational background and the passing of a series of issues between them are something that is rarely observable in reality, and the director has used this fact to make the audience feel satisfied.
Ultimately, the almost flawless screenplay, precise and skilled actors, proper direction, keep the audience satisfied in confronting the film. Congratulations to Indian cinema.
I think this film owes its success to the intense empathy of the audience. In other words, the viewer sees themselves in the main character of the film in the face of a vast range of life events. From those who have migrated with the aim of studying, to an audience who has managed to achieve their goal in any way possible, everyone can place themselves in the shoes of the main character and personalize the screenplay in their own lives.
Furthermore, the film's structure is astonishing. The director knows the audience and their expectations when watching a film very well. In such a way that the pace of events within the film, despite the long duration, is very enjoyable. Periods where important details are not significant pass quickly, and details are not paid attention to, while periods that are important and the audience likes to watch them are elaborately addressed.
The actors, due to a complex selection process, are very capable. The presence of Manoj's friend, Pritam, is very heartwarming. Although it reminds us how fragile friendship can be and how love can be forgotten, the presence of this character is comforting and gives the audience a sense of reassurance.
The love story that unfolds parallel to the film is somewhat unrealistic. Elements such as Sharddha's lack of understanding of Maroj's educational background and the passing of a series of issues between them are something that is rarely observable in reality, and the director has used this fact to make the audience feel satisfied.
Ultimately, the almost flawless screenplay, precise and skilled actors, proper direction, keep the audience satisfied in confronting the film. Congratulations to Indian cinema.
Prior to watching the movie's premiere in Paris, given Mani Haghighi's remarkable creativity, especially demonstrated in films like "Dragon Arrives," I had high expectations for a highly imaginative and unique movie, especially with the idea of Taraneh and Navid together, which was partly fulfilled and partly not.
The storytelling, with its attention to intricate personal relationships that people often try to conceal, is captivating and impactful. It also induces the question of whether we fall in love with people's appearances or their personalities. The inappropriate behavior of a romantic partner, the inability to move on in a relationship, or falling in love outside of it-the film raises questions that define our perception of individuals.
The movie's narrative is such that it proves extremely challenging for the two main characters to portray, and this surpasses the acting ability of even a talented actor like Navid Mohammadzadeh, whose style of acting remains inflexible even in two separate roles in two different films. Thus, the actors could have been chosen more intelligently.
The screenplay tells a fascinating, creative, and maneuverable story for the director. However, quite evidently, Mani Haghighi couldn't inject his mindset from this narrative into the viewers' veins. Perhaps the limited time during the film's production played a role. The movie starts well and progresses reasonably swiftly initially. If we divide the film into three parts concerning its timing, we can observe that the pacing is not only uniform but also not deliberately so, sometimes proving vexing for the audience.
Overall, the film is a distinct one, which might transform the monotonous trend in Iranian cinema in recent decades. Best wishes to dear Mani Haghighi.
The storytelling, with its attention to intricate personal relationships that people often try to conceal, is captivating and impactful. It also induces the question of whether we fall in love with people's appearances or their personalities. The inappropriate behavior of a romantic partner, the inability to move on in a relationship, or falling in love outside of it-the film raises questions that define our perception of individuals.
The movie's narrative is such that it proves extremely challenging for the two main characters to portray, and this surpasses the acting ability of even a talented actor like Navid Mohammadzadeh, whose style of acting remains inflexible even in two separate roles in two different films. Thus, the actors could have been chosen more intelligently.
The screenplay tells a fascinating, creative, and maneuverable story for the director. However, quite evidently, Mani Haghighi couldn't inject his mindset from this narrative into the viewers' veins. Perhaps the limited time during the film's production played a role. The movie starts well and progresses reasonably swiftly initially. If we divide the film into three parts concerning its timing, we can observe that the pacing is not only uniform but also not deliberately so, sometimes proving vexing for the audience.
Overall, the film is a distinct one, which might transform the monotonous trend in Iranian cinema in recent decades. Best wishes to dear Mani Haghighi.