Recensioni di Metacritic

In watching Soul, it helps to be a Spandau fan, of course, but the smart, layered contextualizing and historicizing of the group within the film makes it a gift for any pop-culture aficionado.

George Hencken’s Spandau Ballet documentary Soul Boys Of The Western World effectively serves two audiences: hardcore fans hoping for rare footage and in-depth interviews, and those who really only know the song “True,” and would be surprised to learn just how popular Spandau Ballet used to be.

When it plays to its strengths, the film, like the band, mines pure '80s gold.

The Spandau Ballet documentary Soul Boys of the Western World has all the kooky clothes, zippy songs and ’80s optimism you could ask for in a film about a group that had only one big US hit (but several in the UK). Why do I find it hard to write the next line? The band wasn’t that great.

While the film carries no writer credit, the accompanying voiceover commentary from all five band-members feels canned, short on off-the-cuff spontaneity and hindsight perspective. Still, even if it has not much more depth than a VH1 Behind the Music special, the doc holds ample pleasures for '80s cultists.

Maintaining a sunny, scrubbed-clean tone, Ms. Hencken allows no possibility of dazed groupies or drunken meltdowns — and only the briefest whiff of cocaine — to darken her portrait.

This slapdash but endearing doc about the rise, fall and resurrection of '80s pop outfit Spandau Ballet is an inside job, packed with strong archive footage yet lacking anything you'd call truly incisive.

TV-style and desperately in need of cutting, “Soul Boys” does convincingly position its subjects as key trendsetters, and their most memorable tunes continue to be enjoyable.

Fans of the band will undoubtedly love the package, which puts the group front and centre. Those who are more agnostic about the music but nostalgic for the period will enjoy the peripheral material.