66
Metascore
33 reviews · Provided by Metacritic.com
- 80L.A. WeeklyErnest HardyL.A. WeeklyErnest HardyBessed with a gleamingly polished, very funny script.
- 80NewsweekNewsweekShe's (Zellweger) so disarming and so deeply Bridget -- gliding between mortifying slapstick and pathos -- that she's entirely won you over by the time the credits have rolled. The opening credits.
- 80Washington PostStephen HunterWashington PostStephen HunterGrant is casually fabulous and very amusing, but all power to Firth the actor. He's the compleat Darcy, and he never wavers.
- 75USA TodaySusan WloszczynaUSA TodaySusan WloszczynaWhere the highly likable actress (Zellweger) proves most valuable is in making us adore this insecure, clumsy, contradictory creature.
- 75Boston GlobeJay CarrBoston GlobeJay CarrThe film not only works better than expected but gets the important things right, starting, of course, with Zellweger's Bridget and Bridget's mind-set.
- 70SlateDavid EdelsteinSlateDavid EdelsteinQuite likable -- even sometimes, with the squeezable Zellweger its principal object, lovable.
- 50New York Magazine (Vulture)Peter RainerNew York Magazine (Vulture)Peter RainerThe filmmakers spend so much time milking gags they should have called it Bridget Jones's Dairy.
- 50Chicago ReaderJonathan RosenbaumChicago ReaderJonathan RosenbaumI could have done without all the pushy tactics of this romantic comedy.
- 40Washington PostDesson ThomsonWashington PostDesson ThomsonHow can you celebrate a movie in which Zellweger doesn't soar but simply avoids disaster?
- 40Village VoiceAmy TaubinVillage VoiceAmy TaubinThe three-act structure is too predictable, and at 90 minutes, feels both draggy and hacked to the bone.