User reviews

Out of the mind of Christorpher McQurrie comes this incredible story of a man in search of the devil. The film is called " The Usual Suspects" and what could be more appropriate than an unusual movie about five suspects who are anything but usual. The story originates with the only survivor of what the police conclude was a murderous and explosive drug deal gone bad. His name is Roger Kint (Kevin Spacey is perfect) also known as 'Verbal.' From the mouth of this innocent storytelling, con-artist comes the fantastic tale of how he and his fellow criminals, Stephen Baldwin, is Michael McManus, Benicio Del Toro is Fred Fenster and Kevin Pollak as Todd Hockney were originally assembled and then set-up. Beginning with a mix-up by law enforcement to put several guilty men together in the same line up, the tale proceeds cross country and culminates with a powerful, but mysterious kingpin by the name of Keyser Soze. It's through his attorney, Kobayashi (Pete Postlethwaite), the men learn they are marked for death unless they undertake a dangerous assignment. The center piece of the Unusual group is their leader, a remarkable individual named Dean Keaton (Gabriel Byrne, incredible performance). What transpires in this movie from moment to moment is a lesson in sleigh of hand. What we and the police Dave Kujan, (Chazz Palminteri) are told is not what we see. Conversely, what we see is not what we have been told. In the end, this film with it's haunting theme by John Ottman, is nothing short of incredible. A superb classic in both mystery and action entertainment, by Bryan Singer. A great film indeed. ****

Ah, the Usual Suspects. My personal favorite movie of all time. Don't let my bias be a fool. Perhaps it's not THE best movie ever, but it's one that I never get tired of.

If you like flash and bikinis and breath-taking camera angles, you won't find them here. Usual Suspects is not an "epic," and it doesn't pretend to be. It's a modestly-budgeted piece by a fresh director (who later went on to do the X-Men movies, a FAR departure).

A great, gritty script, beautifully-acted characters, and what many have called the greatest movie ending of all time, are some of the shining qualities that make the Usual Suspects an object worthy of praise above its humble-looking shell.

The casting is very unusual but somehow fits perfectly. Gabriel Byrne is convincing as the ex-con trying to build a new life when he gets drawn back into his old life. Stephen Baldwin has the role of his career as the smart-mouthed and cocky professional. Kevin Pollak takes a big departure from his usual good comedy self to take a more dramatic role. Benicio del Toro literally takes a one-dimensional character with absolutely nothing in the script to give him character, and he fleshes it out with brilliant mannerisms and memorable mumbling to show incredible acting creativity. Kevin Spacey as we know him was born from this movie. His manners and fast-talking yet shy gimp nature are a treat to listen to throughout the flick.

Without giving away the plot, the best and most genius parts of the movie are the subtleties. After you see the ending, and the truth hits you like a ton of bricks, you have to watch it again. On the second time through, you'll jump up and point at the screen whenever you spot a clue you missed the first time. It's even possible to watch the movie multiple times and see something new with every viewing. It's that attention to detail that make the deceptively innocent-looking Usual Suspects one of the greatest movies of all time.

One day in a bookshop, I flipped through a book entitled: "the movies of the nineties" and this movie wasn't included! How can a book specialized in cinema skip such a milestone of the last decade? Any movie buff, any cinema critic must have considered the nineties a fruitful era for the American thriller. According to one's tastes, some will say that the best thriller of the nineties is "Silence of the Lambs" (1991). For others it will be "Pulp Fiction" (1994) while others will praise to the skies "Se7en" (1995). For me, the pinnacle is this present movie, "the Usual Suspects" (1995) with its staggering story (to put it mildly). It's a sensational debut for Bryan Singer which enabled to put him on the map. With a little help from his accomplice Christopher McQuarrie, he signed an unparalleled gem in the landscape of the American thriller, even the whole cinema.

The average viewer who watches "the Usual Suspects" for the first time might think that the whole crew concocted him a meandering story with as a leading thread, Spacey's convoluted story. At the end of the projection, he may feel puzzled and will probably wish to watch the movie a second time. He won't regret it and Singer and McQuarrie will rejoice at it. Their masterwork gains by several repeated viewings to appreciate the subtleties of a rich movie with a convoluted construction which will take its seemingly definitive form in the five last minutes. To watch "the Usual Suspects" is like gathering the pieces of an intriguing puzzle, a little like any other suspenseful movie but in the case of Singer's flick, one will never really be able to completely end it. So many things happen in less than two hours that we are never really sure of what we watch and this is reinforced by a breathtaking unexpected twist at the end which makes our assumptions falter. Singer and McQuarrie take a mischievous delight in taking the viewer in their nebulous scenario and to follow it according to Spacey's declarations and it's obvious that they raise more questions than answers. It's up to the viewer to make his imagination work and to bring his thoughts on the film. This is what inspires its pernicious charm.

