London doubled for Paris in the film because they couldn't afford to film in Paris. Filming took place over a week and a half and CGI was used to make it look like Paris. According to Tucci, it was cheaper for a small film to use CGI than to visit the real location.
According to the website of the art auction house Christie's, the portrait of James Lord sold in November 2015 for $20,885,000. Painted in 1964, it was 45 ¾ x 31 ¾ in. The painting was called "James Lord." Christie's writes: "The result of this intense exchange between Giacometti and James Lord, the artist and his sitter, is a superb head whose eyes flash the penetrating gaze of a Byzantine icon, a seated figure that displays the assertive presence of an Egyptian pharaoh, and a lambent corona of silvery grey paint that projects the aura of a Christ en gloire, en majesté."
The filmmakers meticulously recreated Giacometti's studio, using archive photos and footage. The Giacometti Foundation in Paris assisted the production, on the condition that any artworks created for the film would be destroyed after production was completed.
Alberto Giacometti was born in Borgonovo, now part of the Switzerland municipality of Bregaglia, near the Italian border. He was a descendant of Protestant refugees escaping the inquisition. His brothers Diego and Bruno would go on to become artists as well. "Pointing Man" sold for $126 million, $141.3 million with fees, in Christie's May 11, 2015 Looking Forward to the Past sale in New York, a record for a sculpture at auction. The work had been in the same private collection for 45 years.
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