In the future, Simulacron, a computer project simulating reality, encounters strange occurrences after its leader's death. Dr. Stiller questions the sudden disappearance of a friend and wond... Read allIn the future, Simulacron, a computer project simulating reality, encounters strange occurrences after its leader's death. Dr. Stiller questions the sudden disappearance of a friend and wonders if Simulacron holds the answers.In the future, Simulacron, a computer project simulating reality, encounters strange occurrences after its leader's death. Dr. Stiller questions the sudden disappearance of a friend and wonders if Simulacron holds the answers.
- Awards
- 1 win total
Storyline
Did you know
- TriviaPremiered on West German television as a two-part mini-series in 1973. The film was not seen again until sometime after 2000, when a single digital version began showing up on the Internet and was passed around by Fassbinder fans through file-sharing communities.
- GoofsWhen Stiller leaves the cabin to go after Eva, the gun he is carrying is not the bolt action rifle he loaded earlier - it's a pump action and the front ring sight is missing. The scope has also been reversed and it barely attached as it flops around as he fires, and it falls off shortly thereafter. (But if all of this is not "real" then is is really a Goof?)
- Quotes
Franz Hahn: I can imagine what Vollmer's shattering discovery was. I bet it had to do with his attitude towards the identity units we'd programmed in his computer. You remember how he called them "my children".
Fred Stiller: He was only joking.
Franz Hahn: You can't spend years feeding data into a computer that allows for the simulation of every aspect of human behavior without asking yourself if it might lead to the creation of something resembling human consciousness.
- ConnectionsFeatured in Fassbinder's World on a Wire - Looking Ahead to Today (2010)
While its visual style is firmly rooted in the 70s, the questions it poses and the ideas it conveys are timeless, delving into philosophical inquiries about reality, our existence, human identity and the human mind. The film brilliantly captures the panic and paranoia that ensue when a person loses the certainties around their identity. The film actually refers to Descartes and (indirectly) to Plato's allegory of the cave, which shows its philosophical underpinnings.
Watching the movie nowadays and considering in what year it was made and what the state of technology was back then, it is astonishing how visionary the director and writers were. Welt am Draht stands as one of the earliest depictions of simulated reality in film history. Computing power then was far away from making possible anything remotely resembling the film's simulated reality. They envisioned a virtual world in great detail when nothing comparable existed. Some characters even act just like video game NPCs.
This is intelligent science-fiction, with little action but a lot of wits and depth. Presumably, the cameo appearance of Eddie Constantine is a nod to Alphaville (1965), a similar kind of science-fiction movie.
The camerawork is exceptional, especially the recurring use of mirrors and glass is remarkable and interlaces the cinematography with the central question of "What is real"? The soundtrack further enhances the movie's somewhat alienating atmosphere.
Fortunately, contrary to what earlier reviewers had to endure, the movie is now widely accessible for purchase and streaming. Incredibly, the Criterion Collection version can be watched in high quality for free on YouTube. I highly recommend this movie to anyone interested in science-fiction or who liked The Matrix. It stands as an essential milestone in the history of the genre.
- jansouverein
- Apr 22, 2024
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