Das Gespenst (1982)
“I always have a simple story, but I tell it so fanatically and wildly and tenderly and cursingly and on fire and in need of being loved that you’ll find a slice of life in front of you.”
The first time I saw Herbert Achternbusch he was hypnotizing a chicken in Werner Herzog’s The Enigma of Kaspar Hauser. Anybody who has seen the film might recall the chicken, but who is Herbert Achternbusch? It is a question that cannot be simply answered. Achternbusch captions his entire artistic output with a paradox: ‘You don't have a chance, but use it’. Trying to make sense of his work, this epigram sounds appropriate.
Matters are not helped by the unavailability of most of his films on DVD. In Germany, a boxset devoted to Achternbusch is now out of print, although two key works—Heilt Hitler (1986) and Das Gespenst (1982)—remain in circulation.
“I always have a simple story, but I tell it so fanatically and wildly and tenderly and cursingly and on fire and in need of being loved that you’ll find a slice of life in front of you.”
The first time I saw Herbert Achternbusch he was hypnotizing a chicken in Werner Herzog’s The Enigma of Kaspar Hauser. Anybody who has seen the film might recall the chicken, but who is Herbert Achternbusch? It is a question that cannot be simply answered. Achternbusch captions his entire artistic output with a paradox: ‘You don't have a chance, but use it’. Trying to make sense of his work, this epigram sounds appropriate.
Matters are not helped by the unavailability of most of his films on DVD. In Germany, a boxset devoted to Achternbusch is now out of print, although two key works—Heilt Hitler (1986) and Das Gespenst (1982)—remain in circulation.
- 11/10/2014
- by Yusef Sayed
- MUBI
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