Rojo Profundo

Episode aired Apr 13, 2018
TV-MA
52m

IMDb RATING

9.0/10

1.4K

YOUR RATING

Crime Drama

The protest looming, Billets strikes a deal with the activists. Irving realizes that old friends are new enemies. Crate and Barrel solve the case of their careers. As the Task Force scramble... Read allThe protest looming, Billets strikes a deal with the activists. Irving realizes that old friends are new enemies. Crate and Barrel solve the case of their careers. As the Task Force scrambles to salvage their investigation, Bosch finds himself in the depths of underground Los Ang... Read allThe protest looming, Billets strikes a deal with the activists. Irving realizes that old friends are new enemies. Crate and Barrel solve the case of their careers. As the Task Force scrambles to salvage their investigation, Bosch finds himself in the depths of underground Los Angeles.

See production info at IMDbPro

IMDb RATING

9.0/10

1.4K

YOUR RATING

See production info at IMDbPro

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Storyline

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Did you know

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Trivia
While Harry Bosch has a dream life in the books, and the TV series has depicted certain memories and flashbacks, the dream sequence that opens the episode is the first of its kind during the four seasons of the show.

Quotes
Harry Bosch: [Recounting how he found where his mother was buried] Finally found her... an unmarked grave.
Maddie Bosch: That's awful.
Harry Bosch: You know Mads, I've come to believe that it really doesn't matter where you end up. Under a fancy stone or somewhere out in the desert, it's all sacred ground.

Soundtracks
Can't Let Go
Written by Jesse Nolan
Performed by Caught a Ghost

User reviews3

Review

Featured review

8/10

Fairly compelling episode

Bosch follows up information acquired during a key interview and reacts appropriately to a threat.

This one keeps several plot lines interesting and makes you want to find out what happens next.

One revelation involving the main investigation near the end the episode feels a bit silly, (you'd think all areas and doorways close to a murder scene would be immediately checked over with a fine tooth-comb) but it is cinematic.

I like the politics involving the powers-that-be in L. A. and the pressure this puts on various characters. This aspect of the plot is getting very good and works to lift the story above that of a standard police procedural drama.

I am invested in the fate of Bosch's family, so the fallout from the Chinese investigation and Madeline's wellbeing are used well by the writers to keep a good variety in the plot.

All performances are solid. I particularly like the exchanges between Titus Welliver and Lance Reddick.

It's a 7.5/10 for me but I round upwards.