From Spacey's story, the authors developed a top quality script, set with clockwork precision. Singer's directorial style virtually evolutes on the razor's edge and conveys an increasing tension. It is filled with ingenious visual ideas and served by fluid camera movements. Singer was in his early thirties when he shot his film but it presents the signs of a seasoned author. There's also a tight editing and a unsettling score which cement the movie in its place of winner. More remarkable, the authors pull off with gusto to increase the audience's curiosity throughout the film in spite of a somewhat deliberate confusion and the interest won't weaken until the end which constitute the apex: an unexpected twist which will leave the audience speechless once they understood it. In Singer's flick, it doesn't disappoint because there are little but noticeable visual and verbal clues which justify it. However, it has something unsettling. We believe that we are at the end of the maze but there's more to the picture than meets the eye. Maybe this "coup de theatre" veils one more truth. Maybe also the shrewdest ones will have guessed it but the result is the same for any viewer: Singer puts a baffled spectator in his pocket.

Singer and Quarrie show a perfect master in the domain of the film noir: an ominous atmosphere, nocturnal scenes which stay rooted in the mind and a deep psychology of certain characters which give more substance to the film. Considering the last point, the character of Gabriel Byrne is the most interesting one: a former crooked cop who seemingly redeemed himself in catering but caught up by his past and forced to come back to work. I personally think that Byrne is the stand-out of the topflight cast the movie boasts. But don't neglect the other members. Kevin Spacey pocketed a deservedly Oscar in 1996 and the rest of the cast doesn't stay on the bench. Maybe Singer grants a little shallow attention to the three others baddies in the gang but in a way it's necessary to underscore the fact that they're lousy gangsters embroiled in a infernal spiral and unable to perceive what lies beneath all this. Pete Postlewhaite and Chazz Palminteri make their scenes count too.

A riveting storytelling, a painstaking flash-back, a tight and first-class directing, a thoughtful twist, a topnotch cast, "the Usual Suspects" includes almost everything a director would sell his soul for. Everything contributes to make it a stalwart model in the suspenseful movie and the whole cinema. After the first vision, be prepared for mental gymnastics and for a second screening...

When you think of 90's thrillers, you will probably think of Heat, Pulp Fiction, Silence of The Lambs and many more, and whilst Goodfellas is perhaps my favourite of them, but close behind is The Usual Suspects.

It's a wonderful, clever thriller, it's full of twists and turns, with surprises galore, it's a film that makes you think. Just when you think you know all, they pull the rug from under you, and make you think again. Direction is taut, the script is impressive.

I would argue this is one of Spacey's best ever performances, if not the best of the lot, he is phenomenal here, and really does stand out in a crowd of immense talent, hopefully he'll get his career back on track.

Gabriel Byrne and Pete Postlethwaite shine, as does Stephen Baldwin, a time where that handsome brotherhood seemed to pop up everywhere, but he was excellent also.

It's a super slick production, with some pretty fine special effects, and good use of pyrotechnics, a polished production, one that's not overdone.

This is one of those movies that you can watch and watch again, it simply doesn't diminish or lose any of its intrigue. You know there's a twist coming, you'll sit there waiting for it, and the first time round your jaw may drop, it's a very well delivered moment. The ending of this film is fabulous.

10/10.

The interrogation, the lineup, and the story telling are all intricate to this film and really is what makes this a great movie and a 90's classic.

The lineup scene is iconic and absolutely a fan favourite no doubt. Each characters personality is defined in that one sentence.

Kevin Spacey gives a heck of a performance and for me it's definitely his best.

Such films like this should be enshrined in museums, simply due to the fact it destroyed the entire genre of mystery films. While this film was unique and captivating, no other mystery will ever accomplish this sort of cult status, single handedly shaping a genre. While most mysteries try to shock you too often with twists and even more twists, it turns out to be overkill. This film encompassed such ideas with flair and originality, which is probably the reason Brian Singer is sticking to sci-fi action films. Only Memento and The Game are the only recent mystery movies worthy enough to stand beside this film. Sadly, Singer has somewhat sold out by doing the X-Men movies, but I guess trying to make films like this would be too taxing. This film will always bring a smile to my face when I watch it with someone who hasn't seen this movie. A good viewing every time I watch it, the new special edition DVD is awesome.

