A family man and a mob witness hunt for a hit-man who has mistakenly kidnapped the family man's son.A family man and a mob witness hunt for a hit-man who has mistakenly kidnapped the family man's son.A family man and a mob witness hunt for a hit-man who has mistakenly kidnapped the family man's son.
Storyline
Did you know
- TriviaFor several days, William Lustig directed the film from his limo, complaining about cold weather.
- GoofsMobster Luca taunts Agent Mitchum at the curb of the Gran Jury steps; in frustration Mitchum shoots Luca in the chest. The bullets slam Luca's body against the white limousine. The sliding actor's back slowly reveals a large rectangular dye pack trailing beside his left arm.
- Quotes
Jack Collins: [about Caleek] That's the guy that killed Brian? That's the guy that's got my son?
Frank DeSalvo: Hey, Collins, that guy is so twisted when he dies you'll have to screw him in the ground. He's killed so many people he owns his own cemetery.
Jack Collins: Let's take him!
- ConnectionsReferenced in Urban Legend (1998)
- SoundtracksBad News
Written by Robby Weaver and Rusty Weaver
(C) Burtus Publishing (EMI)
Featured review
Film-maker William Lustig had made a sleeper in the shape of "Relentless" in 1989, but also that year he did the worthwhile 80s low-budget revenge thriller "Hit List" which kind of went by unnoticed between the "Maniac Cop" features. A mafia boss Luca organises for his hit-man to get rid of a witness Frank who's under police custody, but the guy takes out the wrong people and kidnaps the wrong son. The husband Mark comes home to find his friend dead, his pregnant wife injured and his son gone. The FBI wants Luca to believe he has the witness's son, so their witness can testify, but this means putting Mark behind bars until that happens. Overhearing the plans, Mark flees and kidnaps Frank in the hope of tracking down his son.
"Hit List" is a gritty urban action thriller that is as systematic as you can get, but director Lustig does a competently slick job and the mouth-watering cast he had at his disposal simply aimed up. Jan-Michael Vincent, Lance Henriksen, Leo Rossi, Charles Napier, Rip Torn, Ken Learner and Harold Sylvester. Henriksen is ultimately unforgettable as the deadly hit-man, who also happens to be a shoe salesman by trade. Would you dare ask for a discount? Not when you see this guy in his grove. Vincent goes about things in very hardened manner and Rossi is in good form as the humorous wise-guy. An excellent Napier gives a crusty turn as the FBI agent and Torn gives his Mafia boss plenty of fire and weight. The cast are excellent and they needed to be, as the pulpy plot was too basic and somewhat unspectacular even with its calculative suspense and tough brutality (a shootout in a kid's laser zone, where everyone just goes about their business?!). It doesn't entirely go all-out, as the hardy script does take its time for the character's to some degree open up with a bit of drama. Lustig's taut style suited the inventively agile photography and the go-for-broke stunt-work and stunt-car driving provided some fatal excitement in its absurd climax.
"Hit List" is a gratuitously neat little action joint, which doesn't ask much of your time.
"Maybe it's your world, but it's my kid".
"Hit List" is a gritty urban action thriller that is as systematic as you can get, but director Lustig does a competently slick job and the mouth-watering cast he had at his disposal simply aimed up. Jan-Michael Vincent, Lance Henriksen, Leo Rossi, Charles Napier, Rip Torn, Ken Learner and Harold Sylvester. Henriksen is ultimately unforgettable as the deadly hit-man, who also happens to be a shoe salesman by trade. Would you dare ask for a discount? Not when you see this guy in his grove. Vincent goes about things in very hardened manner and Rossi is in good form as the humorous wise-guy. An excellent Napier gives a crusty turn as the FBI agent and Torn gives his Mafia boss plenty of fire and weight. The cast are excellent and they needed to be, as the pulpy plot was too basic and somewhat unspectacular even with its calculative suspense and tough brutality (a shootout in a kid's laser zone, where everyone just goes about their business?!). It doesn't entirely go all-out, as the hardy script does take its time for the character's to some degree open up with a bit of drama. Lustig's taut style suited the inventively agile photography and the go-for-broke stunt-work and stunt-car driving provided some fatal excitement in its absurd climax.
"Hit List" is a gratuitously neat little action joint, which doesn't ask much of your time.
"Maybe it's your world, but it's my kid".
- lost-in-limbo
- Aug 6, 2011
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Details
- Release date
- Country of origin
- Language
- Also known as
- Hell to Pay
- Filming locations
- Evergreen Cemetery - 204 North Evergreen Avenue, Los Angeles, California, USA(Opening cemetery sceen)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,500,000 (estimated)
- Gross US & Canada
- $4,564
- Opening weekend US & Canada
- $3,195
- Mar 5, 1989
- Gross worldwide
- $4,564
- Runtime1 hour 27 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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