A woman is haunted by her dead daughter.A woman is haunted by her dead daughter.A woman is haunted by her dead daughter.
- Alice's Boyfriend
- (as Daniel T. Trent)
- Woman with Groceries
- (as Darla Slavens)
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- All cast & crew
- Production, box office & more at IMDbPro
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- Quotes
Kathy Jordan: So then the cop says, "Lady, do you know how fast you were going?", and I said, "No, the speedometer only goes to a hundred and twenty!". So what do you do in here at night? Are there any cute patients? Remember Brad? He started for SC. I'm seeing him again. He asked how you were doing. We're going to Palm Springs this weekend. Alice, do I have to have this conversation all by myself?
Alice Lundgren: I gotta get outta here, Kathy.
Kathy Jordan: What?
Alice Lundgren: They're driving me crazy.
Kathy Jordan: Alice, I'm sure they're gonna let you go home soon. I'm just so glad you finally realise...
Alice Lundgren: I want out, Kathy. I want out now!
Kathy Jordan: But Alice, it's not how it works.
Alice Lundgren: I'm a prisoner in here!
Kathy Jordan: You're not a prisoner, you're a patient. Alice, please tell me the truth: are you still seeing Tracy?
Alice Lundgren: I saw her again two nights ago.
Kathy Jordan: Alice, Tracy is dead. They're not gonna let you go home until you come to terms with reality. I'm sorry, but that's just the way it is. You're not gonna be here forever. As soon as you get better, they'll let you go home. I promise.
Clark's work has a certain charm even if it doesn't always work, and he often managed some good performances out of the many stars who ended up in his 20+ features. OUT OF SIGHT, OUT OF MIND was shot over fifteen days for $400,000. As a b-movie made in the late 1980s, this one holds up pretty well. The primary cast were all established capable actors and are working above the limited budget of this production, particularly Blakely and Albert who manage some good interplay. Wings Hauser supplies his usual electric, potentially unhinged character performance, and as usual is highly entertaining (he only worked one week on this picture). Masur is reliable as ever and Clark manages a few good twists and solid misdirection as to who is involved and what their motivation is. This is a character-driven story more than a sleazy genre film and it ought to be judged as thus. It does at times feel like a TV movie but for the thriller/neo-noir genre which popular at that time there are far weaker examples.
OUT OF SIGHT, OUT OF MIND appears hard to access. It had a very limited release in the US and appears to have been more widely available internationally. I watched it on a Prism/Paramount videotape (the pairing of both companies is unusual) and overall it's was a nice surprise for a efficient low-budget psychological thriller.
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