The Usual Suspects only works because of its infamous twist ending. Until then, it is simply a convoluted mess that does not offer any ways to resolve its twisting and unreliable plot threads. Films with plot twists work well if they are enjoyable up until the revelation, like The Sixth Sense (1999) or The Prestige (2006). They offer enough mystery to tease a potential revelation and enough clues to figure it out. The Usual Suspects, however, revels in sheer incomprehensibility and hollowness that necessarily demands an explanation to appreciate even at a basic level. Even afterwards, the revelation clearly exists more for the audience's emotional reaction rather than making any sense within the scenario of the film. Gimmicky storytelling aside, the acting, production values and sense of suspense were all handled quite well for a low budget film.

I couldn't help but set rather high expectations for 'The Usual Suspects' as I went into watching this. I knew this was no action movie or any of the crap we get nowadays. This was true cinema! I was excited 'The Usual Suspects' is a mystery film about what cargo was on board the ship when it was destroyed and the events leading up to it as we are told from the only known survivor of that accident.

Around 45-50 minutes into the movie, I was starting to find myself a bit tired and thought the movie may perhaps have dragged along just a bit. I was becoming rather disappointed. Then the film truly began to change in such a way that I find it rather hard to explain. The characters began to get a little more entertaining, the pacing certainly began to pick up, the dialogue was getting more interesting and overall, I was more excited.

Then comes the amazing final twenty minutes with the plot twist and the story finally closing in perfectly, making the story more understandable. However, the final 5 minutes of the movie are some of the best moments of movie ever made and that is the ultimate plot twist which surprised the hell out of me! It was a cheering end to what ended as a great movie and a movie I would be more than happy to check out again and again! A-

The Usual Suspects is two movies in one. Enjoyable the first time you watch it, even more enjoyable the second time round. The first viewing asks questions that are answered in an `I could kick myself' moment in the final few minutes, and the second viewing is interesting because when you know the answers, the film becomes that much clearer. It requires a certain amount of commitment, though. Be warned, if you stop concentrating for a moment then the remaining running time of the movie will be spent trying to figure out how what you missed has lead to what you are now watching.

It concerns the story of five felons brought in by the police for a line-up and how those same felons reluctantly end up working for the mysterious and ghost-like Keyser Soze: a legend among the criminal fraternity, a man who no-one has seen and lived, a man so dangerous that he is thought to be the devil himself.you get the idea. The plot is rather intricate so I shan't bother to explain it here but it does rather make me think that Christopher McQuarrie, the writer, kept going to the office in the morning with yet another complexity to add that he thought up the night before. That's not to say it doesn't work, far from it, but it does leave you reeling from the sheer amount of information and names thrown at you from the offset.

Gabriel Byrne is good, but not flawless, as the tortured Dean Keaton who is torn between his career as a criminal and his forlorn attempt at trying to go straight, but his relationship with uptown lawyer Edie Finneran (Suzy Amis) is badly explored and I never felt it gave motive enough for his actions throughout the movie. Kevin Spacey is wonderful as the crippled Roger 'Verbal' Kint and is effective with the results both cunning and tragic. The real star of the movie, however, is a strangely accented Pete Postlethwaite as Kobayashi, supposedly Keyser Soze's right-hand man. He effortlessly plays a character of terrible coolness and poker-faced efficiency leading the dance that the rest of the characters must follow.

Director Bryan Singer has done well to bring such a momentous and involved screenplay to life and any gripes I may have cannot detract from the fact that the film, as a whole, is much better than the sum of its parts.

Boasting petty criminal characters conceived so brilliantly they achieve near-mythological status, The Usual Suspects is known for riveting suspense and action, an intriguing plot line and a jaw- dropping twist at the end. It also features some of the most memorable lines of the 1990s: "How do you shoot the devil in the back--what if you miss?" The characters, Roger "Verbal" Kint (Kevin Spacey), Dean Keaton (Gabriel Byrne), Michael McManus (Stephen Baldwin), Fred Fenster (Benicio Del Toro), Todd Hockney (Kevin Pollak), Dave Kujan (Chazz Palminteri) and Kobayashi (Pete Postlethwaite) have real character details and cues.

