It may be stuck in the past, with its hoary clichés about the call girl with the heart of gold and the incurable romantic, but the whole thing fizzes with such joie de vivre that the anachronisms only add to its overwhelming charm.
80
The TelegraphRobbie Collin
The TelegraphRobbie Collin
It’s a hysterical screwball fantasia that openly steals from Lubitsch, Hawks, Capra and Sturges and wants to be caught with its fingers in the till. The result is a highly-sexed Jenga-pile of silliness, to which Bogdanovich can’t resist adding block after teetering block.
75
Slant MagazineCarson Lund
Slant MagazineCarson Lund
Familiar as its art/life paralleling may be, it's all fueled by a filmmaker with an intimate relationship to his subject matter.
An enthusiastic but low-fizz romantic farce that gets by principally on the charms of a cast speckled with gifted funnymen (and, more particularly, funnywomen).
There are jokes that land, and every time Kathryn Hahn steps on screen the film threatens to tilt on its axis and point toward a truer north.
50
Hitfix
Hitfix
It's a film with one foot in the past, and that's not necessarily a criticism, but unless you're actually doing something interesting with your chosen nostalgic framework, it seems like a slightly artificial way to try to induce that Saturday matinee glow.
As gratifying as it would be to report that the effortless touch, the livewire rhythms and the sparkling wit remain in evidence, those qualities prevail only intermittently in this strained though mildly enjoyable ensemble comedy.
The ingredients steadfastly refuse to whip up into the froth this film so clearly wants to be.
40
The GuardianPeter Bradshaw
The GuardianPeter Bradshaw
Bogdanovich is a formidable figure, but with this movie he’s just coasting. He surely needs to find a screenplay more attuned to his brilliance, rather than a derivative, low-octane comedy.
40
Empire
Empire
Peter Bogdanovich's attempt to update the screwball of the Golden Age lacks the requisite elegance, wit and charm.