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The 18th edition of the Motelx – Lisbon International Horror Film Festival is set to return to Cinema São Jorge from 10th to 16th September 2024. With a programme brimming with exclusive premieres, revisits of classics, and innovative horror experiences, this year’s festival promises to be a spectacular celebration of the genre.

Among the highlights is the world premiere of Sasquatch Sunset, directed by David and Nathan Zellner and executive produced by Ari Aster. This unique film offers a bizarre and rigorous portrayal of the daily life of a Bigfoot family. Another major highlight is In a Violent Nature by Canadian director Chris Nash and Oddity, a paranormal nightmare by Irish director Damian Mc Carthy, both premiering in Portugal.

This year’s festival also marks the debut of Edgar Pêra’s Telepathic Letters, an AI-driven documentary-essay that explores the connections between Fernando Pessoa and H. P. Lovecraft. Additionally, the festival will feature Cuckoo,...

Tiger StripesImage: Dark Star Pictures

Horror has historically, and quite aptly, been the genre of choice for exploring the whirlwind of physical and emotional sensations inherent to experiencing one’s first menses. There’s the 1970 Czech dark fantasy hallmark Valerie And Her Week Of Wonders, Stephen’s King’s novel...

With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.

Bungalow (Ulrich Köhler)

Ulrich Köhler remains underseen—even by the standards of Berlin School brethren Christian Petzold and Maren Ade—and a 4K restoration of his 2002 debut Bungalow comes at the right time: its story of isolation, frayed connections, and romantic infatuation foreground an only idyllic-seeming summer getaway. 18 years on, not a shred of it feels dated or resolved, down to a conclusion that puts one in mind of ’70s American classics.

Where to Stream: Grasshopper Film

Czechoslovak New Wave

A period of creative fervor and political deconstruction like few others in cinema, Czechoslovak New Wave is now getting a spotlight on The Criterion Channel. Selections includes Black Peter (Miloš Forman,...

Stars: Jaroslava Schallerová, Helena Anýzová, Petr Kopriva, Jirí Prýmek, Jan Klusák, Libuse Komancová, Karel Engel, Alena Stojáková, Otto Hradecký | Written and Directed by Jaromil Jires

A Czechoslovakian cult classic, Valerie and Her Week of Wonders, based on a novel written by the poet, Vitezslav Nezval, was adapted to the screen and directed by Jaromil Jires, a film-maker associated mostly with his prominence during the Czech New-Wave of cinema in the 60’s. This, probably his seminal film, has now found a home on Blu-ray in the UK thanks to Second Run (the film is out there on Criterion in the States too), and I was happy to sit down again and experience this masterpiece of Czech art cinema for the first time in a few years.

Ethereal from the outset, Valerie and Her Week of Wonders almost resembles a 60’s experimental film made by students, the opening credits look amateur in a way,...

Special mention: Häxan

Directed by Benjamin Christensen

Denmark / Sweden, 1922

Genre: Documentary

Häxan (a.k.a The Witches or Witchcraft Through The Ages) is a 1922 silent documentary about the history of witchcraft, told in a variety of styles, from illustrated slideshows to dramatized reenactments of alleged real-life events. Written and directed by Benjamin Christensen, and based partly on Christensen’s study of the Malleus Maleficarum, Häxan is a fine examination of how superstition and the misunderstanding of mental illness could lead to the hysteria of the witch-hunts. At the time, it was the most expensive Scandinavian film ever made, costing nearly 2 million Swedish krona. Although it won acclaim in Denmark and Sweden, the film was banned in the United States and heavily censored in other countries for what were considered, at that time, graphic depictions of torture, nudity, and sexual perversion. Depending on which version you’re watching, the commentary is...

Every year, we here at Sound On Sight celebrate the month of October with 31 Days of Horror; and every year, I update the list of my favourite horror films ever made. Last year, I released a list that included 150 picks. This year, I’ll be upgrading the list, making minor alterations, changing the rankings, adding new entries, and possibly removing a few titles. I’ve also decided to publish each post backwards this time for one reason: the new additions appear lower on my list, whereas my top 50 haven’t changed much, except for maybe in ranking. I am including documentaries, short films and mini series, only as special mentions – along with a few features that can qualify as horror, but barely do.

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Special Mention:

Häxan

Directed by Benjamin Christensen

Denmark / Sweden, 1922

Häxan (a.k.a The Witches or Witchcraft Through The Ages) is a 1922 silent documentary about the history of witchcraft,...

Throughout the month of October, Editor-in-Chief and resident Horror expert Ricky D, will be posting a list of his favorite Horror films of all time. The list will be posted in six parts. Click here to see every entry.

As with all lists, this is personal and nobody will agree with every choice – and if you do, that would be incredibly disturbing. It was almost impossible for me to rank them in order, but I tried and eventually gave up.

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50: Thundercrack!

Directed by Curt McDowell

Written by George Kuchar

1975, USA

Thunderstruck! is by far the most obscure film you will find on this list. It is without a doubt one of the true landmarks of Underground cinema. With a screenplay by veteran underground film maker George Kuchar (story and characters by Mark Ellinger) and directed Curt McDowell (than student of Kuchar),

Thundercrack! is a work of a crazed genius.

31 – Rosemary’s Baby

Directed by Roman Polanski

USA, 1968

Roman Polanski’s brilliant horror-thriller was nominated for two Oscars, winning Best Supporting Actress for Ruth Gordon. The director’s first American film, adapted from Ira Levin’s horror bestseller, is a spellbinding and twisted tale of Satanism and pregnancy. Supremely mounted, the film benefits from it’s strong atmosphere, apartment setting, eerie childlike score and polished production values by cinematographer William Fraker. The cast is brilliant, with Mia Farrow and John Cassavetes as the young couple playing opposite Ruth Gordon and Sidney Blackmer, the elderly neighbors. There is ominous tension in the film from first frame to last – the climax makes for one of the greatest endings of all time. Rarely has a film displayed such an uncompromising portrait of betrayal as this one. Career or marriage – which would you choose?

30 – Eraserhead

Directed by David Lynch

USA, 1977

Filmed intermittently over the course of a five-year period,...

25 – Halloween

Directed by John Carpenter

1978 – Us

A historical milestone that single-handedly shaped and altered the future of the entire genre. This seminal horror flick actually gets better with age; it’s downright transcendent and holds up with determination as an effective thriller that will always stand head and shoulders above the hundreds of imitators to come. Halloween had one hell of an influence on the entire film industry. You have to admire how Carpenter avoids explicit onscreen violence, and achieves a considerable power almost entirely through visual means, using its widescreen frame, expert hand-held camerawork, and terrifying foreground and background imagery.

24 – Black Christmas

Directed by Bob Clark

1974 – Canada

We never did find out who Billy was. Maybe it’s for the best, since they never made any sequels to Bob Clark’s seminal slasher film, a film which predates Carpenter’s Halloween by four years. Whereas Texas Chainsaw Massacre, released the same year,...