The film is set in the aftermath of a ship fire that totally burns the cargo and crew. Though meek and disabled, Verbal is the only survivor to walk away from the incident unscathed. He is taken into custody and grilled by the police. Brilliantly played in a characteristic, understated style that earned Spacey an Academy Award for Best Supporting Actor, Verbal is cleared and allowed to leave. But before he can go, agent Kujan from US Customs shows up to interrogate him. Kujan is trying to build a case against Keaton and he wants Verbal to testify in exchange for immunity. Verbal refuses, but Kujan still bullies Verbal into recounting his story of Keaton, McManus, Fenster and Hockney, leading up to the explosion on the ship.

What follows is a fantastic yarn of lies and half-truths sprinkled within the facts of the case. It is all masterfully portrayed as a series of flashbacks while Verbal and Kujan sip coffee and talk in the LA police station. The story begins six weeks earlier in New York City as Verbal and the other four criminals are brought in to stand side-by-side in a police lineup. None of them are formally charged with a crime, and there are indications Keaton has actually gone straight prior to the roundup. But before they are released, the five hatch a plan to get revenge on the corrupt NYPD and make a large sum of money in the process by robbing a police-protected jewel smuggler and leaking news of the police involvement to the press. Keaton is reluctant and must be coaxed into it with the promise that no one will be killed in the heist. He agrees and the quintet pulls off the robbery to perfection. The acting and writing take chances that pay off, with each actor fully immersing himself in his role. Del Toro creates a uniquely colorful persona in his portrayal of Fenster, Baldwin conveys a reckless abandon and lust for violence, Pollak shows steely courage and resolve, Byrne is a complex mesh of toughness with motives pulling him in all directions. Each actor is at the top of his game.

The five criminals go to Los Angeles to lay low in the aftermath of the New York heist. There, they are enticed into another robbery that is also supposed to involve no killing. Unfortunately, this LA heist goes horribly wrong. As Verbal recounts this carnage, its aftermath and the growing problems and hostility in the crew, agent Kujan receives a tip from one of his colleagues who has a survivor pulled from the water near the charred wreckage of the ship. The witness is badly burned and cannot speak English, but insists that the man responsible for the destruction of life and property on the ship is named Kaiser Soze.

Whether it is attributable to lies in Verbal's yarn or odd casting decisions, several characters in The Usual Suspects add to the film's mystique. Chief among these is the Irish Postlethwaite cast as the Japanese Kobayashi. There is a strong clue at the end that the name Kobayashi is used solely to mislead Kujan. But Kobayashi is not the only instance of a character's name failing to match his appearance. Another example is McManus' contact in LA, Redfoot, which one would expect to be the name of a Native American. But Redfoot appears to be caucasian. Again, at the end there is an indication that Verbal used Redfoot to avoid giving Kujan a real name. Strange ethnic inconsistencies crop up constantly. Kaiser Soze is said to be Turkish, possibly with a German father. These mixed-up character portraits add a layer of complexity to the plot, but one must always consider the source, Verbal Kint, and his motives.

The dynamic between Kujan and Verbal itself is pure entertainment. A kind of cat-and-mouse game, nuances are thrown into the proceedings that make it more interesting and add depth to the characters. Even the way the interrogation is filmed is unique. Verbal didn't achieve his nickname for no reason. He knows how to run his mouth and Kujan has a difficult challenge in corralling him. Underlying the interrogation is Kujan's suspicion of Keaton and his belief that Keaton manipulated Verbal. But Verbal is hard to pin down and Kujan occasionally resorts to bully tactics. But who is Kaiser Soze? Did he orchestrate the police lineup in New York, and pull all the strings ever since? Is the cargo of the ship drugs or only human cargo? Why did Verbal survive unharmed while so many others did not? Did Keaton really die, as Verbal insists, or did he slip away, as Kujan believes? Is Verbal telling the truth? Much is revealed in the final moments of the film, which wash over the viewer like an enormous wave of recognition. Snippets of dialogue from earlier in the film are montaged over the complex score, providing spine-tingling clues about exactly what part of Verbal's yarn was fact and what was fiction. The final snippet of dialogue, followed by a fortissimo string finale is especially powerful: "and like that...he was gone."

