olcayozfirat

A film that deals with a tradition that should be cursed and its victims. So much so that I was confused about who to be angry at and who to be sad about.

Especially that bloody sheet nonsense and the stress the man is put under just to be able to do this show is actually the main subject of the movie. The marriage of a child and an old man is a demonstration of an irrational custom.

The way Ilyas Salman tells the story of Shahmaran is legendary. Also, the "clown" tirade in the last scenes is magnificent. This man's performance in the films he has played outside of comedy has always been at the top.

The little girl's fear, shyness and constantly making up things to escape are again very good.

I think this is the second film that I have watched in Turkish Cinema that takes place in a single location. Ilyas Salman, the director and the script make the film watchable without getting bored and with curiosity.

Horror movies are starting to get ridiculous and disgusting. There used to be an unwritten rule in horror movies. Children were not used as material in these movies, they were not shown in the middle of brutality. Our clown clown has destroyed this rule. Now he tears apart everything, regardless of the child, the old or the young. He doesn't just kill. He tears people apart by wandering around at the peaks of perversion. This is not a horror movie. It is a brutal show that has gotten out of hand.

Our clown also has the ability to know every address and teleport. He also can't do anything without his assistant.

The first part was good, different and filled a gap in the absence of creative horror movies. However, when the movie and the character caught on after a lot of failed attempts, the sequels came with fantasy and brutality. It should have ended with the first part. You can make 100 episodes of this stupid movie. But no matter what you do, it will never be a classic.