I do not want to do an in-depth analysis of this film. Rather, I'll point out what I consider makes it a very poor effort: the script. The same guy who did the script for CRASH also did the script for MILLION DOLLAR BABY. Both won the Oscar for best picture. I must be pretty out of touch to criticize this guy, but here goes. The main problem is that every character is "invented". That is, each character is so obviously the product of a fertile (and I am using that word kindly) imagination. In CRASH the politician and his wife are absolute stereotypes. They speak the most inane lines, like from a comic book or low-grade soap opera. The two cops are similarly contrived. One is a good guy and one is a bad guy. One is an idealist. One is a cynical veteran. I imagine such categories of cops do exist, but to give them life it takes someone who knows the genres, like Joseph Wambaugh. (In fact, to see how really bad CRASH is, just compare it to THE ONION FIELD). We also have the two foul-mouthed gang-banging black youth, hell bent on insanity. Big deal. Anyone can produce such characters. There is the misunderstood, good-guy Mexican plumber, who just happens to love his young daughter oh so much. Etc. Etc. Each character has the depth of a comic-book creation. They all speak in litanies of clichés. The plot too is just a clever manage of intersections. It is so obviously the product of the next cup of coffee or cigarette. It is cleverness without depth or substance. Christ, that this film won best picture just begs belief.
While I am getting in my two cents here, MILLION DOLLAR BABY is the same cliché-riddled mess. It is obvious that the guy who wrote knew nothing about boxing. The characters are pathetic, lifeless creations.
What has Hollywood come to that such movies walk away with top prize?