The Usual Suspects is directed by Bryan Singer and written by Christopher McQuarrie. It stars Gabriel Byrne, Kevin Spacey, Kevin Pollack, Stephen Baldwin, Benicio Del Toro, Chazz Palminteri, Pete Postlethwaite, Giancarlo Esposito and Dan Hedaya. Music is by John Ottman and cinematography by Newton Thomas Sigel.

Held in an L.A. interrogation room, Verbal Kint (Spacey) attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor - leaving few survivors.

It sort of sidled into movie theatres in 1995 with no fanfare or heralded notices. Yet it wasn't long before word of mouth got around that The Usual Suspects might actually be the must see film of the year. Fledgeling director and writer - Singer and McQuarrie - produce a masterclass of crime/mystery/noir plotting in a whirl of intricate plot shifts and deft sleights of hand.

The core essence of the story is simple, just who is Keyser Soze? His reputation is one of utter fear, he may even be the devil himself. What transpires throughout the film is a number of scenes told in flashback form and narrated by Kint as the cops put the heat on him.

We are introduced to the five criminals who make up the suspects of the title, where dialogue pings with machismo laced humour. The addition of Postlethwaite's Kobayashi character, one of Soze's harbinger's of doom, further ups the ante of the story's deliciously corkscrew intrigue.

It all builds to a climax that - has you pondering just what you have watched previously. Yet here's the key as to why the pic still holds up on repeat viewings, we have been outsmarted, for as we dive in and enjoy the across the board great perfs, we have been privy to something that will stand the test of time for the genre it sits in. The repeat viewings factor still, some decades later, is as strong as ever.

The advent of time and home format releases etc have only improved the pic's own mythical status. Behind the scenes egos and dislikes on set only add further strength to the characterisations, as does one main man thinking he himself must be Soze when in fact he was way off. There's a trail of clues in the film that will reveal who Soze is - who knew!? - and on it goes. The Usual Suspects is the filmic gift that keeps on giving. 10/10

Death and mayhem comes to the docks. The police picks up Verbal Kint (Kevin Spacey). In the interview, he recounts the events leading to the havoc at the docks. The crew meets at a sketchy line up after a truck robbery. They start working together until they are contacted by the mysterious Keyser Söze.

This is densely packed crime drama. For most of this, the audience is working hard to keep up with the characters and the story. It all makes sense but every once in a while, something sounds suspicious. When I first saw it in the theater, more than once it left me scratching my head. Then the twist comes, blows my mind, and explains all the suspicions I had.

The five men crew is played expertly by Kevin Spacey, Gabriel Byrne, Kevin Pollak, Benicio Del Toro, and Stephen Baldwin. They are all acting at the top of their games. They needed to be great to sell this noir crime drama. This is one of the best.

'The Usual Suspects' is a rather unusual film. There's so much detail here that it definitely would benefit from more than just one viewing.

The entire cast gives wonderful performances, but Kevin Spacey stood out among the rest with a stunning performance. He stars as Verbal, and the entire film is based on his version of events.

This is the type of film where you very carefully have to pay attention to every detail, and every bit of dialogue. This will make you understand everything much better as it can be confusing if you don't follow closely. The film revolves around a group of criminals who came together to pull off an impossible job, and the events leading to that fateful night.

The characterization is excellent as we deal with five very different characters, and we're told about each character in a way we can make up our own minds whether we're rooting for them or not. The writing really is fantastic, with good dialogue - and funny even! And then there's the mysterious Keyser Söze. Is he real, or a myth? No spoilers here, so you're going to have to find out for yourself!

The Usual Suspects remains a style of it's own. It a masterpiece of suspense and putting wonder into the audience. This film has great performances, dialogue, and story elements. The film's twist is the perfect. It makes the viewer unlearn everything they have learned throughout the film, as most of it fabricated, coming from an unreliable source, who is thought to be the man behind it all. Is Verbal Kint actually Keyzer Soze? Or is Verbal Kint one of Keyzer Soze's men. Or did Verbal use the myth of Keyzer Soze to get away? Or is Kobayashi Keyzer Soze? Even Keaton could be Keyzer Soze? It's not definitive. This film is a high achievement, it entertains with dialogue, flashbacks, suspense, shocking moments of realization followed by more shocking moments of realization. Most of the plot relys on the flashbacks told by Verbal Kint, leaving the audience stunned after viewing it. As Keyzer Soze is the myth the criminals fear, and may or may not be real.