50
Metascore
14 reviews · Provided by Metacritic.com
- 75Chicago Sun-TimesRichard RoeperChicago Sun-TimesRichard RoeperIn the flourishing genre of faith-based movies, this is one of the better efforts we’ve seen.
- 75RogerEbert.comSheila O'MalleyRogerEbert.comSheila O'MalleyFatima is told simply but emotionally, prioritizing the sensorial reality of the children's world and the people inhabiting it. This devotion to the "real" makes the holy vision palpable and plausible.
- 65CNNBrian LowryCNNBrian LowryFatima largely works as a drama, in part because it's so earnestly presented, and unexpectedly timely in dealing with loss. If that adds up to something less than a miracle, given the aforementioned challenges, it's not an inconsequential achievement.
- 60VarietyPeter DebrugeVarietyPeter DebrugeWhile not especially artful, Fatima honors those who stand by their convictions. That its role models are children makes the message all the more remarkable.
- 58Original-CinLinda BarnardOriginal-CinLinda BarnardThe cardboard scenery look of the 1952 original is replaced with a big cast, drama and lingering closeups.
- 50Film ThreatAlex SavelievFilm ThreatAlex SavelievFatima has excellent production design. A lot of care went into getting the period details right. There’s some beautiful cinematography and decent performances all around. It’s just all so mushy and predictable. Faith vs. science, tragedy testing one’s faith – those themes have been explored before, more enticingly. Pontecorvo turns a fascinating bit of history into a by-the-numbers affair, and that may be Fatima’s greatest sin.
- 40Los Angeles TimesMichael OrdoñaLos Angeles TimesMichael OrdoñaIn a pandemic, some might call the film a beacon of hope; others might prefer science to prayer for salvation. As a piece of cinema, though, Fatima is unlikely to be canonized.
- 40The New York TimesBen KenigsbergThe New York TimesBen KenigsbergWhile the film may speak to viewers with a spiritual investment in these events, it does little to bring them alive for others.
- 40Austin ChronicleAustin ChronicleIn Fatima, director Marco Pontecorvo and his team meld religious storytelling with the flourishes of a historical biopic, resulting in something both better and more frustrating than your average faith-based film.
- 38The Globe and Mail (Toronto)Barry HertzThe Globe and Mail (Toronto)Barry HertzI also appreciated the film’s quick glimpse of Hell itself, which Lucia is plunged into as a warning to whose who won’t accept salvation. With its cheap CGI demons and soundtrack of wailing souls, it was unintentional comedy of the highest order. If you need me, I’ll be laughing all the way to Hades.